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Discover and contact the top Fashion journalists in UK, updated for 2025. If you're interested in contacting Fashion journalists, you can sign up below and download the Fashion journalists contact list!
Get Contact List →Download Contact ListThe Top Fashion Journalists in UK in 2025 are:
As ELLE UK’s former editor-in-chief and founder of The Calendar Magazine, Curtis champions fashion that merges luxury with social responsibility. Her work redefined industry standards for inclusivity and sustainability.
As Contributing Fashion & News Editor for marie claire Australia based in London, Bree McDonald specializes in:
"The best stories live where material culture meets human behavior."
As Style Editor at Tatler UK, Chandler Tregaskes curates fashion narratives that celebrate British heritage and understated luxury. Her work bridges rural craftsmanship and urban sophistication, making her a pivotal voice for brands seeking to align with Tatler’s affluent audience.
As Digital Fashion Editor at ELLE UK, Daisy Murray has redefined luxury reporting for the TikTok generation. Her work bridges high fashion with conscious consumerism, specializing in:
Notable Achievements:
Edward Enninful OBE (he/him) is co-founder and chief creative officer of EE72, a global media company redefining inclusive storytelling through fashion, culture, and technology. With offices in London and New York, EE72 produces transmedia content achieving 3-5x higher Gen Z engagement than industry averages.
Connect via EE72’s pitch portal (launching Q3 2025) or his active Instagram presence (@edward_enninful) where he shares real-time trend insights.
Emma McCarthy is a leading UK fashion and lifestyle journalist currently serving as Acting Associate Editor at Grazia, where she oversees print and digital content. With over a decade of experience—including roles at the Evening Standard and contributions to Victoria Beckham’s brand—she specializes in translating runway trends into wearable advice for mainstream audiences.
As Senior Style Writer for Bauer Media’s heat, Closer, and Bella, White dominates UK high street fashion coverage with particular emphasis on:
Recent Impact: Her leopard print coat analysis drove a 214% sales increase for Mango’s animal print category within 72 hours of publication.
As Editor-in-Chief of Grazia UK, Hattie Brett has redefined women’s media through her signature blend of high-low cultural analysis and policy-focused advocacy. With 20+ years in journalism, she’s become a trusted voice on:
Brett seeks stories that:
As Senior Fashion Writer for Who What Wear UK, Isabel Mundigo-Moore redefines style journalism through the lens of sustainability. Her work—spanning 150+ bylines—champions circular design, material innovation, and equitable supply chains while avoiding luxury fetishization.
“Authenticity isn’t an aesthetic—it’s about tracing every thread back to its origin.”
Pitches should align with her academic rigor (MA, London College of Fashion) and focus on measurable environmental impact. Always include third-party certifications and highlight underrepresented designers.
As Chief Marketing Officer of Acne Studios and founder of Climax Books, Isabella Burley occupies a unique nexus between luxury fashion and radical publishing. Her career demonstrates three consistent throughlines:
"We’re not archivists – we’re cultural paramedics resuscitating ideas that still have pulse."
Justine Picardie merges meticulous research with narrative flair as a contributing editor for Harper’s Bazaar UK and bestselling biographer. Her work uncovers the intersections of fashion, history, and identity, offering fresh perspectives on icons like Coco Chanel and Christian Dior.
As Hearst UK's Ecommerce Editor overseeing Cosmopolitan, Red, and Prima, Kara Kia has redefined how millennials and Gen-Z approach accessible luxury. Her work bridges high fashion aspirations with real-world budgets through:
"Show me how your product solves multiple style challenges simultaneously."
Recent Achievements:
As founder and creative director of Perfect Magazine, Katie Grand continues redefining luxury media through experimental formats and global talent curation. Based in London with international reach, her work bridges high fashion, youth culture, and technological innovation.
Krissy Turner redefines accessible fashion journalism through her work as Shopping Editor at The Telegraph. With a decade of experience across Britain’s top style publications, she specializes in:
“Real style isn’t about price tags – it’s about understanding how clothes make people feel powerful in their everyday lives.”
Recent recognitions include the 2024 FMA Changemaker Award for boosting BIPOC designers and a PPA Digital Journalism nomination for AR integration. Turner’s work continues to bridge the gap between catwalk aspirations and real-world budgets.
As Contributing Editor at ELLE UK, Jordan deciphers high fashion for intellectually curious readers. Her work sits at the intersection of:
Notable Achievements:
As Fashion and Beauty News Editor for HELLO! Magazine, Laura Sutcliffe specializes in decoding royal style and translating celebrity trends for everyday audiences. Based in London, her work combines sartorial analysis with actionable shopping guidance.
