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Discover and contact the top Arts journalists in USA, updated for 2025. If you're interested in contacting Arts journalists, you can sign up below and download the Arts journalists contact list!
Get Contact List →Download Contact ListThe Top Arts Journalists in USA in 2025 are:
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Anne Midgette is a leading voice in classical music and arts criticism, known for her incisive analysis at The Washington Post (2008–2019) and pioneering digital commentary. Her work spans opera, contemporary composition, and visual arts, with a focus on equity and institutional evolution.
Cate McQuaid is a art critic and cultural reporter for The Boston Globe, with a Substack presence exploring creativity’s role in personal and societal transformation. Her career spans over 20 years, marked by a focus on underrepresented narratives and the intersection of art with social justice.
Chris Vognar crafts narratives that connect artistic expression to societal evolution. As a staff writer for The Dallas Morning News and contributor to national outlets, his work spans:
Successful pitches should offer fresh angles on:
“Vognar doesn’t just review art—he decodes its relationship to the human condition.”
Christine Dolen (1950–2025) was a Pulitzer Prize drama juror and longtime theater critic for the Miami Herald and Artburst Miami. Her work centered on regional theater, immersive productions, and playwright profiles, with a focus on Miami’s evolving arts scene.
“Christine didn’t just review plays—she shaped conversations about what theater could become.” – Laura Bruney, Arts & Business Council of Miami
Dan Fox (he/him) is a senior editor at The Yale Review and multidisciplinary chronicler of art, music, and cultural discourse. Based in New York with roots in London's avant-garde scenes, his work explores how subcultures shape mainstream creative practices.
Achievements: Andy Warhol Foundation grantee (2021), Grierson Award nominee (2022), and former Turner Prize juror. His film Other, Like Me premiered at MoMA's Doc Fortnight.
The Jewish relationship with HM Armed Forces is a hidden jewel of our community's history
Exhibition Reviews / ‘Leigh Bowery!’ Depicts a Life Lived Outrageously
Ten years ago I wrote a book called *Pretentiousness: Why It Matters*
Visual storyteller David LaChapelle (b. 1963) redefines boundaries between commercial photography and fine art. Currently featured in TASCHEN's career-spanning monograph Lost + Found. Good News, his work combines Baroque aesthetics with pop culture critique.
Recent institutional recognition includes the Florence Biennale Lifetime Achievement Award (2023) and a Royal Photographic Society Fellowship (2022). His upcoming KAOS documentary series for Netflix explores global art collectives combating climate despair.
For over 30 years, Don Aucoin has shaped cultural conversations as The Boston Globe’s foremost theater critic and media analyst. His work sits at the intersection of artistic innovation and journalistic integrity, making him an indispensable voice for understanding how storytelling evolves across stages and newsrooms.
Ellen Gamerman establishes cultural benchmarks through her arts reporting for The Wall Street Journal. Her work helps readers understand:
Gamerman's reporting provides essential analysis for understanding how cultural institutions navigate contemporary challenges while maintaining artistic integrity. Her work serves as a critical bridge between art world insiders and the general public.
As lead critic for New York Stage Review, Frank Scheck has become the definitive voice analyzing Broadway’s collision with contemporary social movements. With 30+ years covering American theater, his work bridges:
Seek: - Feminist reinterpretations of classic texts - Data-driven studies of Broadway economics - Actor-led creative initiatives beyond performance
Avoid: - Celebrity-driven vanity projects - Uncritical press releases for commercial productions - Experimental works without cultural commentary hooks
Recipient of the 2022 Drama Desk Honorary Membership, Scheck’s critiques serve as both artistic evaluation and social document – essential reading for anyone invested in theater’s evolving role in American culture.
