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Discover and contact the top Music journalists in USA, updated for 2025. If you're interested in contacting Music journalists, you can sign up below and download the Music journalists contact list!
Get Contact List →Download Contact ListThe Top Music Journalists in USA in 2025 are:
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As Senior Editor at BrooklynVegan, Sacher dominates coverage of:
Anna Gaca is a senior editor and music critic at Pitchfork, where she explores the intersections of sound, identity, and cultural innovation. Based in Brooklyn, her work champions experimental artists and interrogates the societal implications of music.
This Melbourne-born, Brooklyn-based journalist blends data rigor with cultural analysis across:
"I want stories that make the DJ booth feel as politically charged as the Senate floor." - Politics of Dancing Newsletter
At Rolling Stone since 2015, Spanos has become the definitive voice analyzing pop music’s evolving landscape. Her work bridges academic musicology and mainstream accessibility, particularly through:
“Spanos’ true beat isn’t music – it’s how sound shapes identity in the digital age.” – NYU Music Journalism Review
Brittney McKenna is a music journalist specializing in Americana, country, and folk genres. Based in Nashville, she writes for American Songwriter and contributes to NPR Music, offering nuanced analyses of artists and cultural trends.
As Managing Editor of Stereogum and author of the forthcoming cultural history Such Great Heights, DeVille has become indie rock's preeminent documentarian. His work focuses on:
"The best music journalism doesn't just report trends - it preserves the emotional truth of cultural moments that algorithms can't quantify."
Recent Milestones:
As senior reporter for WNYC's The Stakes, Johnson investigates cultural phenomena through intersectional lenses. His 2025 work examines:
"The best pitches help me hear the world's hidden rhythms - the cultural patterns most miss in the noise."
Christopher Robinson is a multidisciplinary writer and editor covering music innovation, literary culture, and artistic entrepreneurship. Currently contributing to The HYPE Magazine, his work explores how technology transforms creative industries while preserving cultural legacies.
"Every creative choice was informed by ODB's paradoxical harmonies - a 'lyrical ruckus' that demanded equally innovative storytelling."
Robinson's career demonstrates a consistent commitment to expanding how we document and experience cultural narratives. Those pitching should emphasize projects that challenge traditional format boundaries while maintaining scholarly rigor.
Dan DeLuca is the music critic at The Philadelphia Inquirer, where he has documented the region's soundscape for over two decades. His coverage spans:
As senior editor at Rolling Stone and MOJO contributor, Fricke documents music's evolving mythology through:
Awards: 3x ASCAP-Deems Taylor, Grammy-nominated liner notes, SiriusXM's 2022 Lifetime Achievement in Music Journalism
Derrick Rossignol is UPROXX’s Music News Editor and a leading voice in contemporary music journalism. Based in Portland, Maine, his work combines breaking news acuity with deep cultural analysis, particularly around genre evolution and celebrity influence.
With 150+ articles annually reaching 12M+ monthly readers, Rossignol’s work sits at the intersection of music journalism and cultural commentary. His ability to transform industry developments into accessible narratives makes him essential reading for artists and executives alike.
As Westword’s Music & Culture Editor since 2021, Ferguson documents the interplay between Colorado’s creative communities and urban development. Her work combines ethnographic research with data journalism, particularly focusing on:
Gail Mitchell (Billboard) stands as the definitive voice in R&B/hip-hop journalism, with a 25-year tenure shaping how the industry understands urban music’s cultural and economic impact. Based in Los Angeles, her reporting spans:
"Bring me the stories that boardrooms ignore but dressing rooms live."
Recent Honors: 2023 ASCAP Media Champion Award, 2021 NAACP Image Award for music journalism
Giovanni Russonello is a music critic and political reporter for The New York Times, where he chronicles jazz’s evolving role in American culture. Based in Washington, D.C., and New York, his work bridges artistic innovation with social justice movements, offering a unique lens on how music shapes public discourse.
For media inquiries, contact Russonello via his New York Times profile or through CapitalBop’s editorial team.
Howard Reich deciphers society through its artistic legacy. Currently contributing to The Forward, his work excavates the intersection of cultural production and historical memory.
Successful Pitches Demonstrate:
As Pitchfork’s preeminent voice on music’s radical edges, Jenn Pelly specializes in artists who challenge cultural hierarchies. Her work intersects three key areas:
Recent accolades include her 2025 Granta recognition and groundbreaking work on Numero Group’s box sets. She currently splits time between Pitchfork essays and liner notes that redefine archival practice.
