Megan French
Megan French brings a stylist’s eye to her fashion and features coverage, blending trend reporting with practical styling advice and a recurring interest in how people express identity through clothes, travel and culture. She writes across fashion, lifestyle and travel for The West Australian, drawing on formal fashion training and regular on-the-ground styling work to anchor her stories in real wardrobes and real lives.
Fashion trends with a wearable focus
French tracks seasonal trends with an emphasis on how they translate into everyday outfits rather than runway-only looks. In her coverage of winter fashion, she highlights details such as shoulders, suede and softer, more “feminine” silhouettes for men, framing them as accessible ideas that can be adapted across high street and higher-end wardrobes. Her fashion pieces often focus on specific items or themes — from shoe pairings for different occasions to key textures and cuts for a season — and she breaks these down into clear, usable guidance. She writes with the vocabulary of someone who has studied fashion, but keeps the tone approachable and grounded in the way readers actually dress.
Alongside written work, French’s styling background runs through her assignments. She is credited as a stylist as well as a features writer, and appears in magazine and social content that demonstrates outfit builds, shoe pairings and occasion-based looks. That dual role means her fashion journalism is closely tied to visual storytelling, where the written piece and the styled imagery work together. For stories on trends or brand-led partnerships, she tends to highlight fit, fabric and styling tricks rather than only brand messaging or product names.
Books, culture and lifestyle features
French’s features work ranges beyond fashion into books and broader lifestyle coverage, with a consistent focus on female-centred narratives and creative careers. She reviews and profiles new releases such as historical novels about women in wartime resistance or campus-era stories about secret literary societies, paying particular attention to themes of female friendship, knowledge, and resistance to social constraints. Her interviews with authors and creators foreground their creative process and the emotional or historical stakes of their work rather than pure plot recap.
She also writes longer lifestyle pieces that sit at the intersection of fashion, culture and personality. In these, she often uses a single subject — a designer, illustrator or local creative — as a lens on a broader scene. For example, when profiling a fashion illustrator with a cult following, she frames the interview around how that person reads a city through style, shops and visual details rather than treating it as a simple travel Q&A. Her tone in these features is descriptive and image-rich, leaning on sensory detail, environment and personal anecdotes from her subjects.
Travel through a fashion and literary lens
Travel writing is a regular part of French’s remit, but she approaches it with the same cultural lens she brings to fashion. She co-authors guides to destinations specifically for book lovers, setting out itineraries that treat bookstores and literary landmarks as primary reasons to travel rather than side stops. In a feature on a “bookstore bucket list”, she curates a small group of standout bookshops around the world and briefly sketches what makes each one distinct, from their history to their atmosphere. These pieces are structured as concise, list-based guides, making them easy to mine for specific stops while still giving a sense of romance around reading and place.
In travel features built around a single creative, she often lets that person’s tastes steer the narrative — for instance, following a fashion illustrator’s recommendations to reveal a version of London defined by style-conscious hotels, cafes and retail experiences rather than generic tourist sites. Across this travel work, she tends to highlight the kinds of cultural spaces — independent bookshops, fashion-forward neighborhoods, historic retailers — that would appeal to readers who care about aesthetics and storytelling as much as sightseeing.
Role, background and remit at The West Australian
French works as a fashion and features writer for The West Australian, covering fashion, lifestyle and travel across the masthead’s weekend magazine and digital platforms. She studied fashion before joining the newsroom as an intern in 2021 at the Sunday magazine, later moving into a reporting and styling role. Since then, her byline has become a fixture on style-led service pieces, interviews with authors and creatives, and culture-tinged travel features that combine her fashion training with narrative reporting.
4 more fashion journalists.
Aaron Royce
Aaron Royce turns runway moments and celebrity event dressing into clear, wearable stories that show readers how trends move from the red carpet to real life. He is a fashion news writer at The Zoe Report, where he covers fashion, trends, celebrity style, and related news across the site. He also works in a fashion news editing role at The Daily Front Row, extending his reporting into the industry’s front row and party circuit. As a contributing and freelance journalist, he writes for fashion and lifestyle magazines including People, InStyle, Marie Claire, and other outlets, with a focus on shopping, beauty, and culture. His reporting centers on fashion’s visual language, celebrity influence, and shoppable outcomes across fashion, beauty, fragrance, jewelry, skincare, menswear, wellness, accessories, shoes, pop culture, and celebrity news.
Abigail Connolly
Abigail Connolly stands out for covering celebrity culture and fashion as a visual story about outfits, images, and online reaction. She writes for Yahoo and SheFinds, where she covers celebrity news, fashion, and related lifestyle topics. Her beat focuses on stars, royals, and political figures, with stories on red carpet looks, runway trends, state-visit wardrobes, and social media posts that shape public image. She has written about Oprah Winfrey’s all-white Cannes look, Paris Fashion Week fur, Anya Taylor-Joy’s Dior dress, Melania Trump’s style, and royal figures such as Queen Camilla and Prince William. Her reporting is short, tightly focused, and descriptive, using fan comments, captions, and sourced claims to show how a single look or post drives conversation online.
Aemilia Madden
Aemilia Madden writes about how people actually live in their clothes, blending disciplined wardrobe editing with specific shopping recommendations and a clear point of view on taste and restraint. A fashion and lifestyle journalist, former senior fashion writer at Vogue, and now a freelance writer, editor, and consultant, she focuses on service-driven fashion and lifestyle stories grounded in personal testing, long-term wear, and real scenarios. Her work connects shopping lists, trend coverage, and essays into a focus on more intentional choices about what to buy and how to wear it. She reports through first-person experiments, practical shopping guides, sale roundups, and trend explainers, and her portfolio spans Vogue, Harper’s Bazaar, Elle, T Magazine, The Cut, The Wall Street Journal, and her newsletter Taeste Bud, where she extends her interest in archival references, obsessions, and inside-the-closet cleanses.
Air Mail
Batsheva Hay writes fashion and culture pieces for Air Mail with the sensibility of a working designer rather than a conventional style reporter. She is the founder of the cult label Batsheva, known for prairie dresses and vintage-inflected, modest silhouettes that rethink traditions of feminine dress. At Air Mail she sits inside style and lifestyle coverage, writing about fashion and shopping from the point of view of someone who designs the kinds of clothes she describes. Her background as a former lawyer shapes a structured, argumentative way of taking apart dress codes and conventions. She focuses on vintage clothing, modesty, subversion, and how old styles gain new meaning. In guides such as her Upper West Side piece, she treats locations as mood boards and supporting characters, using sensory detail and lived-in references to map the cultural influences behind her clothes and the world her label inhabits.