As Arts & Culture Editor at Block Club Chicago, Gwen Ihnat specializes in stories that bridge historical context with contemporary community impact. Her reporting focuses on three key areas:
New WBEZ Podcast 'Stories Without End' Explores The Steamy History Of Soap Operas
Chicago's Cultural Institutions Convene At Activating Heritage 2025
Riot Fest 2026 Tickets On Sale Friday For 20th Anniversary Event In Douglass Park
As senior arts reporter for The Denver Post, Wenzel has redefined regional cultural journalism through:
Successful story angles should:
Beneath the technical wizardry and versatile performances of “Life of Pi,” there are tragic realities that confront our current national moment with unflinching horror.
Check out this article from John Wenzel from the @denverpost...
Media Matters with John Wenzel
Kelly Crow stands at the forefront of art market journalism, combining The Wall Street Journal’s signature financial acumen with deep cultural analysis. Her reporting consistently illuminates how global economic currents manifest in the rarefied world of high-value collectibles.
“The art market isn’t about objects – it’s about the stories we attach to them and the capital that follows.”
With over a decade of institutional knowledge at WSJ, Crow’s work remains essential for understanding how cultural value translates into financial value – and vice versa. Her upcoming book on the $200B global art economy is highly anticipated among collectors and policymakers alike.
Global Auction Houses See Sales Dip as Sellers Hold Prized Assets; Luxury Goods Defy Expectations
Steinhof Psychiatric Hospital’s Hidden History Reveals Vienna’s Complex Relationship with Mental Health
Post-War Art Market Trends and Auction Dynamics
As KUOW's lead arts/culture reporter since 2022, Davis specializes in stories where creative expression intersects with social justice. His work consistently asks: "Who benefits from our cultural institutions, and who gets to define their legacy?"
Do: Lead with data-rich proposals about cultural policy gaps or innovative community partnerships. Davis prioritizes stories with verifiable impact metrics and diverse sourcing.
Avoid: Press-release style announcements about gallery openings or celebrity performances lacking social context.
As Crain's New York Business' senior culture writer, Souccar operates at the intersection of arts economics and institutional philanthropy. Her work consistently answers one central question: How do cultural entities sustain themselves while impacting New York's economic ecosystem?
"The most successful pitches demonstrate clear causation between cultural initiatives and economic outcomes."
Moira Macdonald is The Seattle Times' lead arts critic and education analyst, renowned for synthesizing cultural commentary with policy insights. With awards from the Canadian Business Media Association and Canadian Online Publishing Awards, her work bridges academic rigor and public accessibility.
"Effective education reporting doesn't just diagnose problems—it prescribes implementable solutions through rigorous comparative analysis."
For over two decades, Pam Kragen has shaped cultural discourse as The San Diego Union-Tribune's premier arts journalist. Her work sits at the intersection of artistic practice, community impact, and cultural policy, offering unparalleled insights into Southern California's creative ecosystem.
Director's decade-long passion project 'Mary’s Wedding' comes to Scripps Ranch Theatre
Local pop singer inks record deals, an architect takes over a challenging space and more in our weekly arts roundup
Visual arts thrive in San Diego's cultural renaissance
As The Philadelphia Inquirer’s lead arts critic since 1994, Peter Dobrin chronicles the institutions and individuals defining the region’s cultural identity. His reporting blends artistic critique with investigative rigor, particularly on topics like:
Dobrin typically bypasses celebrity-driven arts coverage, experimental digital installations, and hyperlocal community arts initiatives unless they tie into broader institutional trends.
For impactful pitches, align with his signature themes: sustainability of legacy institutions, innovative audience engagement models, and the politics of arts funding.
Curtis outbids Temple for UArts’ building after developer Allan Domb drops out
Philadelphia Orchestra and Ensemble Arts is losing its leader to the Chicago Symphony Orchestra
Inside the Franklin Institute’s new permanent exhibits: Body Odyssey and Your Brain
As co-chief art critic at The New York Times, Roberta Smith has redefined art journalism through her accessible yet rigorous approach. With 4,500+ articles spanning five decades, she brings unparalleled depth to coverage of:
Successful pitches should:
"Save praise for art that's rich enough, human enough, accessible."
