Fiona Sinclair Scott
Fiona Sinclair Scott leads CNN’s fashion and style coverage around a clear idea: using visual culture to explain what is happening in the wider world. Her work sits at the intersection of fashion, art, design, beauty and luxury, treating runway shows and trends as part of larger cultural and news stories rather than standalone spectacle. She combines a senior editorial role shaping global features with first‑person dispatches that take readers inside couture weeks and major brand presentations.
Putting culture in context
She defines the mission of CNN’s style coverage with the internal tagline “we put culture in context,” framing fashion, art, design, architecture and beauty as lenses through which audiences can make sense of current events. In interviews she stresses that politics and news are deeply linked to cultural expressions, including how people dress and present themselves. Her remit covers a broad visual culture beat, spanning fashion and design, lifestyle, arts, entertainment and culture, and she brings more than 15 years of experience in these areas as an editor and journalist.
As Editorial Director, Global Features & Style at CNN Style, she now builds on a decade of leading its international coverage, steering a digital vertical focused on fashion, luxury and culture. She manages a team of style reporters and works within CNN’s wider features structure, giving her influence over both individual stories and long‑term direction for the brand’s style coverage.
The through‑line across her role is a consistent effort to connect the clothes, images and aesthetics she covers to larger questions of identity, power and social change.
Big Style dispatches from couture weeks
Alongside her editorial leadership, Sinclair Scott writes Big Style dispatches that chronicle haute couture weeks with a strong sense of place and atmosphere.
Her recent Paris Haute Couture Week coverage follows the shows through avant‑garde gardens, striking debut collections and gothic “vampire bride” imagery, treating each as part of a broader narrative about creativity in the French capital. In that work she describes her “official business” as attending couture shows, but the pieces continually return to how art encountered around the city shapes the experience of fashion, blending street impressions with front‑row observation. The format is reported and descriptive rather than purely critical, emphasising how staging, set design and unexpected visual motifs contribute to the cultural impact of the week.
These columns are useful for understanding the mood of a season and how designers position themselves within art and culture, rather than for granular reviews of individual looks.
Runway reports from luxury houses
Sinclair Scott also covers individual runway shows for major luxury brands, often focusing on how they construct spectacle.
Her reporting from a recent Burberry show in London highlights a rainy evening setting, a grand stage and a guest list of notable celebrities, tying these elements to the brand’s vision of weather‑proof glamour. In a written piece on the same show she describes February in London as “a complete misery of a time” and then uses that backdrop to frame the event as a glamorous night out in the depths of winter.
These stories dwell on choreography, casting, staging and the emotional tenor of a show, showing how a collection is meant to be experienced rather than just listing trends. The coverage is anchored in clear scene‑setting and sensory detail, making it relevant for stories that hinge on the relationship between luxury brands, their public image and the broader cultural climate.
Beauty, luxury and global style coverage
Her editorial responsibilities extend beyond runway reporting into beauty and luxury coverage with a global lens. She announced CNN’s dedicated Beauty section with a promise to explore personal aesthetics and visual identity as worldwide phenomena, positioning beauty alongside fashion and design in the outlet’s style remit.
Multiple professional profiles describe her as overseeing international coverage across arts, design, fashion, beauty and luxury, reflecting a portfolio that ranges from clothing to broader lifestyle and culture stories. She has spent much of her career in digital media focusing on fashion and culture and is experienced in writing, editing, video production and on‑camera interviews. Outside day‑to‑day newsroom work she moderates industry discussions on topics such as sustainable fashion and cultural heritage, underlining a recurring interest in how style connects to ethics, craft and history.
Taken together, her current work and public roles show a senior editor who thinks about fashion as part of a wider system of visual culture, commerce and social values.
4 more fashion journalists.
Adam Cheung
Adam Cheung is a style writer at British GQ with a specialist focus on sneakers, streetwear and menswear product coverage. He treats sneakers and streetwear as culture and design objects, writing about individual models, new silhouettes and the details that make them stand out. His work spans men’s style, watches and grooming, keeping attention on how people can wear and buy into emerging trends. He produces service-led shopping edits on shoes, bags and accessories, built around clear recommendations and concise reasoning. He covers brands and market trends with an emphasis on wearable takeaways for everyday style and occasion dressing. His British GQ features are republished across international GQ editions, and he runs Typed Hype, an Instazine dedicated to sneaker culture, extending his coverage across mainstream menswear, niche releases and culture-facing commentary.
Alexandra Fullerton
Alexandra Fullerton is a freelance stylist and fashion writer for The Telegraph, known for turning professional styling methods into simple, practical rules for dressing. She covers outfit formulas, wardrobe edits, seasonal dressing, tights, festive knitwear, high-street fashion, smart shopping and investment pieces. Her advice focuses on what to keep, what to buy and how to wear it in real life, rather than fashion news or abstract trends. She draws on a long career as a fashion director and editor at Stylist and Glamour, styling shoots and working with actors, musicians and presenters. She also styles commercial campaigns and individual clients. Fullerton writes fashion books, including guides to everyday dressing and Chanel bags, and runs the My3Words shopping concept based on her three-word method.
Alexandria Dale
Alexandria Dale specialises in turning celebrity style and emerging trends into affordable high street shopping guides. She is Digital Fashion Writer at Cosmopolitan UK, covering fashion news, trend analysis and product-led features. Her beat includes seasonal colours, fabrics, transitional dressing, polished looks on a budget, sustainable fashion and new brands. She finds high street alternatives to luxury pieces and identifies trends worth investing in, with a focus on fit, fabric, versatility and repeat wear. Her guides often centre on one trend or wardrobe staple, with specific buys under a clear price cap. Recent work includes Victoria Beckham-inspired burgundy leather midi skirts, Primark wide-leg trousers, M&S argyle jumpers and Primark home delivery. She has six years of fashion journalism experience across digital and print titles, including Glamour and Ok!, and reports with practical styling advice and product detail.
Alice Reynolds
Alice Reynolds is a writer and production journalist on The Independent’s IndyBest shopping desk who tests accessible supermarket and high-street products in real life. She focuses on fashion, beauty, food and fitness, reviewing supermarket food and drink, protein bars and creatine supplements, and high-street clothing and beauty launches. Her beat spans supermarket staples such as dark chocolate, pizzas, Easter eggs and Greek yoghurt, plus workout snacks and performance supplements, and value-led fashion like viral jackets, wrap skirts and beauty advent calendars. She runs comparative “best of” round-ups that weigh flavour, texture, thickness, quality, price and usefulness, using hands-on trials and taste tests. Her reporting is plain, practical and grounded in repeated supermarket and high-street testing, informed by interests in food, fitness and lifestyle shopping and earlier experience across travel and news formats.