Joshua Kosman is a veteran classical music critic and cultural commentator currently writing for his Substack, On a Pacific Aisle. For 36 years, he served as the chief classical music critic at the San Francisco Chronicle, where he chronicled the evolution of the Bay Area’s arts scene while championing contemporary composers and interrogating institutional power dynamics.
As Alternative Press' lead music analyst since 2018, Greenwood has redefined coverage of punk, emo, and post-hardcore movements. His work uniquely blends:
Successful outreach should emphasize:
"Greenwood's profiles don't just introduce artists - they create historical records of musical movements in real-time." - APMA Judging Committee, 2024
Leslie Horn (VICE, Deadspin) specializes in music criticism and lifestyle analysis through generational lenses. Her work connects artistic innovation to cultural shifts, particularly in these areas:
Avoid pitches about: Political music commentary, luxury travel, or technical music theory analysis. Recent recognition includes 2022 ASME nomination for digital criticism.
Lyndsey Havens is a Deputy Editor at Billboard specializing in music industry evolution, artist reinvention, and vinyl culture. With over 200 bylines analyzing how analog formats thrive in digital ecosystems, she’s become a leading voice on music’s physical/digital convergence.
Avoid pitches about awards show politics or tech hardware reviews—Havens focuses on human stories behind music consumption trends. Her work consistently asks: "How do we experience music in an age of infinite streaming?"
Mark Stryker stands as America's preeminent chronicler of Detroit's jazz legacy. Currently writing for JazzTimes and authoring critically acclaimed books, he brings academic rigor to mainstream music journalism.
When approaching Stryker:
As co-Editor-in-Chief of Relix, Mike Greenhaus has become the preeminent chronicler of live and improvisational music culture. With a career spanning two decades at America’s second-longest running music publication, he bridges grassroots jam scenes and mainstream entertainment through:
Greenhaus prioritizes stories that reveal:
His work consistently avoids mainstream celebrity coverage, focusing instead on artistic process and community-building within music subcultures. Recent features highlight bands navigating post-pandemic touring economies while maintaining creative integrity.
For over 25 years, Rob Sheffield has been Rolling Stone’s premier chronicler of music’s emotional infrastructure. His work lives at the intersection of critical analysis and cultural anthropology, treating Billboard-topping hits as sacred texts and mosh pits as spiritual gatherings.
“The best music journalism doesn’t just describe the song—it becomes part of the song’s ongoing life.”
With six NYT bestsellers and over 300 Rolling Stone features, Sheffield continues redefining how we listen. His upcoming podcast series Anthology of Feeling promises to dissect 50 landmark songs through crowd-sourced emotional histories.
Robby Seabrook III (Complex, XXL Magazine) specializes in hip-hop culture with a focus on Southern rap traditions and entertainment industry crossovers. His work blends artist profiles with data-driven analyses of regional music economies.
Shawn Macomber is a Miami-based journalist contributing to Decibel Magazine, AEI, and his independent Substack. His work bridges music subcultures, economic policy, and urban creativity, offering a unique lens for pitches that intersect these domains.
For PR professionals seeking to engage this music journalist:
"The best stories live where the music meets the courtroom" - Setaro, 2024 interview
Recent accolades include his 2024 investigative series tracking rap-related cryptocurrency scams, cited by the FTC in recent fintech regulations. His upcoming book Bar Codes: Rap's Hidden Legal Lyrics further cements his status as hip-hop's preeminent legal analyst.
As News Editor at Consequence of Sound, Wren Graves has become a defining voice in modern music criticism. Their work combines deep musical knowledge with innovative storytelling formats, particularly through award-winning crossword puzzles that blend trivia with cultural analysis.
"The best music journalism doesn't just describe sounds—it maps how those sounds travel through culture."
This New Jersey-born, Gainesville-educated writer has become Miami's preeminent documentarian of sound system culture and festival ecosystems. Currently shaping the conversation at Festival Insider, Schlein's work decodes how regional music movements influence global trends.
"Schlein's writing doesn't just report on music - it archives the soul of a city in flux." - The New Tropic
Anne Midgette is a leading voice in classical music and arts criticism, known for her incisive analysis at The Washington Post (2008–2019) and pioneering digital commentary. Her work spans opera, contemporary composition, and visual arts, with a focus on equity and institutional evolution.
Dan Fox (he/him) is a senior editor at The Yale Review and multidisciplinary chronicler of art, music, and cultural discourse. Based in New York with roots in London's avant-garde scenes, his work explores how subcultures shape mainstream creative practices.