As The Washington Post's Pulitzer-winning art critic, Smee bridges academic rigor and public engagement. His work focuses on three core areas:
"True art criticism should make readers see familiar works with new eyes while discovering forgotten masters." - Smee in 2022 interview
With 15+ years at major US publications and translations of his books in 12 languages, Smee remains essential reading for understanding art's role in society.
Tony Bravo (San Francisco Chronicle) is a leading voice in arts and culture journalism, specializing in visual arts, LGBTQ+ narratives, and the intersection of technology with creative industries. Based in San Francisco, his work for Datebook and KQED blends rigorous reporting with empathetic storytelling, often highlighting how regional trends influence national conversations.
As the Houston Chronicle’s theater critic and arts writer, Chen specializes in unpacking how performing arts reflect societal values. His work consistently explores:
For over three decades, Angelynn Grant has shaped how professionals and publics understand design's cultural role. Her work in Communication Arts and AIGA Eye on Design bridges technical precision with narrative accessibility.
Recent honors include 2022 induction into Communication Arts' Hall of Fame and 2020 AIGA Medal consideration. Her upcoming book Visible Language: Design Journalism as Cultural Practice releases Fall 2025 through MIT Press.
As Senior Managing Editor at Aperture, Brendan Embser shapes global discourse on photography’s intersection with culture and politics. His work emphasizes:
Carl Barnett merges fashion journalism with artistic analysis for The Fashionisto, focusing on design innovation rather than consumer trends. While detailed article records are unavailable, their work appears informed by a background in visual arts, making them particularly receptive to pitches about avant-garde material experimentation or cross-disciplinary collaborations. Avoid mass-market retail angles when approaching.
"Fashion remains humanity's most accessible wearable artform" - Carl Barnett's artistic statement
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As a features writer for the Chicago Tribune, Christopher Borrelli specializes in unearthing stories that exist at the intersection of cultural preservation and urban anthropology. His two-decade career has established him as a leading voice in narrative-driven journalism that treats everyday spaces as historical documents.
“The stories worth telling are often hiding in plain sight – we just stopped seeing them.”
We engage with Tóibín’s four-decade exploration of unspoken cultural shifts through intimate character studies. His current focus for The New Yorker and literary journals bridges historical fiction with contemporary diaspora experiences.
“The novelist’s task isn’t to explain the age, but to let the age explain itself through half-heard conversations.” – From his 2025 Kentucky Author Forum appearance
As Senior Lifestyle Editor at the Star Tribune, Connie Nelson shapes coverage celebrating Minnesota’s cultural fabric through an ecological lens. With 25+ years specializing in:
Successful pitches combine local relevance with visual storytelling potential:
Recent Accolades:
Conor Risch bridges visual journalism and media innovation, currently contributing to Photo District News while shaping communications strategy at Pacifica Law Group. His work focuses on three key areas:
"Authentic storytelling requires dismantling the artificial divide between observer and participant." – From Risch's 2022 PDN editorial
As Executive Director of The Ezra Jack Keats Foundation, Pope spearheads initiatives bridging literacy gaps in urban education systems. Her work focuses on:
Recent honors include the 2023 PEN America Literary Service Award for her work preserving Keats' legacy while modernizing diversity initiatives in children's publishing.
As Westword’s Music & Culture Editor since 2021, Ferguson documents the interplay between Colorado’s creative communities and urban development. Her work combines ethnographic research with data journalism, particularly focusing on:
Giovanni Russonello is a music critic and political reporter for The New York Times, where he chronicles jazz’s evolving role in American culture. Based in Washington, D.C., and New York, his work bridges artistic innovation with social justice movements, offering a unique lens on how music shapes public discourse.
For media inquiries, contact Russonello via his New York Times profile or through CapitalBop’s editorial team.