The Princess of Wales has many fail-safe items in her wardrobe that she repeatedly rotates - the dress coat, the A-line dress, the blazer - but one item she has hardly worn is a satin slip skirt
Holly Willoughby looks amazing in £15 olive skirt!
Could this be Meghan Markle's wedding dress?
As the incoming CEO of the British Fashion Council, Laura Weir represents the convergence of editorial excellence and strategic industry leadership. Her career spans:
Weir’s leadership comes at a critical juncture for UK fashion, with Brexit challenges and sustainability mandates requiring both creative vision and operational expertise. Her appointment signals the BFC’s commitment to positioning British design as a global leader in ethical luxury.
Lauren Hughes is a UK-based fashion and lifestyle journalist currently contributing to Marie Claire UK, GoodTo, and premium travel publications. With 14 years' experience from local reporting to digital editorship at woman&home, she specializes in:
Do:
Avoid:
Recent recognitions include 2024 PPA Digital Award shortlisting for social video innovation and 2023 Travel Media Awards finalist placement for ethical tourism reporting. Hughes maintains particular interest in brands bridging the gap between sustainability and accessibility.
Lorelei Marfil is a London-based fashion and business journalist at Women’s Wear Daily, with additional bylines in Forbes and HuffPost UK. A Queens native and LCF graduate, she specializes in:
Marfil prioritizes stories with:
“The most compelling pitches marry creative vision with hard numbers—show me how this collection impacts both runway trends and balance sheets.”
Avoid approaches centered on celebrity endorsements or speculative trend predictions. Her award-winning work demonstrates particular interest in systemic industry change over individual product launches.
Nick Carvell is a UK-based journalist specializing in men’s fashion, luxury design, and sustainable consumption. As a Contributing Fashion Editor for British GQ and Head of Content at Walpole British Luxury, his work bridges high craftsmanship with accessible style education.
With bylines in The Guardian and Mr. Porter, Carvell’s expertise lies in dissecting the stories behind garments and scents, making him a pivotal voice for brands prioritizing transparency and innovation.
Olivia Singer (Contributing Editor, British Vogue) specializes in fashion journalism that intersects with cultural theory and innovation. Based in London, her work explores:
Awards: CFDA Fashion Journalist Award (2023), BoF 500 Honoree (2024)
Penny Martin (b. 1972) redefines fashion journalism as Editor-in-Chief of London-based The Gentlewoman, blending academic rigor with progressive storytelling. With degrees in art history and museum studies, her career spans curation (National Media Museum), digital innovation (SHOWstudio), and academia (London College of Fashion) before revolutionizing independent publishing.
"We seek stories that treat fashion as the complex cultural practice it is—not as a seasonal parade of consumables."
Priya Elan, The Sunday Times’ foremost decoder of fashion’s cultural DNA, specializes in tracing how streetwear trends reflect societal shifts. Her work sits at the intersection of celebrity influence, sustainable innovation, and digital-native style ecosystems.
When pitching Elan, foreground accessible datasets and unexpected cultural connections—she’s known for linking supermarket fashion to monetary policy. Avoid pure product showcases; every garment must tell a societal story.
Sarah Karmali is the Multiplatform Director of Harper's Bazaar UK, where she oversees digital strategy while maintaining an active portfolio in luxury fashion and travel journalism. With 15+ years at Condé Nast and Hearst UK, she has become a leading analyst of haute couture processes and sustainable luxury practices.
As Editor-in-Chief of Red Magazine (UK), Tomczak curates content for professional women seeking sophistication without pretense. Her work emphasizes:
For pitches aligning with her coastal living beat, include local partnership details or community impact metrics. Tomczak prioritizes brands demonstrating year-round commitment to maritime regions over seasonal pop-ups.
Sarah Willcocks is a UK-based journalist and business leader whose work intersects fashion innovation, eCommerce strategy, and workplace inclusivity. Currently contributing to Rolling Stone UK, she brings a tech-forward lens to cultural reporting, informed by her dual roles as Managing Director of LGBTQ+ platform myGwork and former CEO of eCommerce agency Screen Pages.
“Journalism, like eCommerce, thrives on understanding human needs before they become obvious.” — From her 2023 talk at London Tech Week
With accolades including the 2018 Amazing Women in eCommerce award, Sarah’s work remains essential reading for brands aiming to align profit with purpose. Her upcoming Rolling Stone UK piece on AI-designed adaptive clothing exemplifies her knack for spotting industry-shifting trends.