Achievements: Andy Warhol Foundation grantee (2021), Grierson Award nominee (2022), and former Turner Prize juror. His film Other, Like Me premiered at MoMA's Doc Fortnight.
The Jewish relationship with HM Armed Forces is a hidden jewel of our community's history
Exhibition Reviews / ‘Leigh Bowery!’ Depicts a Life Lived Outrageously
Ten years ago I wrote a book called *Pretentiousness: Why It Matters*
Danica Daniel is Managing Editor of MadameNoire, where she spearheads coverage of culture, media, and music through an intersectional lens. A Syracuse University alumna, she cut her teeth reporting on campus governance before ascending to roles at BET, Billboard, and Spotify.
Daniel Bateman bridges documentary filmmaking, climate journalism, and indie music through award-winning storytelling. Currently contributing to the Los Angeles Times, his work combines technical precision with narrative depth.
David A. Graham is a Pulitzer-finalist journalist specializing in U.S. power structures and their societal impacts. As a staff writer at The Atlantic, his work bridges policy analysis with cultural commentary.
"The most dangerous policies often hide in plain sight – our job is to make readers see the filing cabinet behind the podium."
With bylines in regional news outlets and her Substack Choreographed Chaos, Fitzgerald brings an educator’s precision to stories about:
Current Platform: Regular contributor to education-focused outlets like Citizen Portal while maintaining an active Substack analyzing parenthood through sociological and institutional lenses.
Ellen Johnson is a Senior Editor at Law360 specializing in media law and its intersection with cultural industries. Based in Atlanta, she brings a unique perspective shaped by her earlier career as Paste Magazine’s music journalist.
Emily Yahr is a senior entertainment reporter and pop culture analyst at The Washington Post, where she decodes the intersections of music, television, and celebrity. With a career spanning over 15 years, her work combines industry expertise with narrative flair, particularly in profiling artists at career crossroads.
“Country star Kelsea Ballerini is a believer in listing goals and setting intentions.” — The Washington Post
Connect with Yahr through her Washington Post profile or PressContact portfolio for pitches emphasizing artistic reinvention and cultural legacy-building.
Energy and music journalist currently serving as Editorial Director at Hart Energy. Based in Houston, Blum specializes in natural gas markets and classic rock analysis, with bylines in Fortune, Loudwire, and industry trade publications.
Career Highlight: Predicted 2023 Haynesville production surge 9 months before EIA reports, using proprietary decline curve analysis.
As The Philadelphia Inquirer’s lead arts critic since 1994, Peter Dobrin chronicles the institutions and individuals defining the region’s cultural identity. His reporting blends artistic critique with investigative rigor, particularly on topics like:
Dobrin typically bypasses celebrity-driven arts coverage, experimental digital installations, and hyperlocal community arts initiatives unless they tie into broader institutional trends.
For impactful pitches, align with his signature themes: sustainability of legacy institutions, innovative audience engagement models, and the politics of arts funding.
Curtis outbids Temple for UArts’ building after developer Allan Domb drops out
Philadelphia Orchestra and Ensemble Arts is losing its leader to the Chicago Symphony Orchestra
Inside the Franklin Institute’s new permanent exhibits: Body Odyssey and Your Brain
The name Saralye West does not match any verified journalists in our research database. For accurate pitching, we recommend:
Notable professionals with similar names include Australian actress Sara West and academic Sara E. West, but neither appears to work in journalism under the exact name "Saralye West."
To achieve PR success in the Music category, it's vital to understand how to craft a compelling pitch for USA journalists. Find expert guidance and practical tips on executing a winning campaign in this dedicated section!
Engaging with Music journalists in USA requires a strategic approach and an understanding of the industry. These journalists are inundated with pitches every day, making it critical to present a unique, insightful story specifically related to Music. More than the technical details, it's crucial to consider the wider ramifications of your story and how it impacts the industry as a whole. By researching your target journalists and tailoring your pitch to align with their specific interests, you can significantly improve your chances of capturing their attention. With a well-prepared, impactful story, you stand a better chance of effectively engaging Music journalists in USA.
For anyone looking to connect with leading Music journalists in USA, signing up here will provide you with a current, accurate list of contact details for the year 2025. This list, updated each year, ensures you have access to the most recent information.
Our experience with PressContact has been exceptional.
The media lists provided for Travel and Hospitality have opened doors to major publications, leading to valuable meetings and opportunities.
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