Active from 1908-1940s, Mason carved spaces for women in literature through:
Modern equivalents to Mason’s work would emphasize:
Hermione Hoby is a British-American writer whose incisive cultural criticism and literary fiction have redefined contemporary conversations about identity and artistry. Currently contributing to The New York Times, The Guardian, and The New Yorker, she merges poetic prose with rigorous social analysis.
Howard Reich deciphers society through its artistic legacy. Currently contributing to The Forward, his work excavates the intersection of cultural production and historical memory.
Successful Pitches Demonstrate:
Jane Ciabattari is a literary critic, fiction writer, and cultural commentator currently contributing to Literary Hub. With over four decades of experience, she specializes in:
Joanna Connors (The Plain Dealer, USA) merges investigative depth with literary sensibility across psychology, arts, and culture. Her work prioritizes:
John Timpane is a cultural journalist and critic currently writing for The Philadelphia Inquirer, where he specializes in book reviews and arts commentary. With roots in academia and poetry, his work bridges scholarly analysis and accessible journalism.
Joshua Kosman is a veteran classical music critic and cultural commentator currently writing for his Substack, On a Pacific Aisle. For 36 years, he served as the chief classical music critic at the San Francisco Chronicle, where he chronicled the evolution of the Bay Area’s arts scene while championing contemporary composers and interrogating institutional power dynamics.
As the Detroit Free Press' lead entertainment writer since 2015, Hinds has become essential reading for understanding Midwest cultural impacts on national media landscapes. Her work bridges industry analysis with community-focused storytelling.
Libby Peterson (The New York Times, WLUC-TV6) specializes in media innovation, arts advocacy, and outdoor education. With over a decade of experience spanning broadcast and print, she brings a solutions-oriented lens to complex societal issues.
“I hope I was able to bring some sunshine into people’s lives every morning.” – Libby Peterson on her transition from journalism to nonprofit work
Lisa Green brings three decades of cross-platform journalism experience to her role as Editor-in-Chief of Rural Intelligence. She specializes in:
"The best pitches help us connect dots between seemingly disparate elements of rural life - that moment when a farming technique informs an artist's practice, or a historic preservation project sparks new economic activity."
Mark Stryker stands as America's preeminent chronicler of Detroit's jazz legacy. Currently writing for JazzTimes and authoring critically acclaimed books, he brings academic rigor to mainstream music journalism.
When approaching Stryker:
As editor-in-chief of Interview Magazine, Mel Ottenberg has redefined fashion journalism through provocative celebrity profiles and avant-garde visual storytelling. Based in New York, his work bridges high fashion (Saint Laurent, Dior) with pop culture phenomena (Rihanna’s iconic looks, TikTok aesthetics).
“Would the 14-year-old me want to rip this out and put it on their wall? That’s my test for any Interview story.”
With awards including Daily Front Row’s 2022 Editor-in-Chief honor, Ottenberg continues shaping how we understand fame and aesthetics in the TikTok era. His avoidance of mass-market trends and budget fashion makes him an ideal target for pitches emphasizing exclusivity and conceptual rigor.
Michael Upchurch is a Seattle-based journalist and novelist specializing in literature, arts, and cultural criticism. With bylines in The Seattle Times, The Boston Globe, and Cascade PBS, he combines narrative flair with analytical rigor to explore creators’ lives and societal narratives.
Upchurch’s career—spanning four novels and thousands of articles—reflects a sustained commitment to storytelling as both art and craft. Those seeking his attention should prioritize substance over spectacle, offering stories that reward careful scrutiny.
As F-Stop Magazine’s lead photography analyst since 2018, Werner has redefined how we understand lens-based storytelling. His work sits at the intersection of technical mastery and cultural commentary, particularly focused on:
"A photograph’s power lies in its unanswered questions," Werner wrote in his 2023 critique of AI-generated imagery. This ethos permeates his demand for work that challenges rather than confirms visual assumptions.
