Maria Loreto
Maria Loreto covers celebrity style and red-carpet fashion for HOLA! USA, with a focus on how high-profile families present themselves at public events. Her stories look closely at outfits, styling choices, and the context around major appearances, from premieres and fashion shows to family outings tied to brand launches. She writes in a fast-turn entertainment news format, tracking what stars wear as much as where they are and who they are supporting.
Celebrity fashion and family outings
Loreto’s coverage often centers on celebrity families stepping out together, with fashion as the lens on their relationships and public image. In her piece on Will Smith and Jada Pinkett Smith attending son Jaden’s debut collaboration with Christian Louboutin in Paris, she highlights how the parents walk arm in arm, describe what they wear, and link their looks to the milestone moment in Jaden’s fashion career. She brings the same approach to other family-oriented outings, describing coordinated or contrasting styles, how relatives pose together, and how they use clothes to signal support at premieres, fashion events, and public celebrations.
Red carpets, premieres, and brand moments
Much of her recent work sits at the intersection of fashion and entertainment news, covering premieres, brand activations, and industry events where celebrities dress for the cameras. She writes about models and actors attending launches or campaigns, noting designer names, key accessories, and standout styling details that define the look. Her headlines emphasize both the occasion and the clothes, tying the visual story of an outfit to the commercial or cultural moment behind it, whether that is a collaboration debut, a campaign reveal, or a major fashion week appearance.
Spotlighting models and style-focused personalities
Loreto also follows models and fashion-conscious public figures whose activism or off-duty style drives interest beyond the runway. In coverage of a long-time environmental activist who also works as a model, she writes about how the subject’s public appearances connect their advocacy with polished, camera-ready fashion. Across similar pieces, she frames outfits as extensions of a persona, describing how recurring style choices—such as sustainable brands, bold colors, or signature silhouettes—reinforce the story the subject wants to tell.
Concise, image-led entertainment reporting
Across her HOLA! USA work, Loreto writes concise, image-led stories rooted in current entertainment headlines. She relies on recent appearances, social posts, and event photography, then builds short narratives around what celebrities wear, who joins them, and how the moment fits into their wider careers. Her pieces prioritize accessible language, specific outfit details, and clear references to designers and venues, making her coverage a steady read on celebrity fashion as it happens.
4 more fashion journalists.
Aaron Royce
Aaron Royce turns runway moments and celebrity event dressing into clear, wearable stories that show readers how trends move from the red carpet to real life. He is a fashion news writer at The Zoe Report, where he covers fashion, trends, celebrity style, and related news across the site. He also works in a fashion news editing role at The Daily Front Row, extending his reporting into the industry’s front row and party circuit. As a contributing and freelance journalist, he writes for fashion and lifestyle magazines including People, InStyle, Marie Claire, and other outlets, with a focus on shopping, beauty, and culture. His reporting centers on fashion’s visual language, celebrity influence, and shoppable outcomes across fashion, beauty, fragrance, jewelry, skincare, menswear, wellness, accessories, shoes, pop culture, and celebrity news.
Abigail Connolly
Abigail Connolly stands out for covering celebrity culture and fashion as a visual story about outfits, images, and online reaction. She writes for Yahoo and SheFinds, where she covers celebrity news, fashion, and related lifestyle topics. Her beat focuses on stars, royals, and political figures, with stories on red carpet looks, runway trends, state-visit wardrobes, and social media posts that shape public image. She has written about Oprah Winfrey’s all-white Cannes look, Paris Fashion Week fur, Anya Taylor-Joy’s Dior dress, Melania Trump’s style, and royal figures such as Queen Camilla and Prince William. Her reporting is short, tightly focused, and descriptive, using fan comments, captions, and sourced claims to show how a single look or post drives conversation online.
Aemilia Madden
Aemilia Madden writes about how people actually live in their clothes, blending disciplined wardrobe editing with specific shopping recommendations and a clear point of view on taste and restraint. A fashion and lifestyle journalist, former senior fashion writer at Vogue, and now a freelance writer, editor, and consultant, she focuses on service-driven fashion and lifestyle stories grounded in personal testing, long-term wear, and real scenarios. Her work connects shopping lists, trend coverage, and essays into a focus on more intentional choices about what to buy and how to wear it. She reports through first-person experiments, practical shopping guides, sale roundups, and trend explainers, and her portfolio spans Vogue, Harper’s Bazaar, Elle, T Magazine, The Cut, The Wall Street Journal, and her newsletter Taeste Bud, where she extends her interest in archival references, obsessions, and inside-the-closet cleanses.
Air Mail
Batsheva Hay writes fashion and culture pieces for Air Mail with the sensibility of a working designer rather than a conventional style reporter. She is the founder of the cult label Batsheva, known for prairie dresses and vintage-inflected, modest silhouettes that rethink traditions of feminine dress. At Air Mail she sits inside style and lifestyle coverage, writing about fashion and shopping from the point of view of someone who designs the kinds of clothes she describes. Her background as a former lawyer shapes a structured, argumentative way of taking apart dress codes and conventions. She focuses on vintage clothing, modesty, subversion, and how old styles gain new meaning. In guides such as her Upper West Side piece, she treats locations as mood boards and supporting characters, using sensory detail and lived-in references to map the cultural influences behind her clothes and the world her label inhabits.