Jake Henry Smith
Jake Henry Smith focuses on how people actually buy and wear clothes, connecting runway-adjacent trends to the daily decisions readers make about style, beauty, and lifestyle products. He writes for Glamour as a commerce editor on the lifestyle desk, where his coverage spans fashion, style shopping, and adjacent areas like sexual wellness and everyday essentials.
Trend-driven styling that’s grounded in real-life wear
Smith’s fashion work centers on translating trends into outfits that make sense off the runway. In one recent piece, he frames the season’s look around pairing ballerina flats with baggy jeans and a romantic blouse, showing readers how to balance softness and volume in a way that feels current but wearable. Across his style stories, he returns to this idea of trend as something you live in rather than just admire, focusing on cuts, proportions, and combinations that suit commutes, social plans, and long days rather than just editorial shoots.
He often highlights single items or micro-trends and builds out their practical use: how to style a denim shirt like a fashion editor, how to wear a long-sleeve dress in transitional weather, or why a particular haircut, like the Winona pixie, works as a surprisingly versatile option across settings. His language is direct and descriptive, with an emphasis on what a piece does for the wearer — how it fits, what it pairs with, and what kind of mood or role it serves in a wardrobe. He positions Glamour’s fashion coverage as a guide for readers who want to experiment but still feel like themselves.
Commerce editing with a lifestyle lens
As a commerce editor on Glamour’s lifestyle team, Smith writes and edits shopping content that bridges editorial taste with concrete product recommendations. His work on roundups like the best work bags for women leans on firsthand use and staff feedback, analyzing details like capacity, durability, and design against the reality of carrying laptops, notebooks, and personal items through a typical day. He often highlights small but functional features — deeper-than-average totes, adjustable straps, or interior organization — that matter in everyday use but might be overlooked in pure trend coverage.
Beyond fashion, his commerce coverage extends into broader lifestyle buys, including categories tied to sexual wellness and personal care. He treats these topics with the same service-forward approach, focusing on how products support comfort, confidence, and long-term habits rather than quick fixes. The tone is practical and non-sensational, making space for readers to see shopping as a tool for shaping their routines rather than just acquiring more things.
Style adjacent storytelling and experiential pieces
Smith occasionally steps beyond straight product and trend coverage into first-person or narrative pieces that still intersect with lifestyle and self-presentation. In features about surprise trips or becoming a digital nomad, he looks at how changes in routine, environment, and work patterns alter what people pack, wear, and prioritize. These stories track the emotional and logistical side of lifestyle shifts, connecting choices like streamlined wardrobes, travel-friendly outfits, and pared-down essentials to larger questions about independence, risk, and comfort.
He also covers personalities and brands within the fashion and style space, such as profiling a plus-size workwear label or spotlighting columnists and influencers whose perspectives shape how readers think about clothes and body image. In these pieces, he tends to center practical impact — how a brand changes access to well-made clothing or how a stylist’s advice translates into day-to-day dressing — rather than celebrity alone. The through-line is still service: readers come away with both a story and specific takeaways about cuts, fabrics, and styling ideas.
Voice and audience
Smith writes in clear, concise prose that assumes readers are interested in fashion and lifestyle but may not have time for deep industry jargon. He emphasizes accessibility without diluting detail, explaining why certain silhouettes feel modern, how specific styling touches — like shoe choice or layering — can refresh existing wardrobes, and where a product fits into a broader routine. His pieces typically blend an editorial point of view with concrete guidance, making them useful for readers looking for both inspiration and purchase-ready information.
Across fashion, commerce, and lifestyle features, his work is consistent in centering the reader’s everyday life: office days, dates, travel, and quiet time at home. That focus on lived experience — how clothes and products feel, function, and support confidence over time — is what differentiates his coverage from generic fashion reporting that only tracks trend cycles or designer news.
4 more fashion journalists.
Aaron Royce
Aaron Royce turns runway moments and celebrity event dressing into clear, wearable stories that show readers how trends move from the red carpet to real life. He is a fashion news writer at The Zoe Report, where he covers fashion, trends, celebrity style, and related news across the site. He also works in a fashion news editing role at The Daily Front Row, extending his reporting into the industry’s front row and party circuit. As a contributing and freelance journalist, he writes for fashion and lifestyle magazines including People, InStyle, Marie Claire, and other outlets, with a focus on shopping, beauty, and culture. His reporting centers on fashion’s visual language, celebrity influence, and shoppable outcomes across fashion, beauty, fragrance, jewelry, skincare, menswear, wellness, accessories, shoes, pop culture, and celebrity news.
Abigail Connolly
Abigail Connolly stands out for covering celebrity culture and fashion as a visual story about outfits, images, and online reaction. She writes for Yahoo and SheFinds, where she covers celebrity news, fashion, and related lifestyle topics. Her beat focuses on stars, royals, and political figures, with stories on red carpet looks, runway trends, state-visit wardrobes, and social media posts that shape public image. She has written about Oprah Winfrey’s all-white Cannes look, Paris Fashion Week fur, Anya Taylor-Joy’s Dior dress, Melania Trump’s style, and royal figures such as Queen Camilla and Prince William. Her reporting is short, tightly focused, and descriptive, using fan comments, captions, and sourced claims to show how a single look or post drives conversation online.
Aemilia Madden
Aemilia Madden writes about how people actually live in their clothes, blending disciplined wardrobe editing with specific shopping recommendations and a clear point of view on taste and restraint. A fashion and lifestyle journalist, former senior fashion writer at Vogue, and now a freelance writer, editor, and consultant, she focuses on service-driven fashion and lifestyle stories grounded in personal testing, long-term wear, and real scenarios. Her work connects shopping lists, trend coverage, and essays into a focus on more intentional choices about what to buy and how to wear it. She reports through first-person experiments, practical shopping guides, sale roundups, and trend explainers, and her portfolio spans Vogue, Harper’s Bazaar, Elle, T Magazine, The Cut, The Wall Street Journal, and her newsletter Taeste Bud, where she extends her interest in archival references, obsessions, and inside-the-closet cleanses.
Air Mail
Batsheva Hay writes fashion and culture pieces for Air Mail with the sensibility of a working designer rather than a conventional style reporter. She is the founder of the cult label Batsheva, known for prairie dresses and vintage-inflected, modest silhouettes that rethink traditions of feminine dress. At Air Mail she sits inside style and lifestyle coverage, writing about fashion and shopping from the point of view of someone who designs the kinds of clothes she describes. Her background as a former lawyer shapes a structured, argumentative way of taking apart dress codes and conventions. She focuses on vintage clothing, modesty, subversion, and how old styles gain new meaning. In guides such as her Upper West Side piece, she treats locations as mood boards and supporting characters, using sensory detail and lived-in references to map the cultural influences behind her clothes and the world her label inhabits.