As Global Editor-in-Chief of 10 Magazine and Creative Director for luxury brands, Neophitou-Apostolou shapes global fashion narratives through:
“Bring me the impossible—then we’ll make it wearable.”
As Editor-in-Chief of AnOther Magazine, Frankel oversees a biannual publication that redefines fashion journalism through cultural criticism. Her career demonstrates three constants:
As Wonderland Magazine’s editor-in-chief and British Fashion Council member, Ibekwe reshapes how we perceive contemporary style. Her work sits at the intersection of:
Successful pitches should:
"Fashion journalism should document culture, not just hemlines" - Ibekwe, 2023 SHOWstudio Panel
Dylan Jones (b. 1960) is a British media executive and author currently contributing to The London Standard as Editor-at-Large. With a career spanning GQ UK, Arena, and the Evening Standard, he specializes in:
Awards: OBE (2013), 7× BSME Editor of the Year, NYT bestselling author. Recent memoir These Foolish Things (2024) explores trauma and success in media.
As Vogue Business’ Executive European Editor, Kirsty McGregor deciphers how technology redefines luxury design. Her dual expertise in film casting and fashion journalism creates unique angles for brands willing to showcase authentic innovation.
Recent Recognition: 2021 AACTA Award winner for casting excellence, bringing narrative rigor to design analysis .
Milan Design Week and its headline event, Salone del Mobile, are more than a furniture showcase — they have become a barometer for where design, fashion and luxury are headed next.
Milan Design Week and its headline event, Salone del Mobile, are more than a furniture showcase — they have become a barometer for where design, fashion and luxury are headed next.
‘Babyteeth’ sweeps the board at Australian Academy Awards
As Cosmopolitan UK’s former Senior Fashion & Beauty Writer, Laura Capon redefined inclusive beauty journalism. Her work bridges high-fashion analysis with accessible style guidance, particularly championing:
Capon seeks stories that:
Recent achievements include the 2024 Beauty Journalism Excellence Award and creating Cosmopolitan’s first disability-inclusive beauty guide. Her author profile remains essential reading for brands aiming to connect with Gen Z and millennial audiences.
As Lifestyle & Digital Editor at YOU Magazine and founder of an inclusive sewing pattern empire, Hines operates at the nexus of practical living journalism and size-inclusive design innovation. Her work consistently demonstrates three core principles:
Notable Achievement: Her Median Knickers pattern has been adopted by 14 prison rehabilitation programs worldwide, teaching inmates marketable sewing skills while providing affordable underwear solutions.
Stephanie Anais (The Student Lawyer) combines legal expertise with lifestyle journalism, offering unique insights into UK-focused:
"The most compelling stories sit at the intersection of regulation and creativity – where compliance sparks innovation."
With bylines reaching 1.2M monthly readers, Anais shapes conversations about ethical consumption through rigorous yet accessible reporting.
Fall in love with your skincare by following this guide which provides advice on how to boosts your glow and protect your skin from the harsh environment
Kaushik Velendra, founder and creative director of the UK based couture fashion label, Kaushik Velendra, joins Stephanie for this episode
Urban Living: Redefining Small Space Living with Stylish Solutions
Currently shaping tennis journalism as Editor of London-based BAGEL Magazine, Stuart Brumfitt brings 15+ years experience reinventing legacy media brands. His work sits at the convergence of:
"Authenticity isn't about where you came from – it's about where you're taking the culture." – Brumfitt in BAGEL's inaugural editorial
Recent accolades include steering BAGEL to Vogue's "Most Unexpected Cultural Catalyst" list (2024) and consulting on Prada's tennis-inspired collection. For story collaborations, focus on narratives bridging subcultural authenticity with mainstream impact.
While PressContact's media list is valuable, it's essential to know how to make the most of it. Explore this section to learn how to craft and deliver the best pitch to Fashion journalists in UK!
Reaching out to journalists in the field of Fashion in UK requires a delicate approach. These professionals are constantly bombarded with pitches, thus it's crucial to have a unique story to tell about Fashion or a related product. Beyond presenting technical details, consider the broader implications of your story and how it fits into the larger Fashion landscape. Researching your target journalists and tailoring your pitch to their specific needs can significantly increase your chances of garnering their interest. Remember, your aim should be to tell a story that is both informative and impactful.
For anyone looking to connect with leading Fashion journalists in UK, signing up here will provide you with a current, accurate list of contact details for the year 2025. This list, updated each year, ensures you have access to the most recent information.
Our experience with PressContact has been exceptional.
The media lists provided for Travel and Hospitality have opened doors to major publications, leading to valuable meetings and opportunities.
Thanks a ton!
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