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Discover and contact the top Music journalists in Australia, updated for 2025. If you're interested in contacting Music journalists, you can sign up below and download the Music journalists contact list!
Get Contact List →Download Contact ListThe Top Music Journalists in Australia in 2025 are:
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As Head of Content at The Music Network and Billboard’s Australia correspondent, Lars Brandle has shaped Antipodean music journalism for over two decades. His work straddles:
Brandle’s recent accolades include the 2024 APRA Media Award for investigative journalism and Queensland Music Hall of Fame induction - rare honors underscoring his dual role as chronicler and cultural architect.
Maddy Woon has established herself as Australia’s foremost chronicler of underground music and its intersection with urban design. Currently writing for Life Without Andy while contributing to MacGuffin Magazine, her work offers PR professionals unique opportunities to highlight:
“The most compelling stories reveal how creativity emerges from constraints – whether that’s zoning laws, streaming algorithms, or climate challenges.”
Recent recognitions include the 2023 Music Journalists Australia Award for developing the “DIY Index” metric. Avoid pitches about mainstream chart success or luxury brand partnerships – Woon’s focus remains firmly on cultural innovation over commercial achievement.
Matt Doria (Tone Deaf, Australia) specializes in music industry evolution, cultural policy, and artist ecosystems. With bylines in academic journals and mainstream music publications, he uniquely bridges data-driven analysis with narrative storytelling.
Recent recognition includes the 2024 MJA Cultural Commentary Prize for work impacting Indigenous music preservation policies.
Measuring competitive balance in sports
Dancing in a culture of disordered eating: A feminist poststructural analysis of body and body image among young girls in the
Community for data integration 2018 funded project report
Mike Hohnen is a Australia-based journalist and leadership coach specializing in music industry dynamics and organizational development. Currently contributing to The Music Network, his work bridges artistic innovation and sustainable business practices.
Recent recognitions include a 2023 innovation award for his coaching framework adopted by multiple ARIA-winning management teams. His articles regularly influence talent development strategies across Australasia's music sector.
Natalie Rogers combines literary sensibilities with music journalism at Australia’s Forte Magazine. Her work explores how artists transform personal experiences into cultural commentary, with particular interest in underground music scenes and artistic identity formation. Pitches should emphasize authentic narratives over commercial success metrics.
“The brain is the most important organ. I told myself that had something to do with it.”
This quote from Rogers’ fiction encapsulates her journalistic approach: probing the cognitive and emotional roots of artistic expression.
With 25+ years documenting rock’s evolution, Yates combines a journalist’s curiosity with a archivist’s precision. His work at Jaxsta and SiriusXM makes him a unique bridge between music’s analog past and digital future.
“The best stories aren’t told—they’re excavated.”
Simon Eales merges academic rigor with music journalism, currently writing for Australia’s Scenestr. His work focuses on artists challenging colonial narratives through experimental forms.
“Eales’s critique of national identity in Australian poetry has reshaped how universities teach literary history.” — Cambridge University Press
As Australia’s foremost analyst of music culture, Fuamoli bridges industry expertise and cultural advocacy across Rolling Stone Australia, 3RRR FM, and international platforms. Her work prioritizes:
Successful pitches should:
Zanda Wilson is a senior music journalist at The Music Network, Australia’s leading music industry publication. With over a decade of experience across Rolling Stone Australia, Music Feeds, and The Brag Magazine, Wilson specializes in:
Wilson prioritizes stories that reveal systemic shifts in Australia’s music ecosystem. His recent work demonstrates particular interest in:
“The most compelling pitches we receive don’t just present facts – they connect an artist’s journey to the larger narrative of Australian music’s evolution.”
As Limelight Magazine’s foremost culture journalist, Angus McPherson specializes in classical music, opera, and institutional arts policy. His work balances artistic critique with advocacy for accessible, innovative programming.
Pitch Alignment Tip: Highlight projects bridging artistic excellence and community impact, such as youth mentorship programs within established institutions. Avoid commercial entertainment or celebrity-focused angles.
Greg T Ross is the Managing Director and Publishing Editor of Australia’s The Last Post Magazine, where he spearheads coverage at the intersection of military heritage, arts, and community development. With 15+ years experience, Ross has become the leading chronicler of Australian veteran experiences while expanding into cultural preservation journalism.
Currently shaping global narratives as Director of Publicity at Michael Cassel Group, Cooper brings a journalist’s rigor to entertainment PR. His decade-long journalism career at The Sydney Morning Herald and The Age established him as Australia’s foremost investigator of music industry power structures.
“The best pitches mirror Cooper’s own work – they’re equal parts investigative depth and theatrical flair.”
Silvia Colloca is an Italian Australian culinary storyteller, opera singer, and television personality. Based in Sydney, she champions accessible, family-oriented Italian cooking through her blog Silvia’s Cucina, cookbooks, and SBS Food programming. Her work emphasizes:
Colloca’s accolades include a Logie nomination, ARIA chart-topping music, and cookbooks translated into five languages. For collaborations, focus on stories that marry food with heritage, music, or everyday joy.
To succeed in your PR campaign, it's crucial to go beyond a media list. While PressContact provides valuable resources, executing an effective pitch to Music journalists in Australia requires careful planning. Discover how to make the most impact by reading this section!
Engaging with Music journalists requires thoughtful and strategic communication. These journalists often receive numerous pitches on a daily basis, making it critical to present a unique story specifically related to Music. To increase your chance of a positive response, consider the interests of your target journalists and the wider implications of your story. Avoid getting lost in technical details, and instead aim to illustrate the impact and relevance of your Music related news. With a well-prepared, insightful pitch, you'll be well positioned to connect effectively with Music journalists in Australia.
For those in search of Environment journalists in Canada in 2025, the easiest way to connect is by signing up here and downloading the latest contact list. With an annual update, we ensure that you always have the most accurate and reliable contacts at your disposal.
Our experience with PressContact has been exceptional.
The media lists provided for Travel and Hospitality have opened doors to major publications, leading to valuable meetings and opportunities.
Thanks a ton!
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