Recent Accolades:
Mike Williams serves as publisher and lead journalist at The Patriot, a weekly newspaper anchoring community discourse in Virginia’s New River Valley. His reporting spans three core beats:
With over a decade of community reporting experience, Williams maintains a reader-first approach—whether covering breaking news or memorializing local legacies. His work remains essential reading for understanding Appalachian Virginia’s evolving identity.
Richard Pitnick is a U.S.-based photography journalist currently contributing to Camera Arts and Black & White Magazine. With a career spanning documentary traditions, artistic innovation, and cultural analysis, he offers PR teams a unique bridge between technical expertise and narrative-driven storytelling.
Rob Phelps is the award-winning Editor-in-Chief of Boston Spirit Magazine, New England’s premier LGBTQ publication. With over 20 years’ experience in community journalism, he specializes in stories bridging policy analysis, cultural criticism, and grassroots activism.
Recent honors include the 2023 New England Press Award for healthcare reporting and NLGJA recognition for pandemic mutual aid coverage. His work consistently demonstrates how rigorous journalism fosters LGBTQ community resilience.
Scott Phillips (mscottphillips.com) is a Rotten Tomatoes-certified film critic currently contributing to WRBL-TV's The Screen Scene and Forbes' entertainment vertical. With three decades of experience, he specializes in:
Pitching Notes:
Recent recognition includes programming honors from the Chattanooga Film Festival (2023) and repeated inclusion in Rotten Tomatoes' Annual Critics Choice lists for horror/sci-fi coverage.
Steven Heller is a preeminent voice in design journalism, currently authoring The Daily Heller for PRINT Magazine. With over 200 books on design history and practice, his work bridges academic rigor and cultural critique.
Achievements: Recipient of the Smithsonian National Design Award and Art Directors Club Hall of Fame honors, Heller’s memoir Growing Up Underground (2022) redefined narratives about countercultural design. His upcoming book Branding Democracy (2026) explores visual systems in political movements.
Veteran street artist Ben Turnbull (and his alter-ego Q) reflect on our nation’s new unsettling reality, with a large-scale, guerilla-posted work, MAGABUCK.
A conversation with satiric graphic commentator Frances Jetter about her graphic memoir, “Amalgam,” a family history that weaves the immigrant story with that of the 20th-century union.
Artist Anita Kunz’s portraits of under-represented women to feature in an upcoming exhibition at the Norman Rockwell Museum.
This visionary photographer-journalist merges technical innovation with profound psychological exploration. Now contributing to B&W Magazine UK, her work spans:
"My cameras are psychological tools first, technical instruments second." - Burnstine to NPR
With 40+ years documenting Southern foodways, Wendell Brock (James Beard Award, 2019) specializes in stories where cuisine intersects with cultural preservation. His work for Atlanta Magazine and The Atlanta Journal-Constitution prioritizes:
Recent Recognition: 2024 Georgia Writer of the Year (Georgia Writers Association), 2023 AFAR Travel Media Award for culinary storytelling
William Sawalich is a contributing editor at Digital Photo Magazine and Outdoor Photographer, specializing in the technical and ethical dimensions of modern photography. Based in the United States, his work explores how emerging technologies intersect with environmental stewardship and artistic integrity.
Sawalich’s influence extends beyond print: his 2024 Substack Art + Math fosters dialogue between photographers and engineers, while his advocacy work with the National Audubon Society shapes eco-conscious industry standards.
A well-curated, updated media list like the one PressContact provides only completes half the job. The other half depends upon the execution of your campaign. Read this section to understand how you can deliver the best pitch to Arts journalists in USA!
When you're aiming to connect with Arts journalists in USA, it's crucial to strategize your outreach. These professionals receive numerous pitches every day, so having a unique story about Arts or a related product can increase your chances of engagement. Make sure your pitch isn't just about the technical details; think about the wider impact of your story and how it fits into the larger narrative of Arts. Research your target journalists and tailor your pitch to match their specific interests. By doing so, you can create a story that is both enlightening and impactful.
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