Felix Bischof
Felix Bischof focuses on luxury stories where jewellery, watches, fashion and design objects are treated as narratives about craft, heritage and the way people live and collect. His coverage tracks how major houses, independent makers and cultural figures use materials, history and place to shape high-end style.
He is the editor of The Week’s fashion supplement and the creative director of its US edition, giving him a cross-market view of luxury fashion and accessories. He is also Watches & Jewellery Editor at Wallpaper* and executive editor of The Blend, extending his remit across multiple style-driven platforms. Alongside his work for The Week, Wallpaper* and The Blend, he contributes to titles such as British Vogue, Pop, Vanity Fair, British GQ, Tatler and other fashion and lifestyle publications.
Watches and jewellery: Grain de Café to Hemmerle
Watches and jewellery are a core focus, with pieces that range from fine jewellery collections to anniversary retrospectives and brand histories.
His article on Cartier’s Grain de Café collection explores how the house finds “precious beauty in the coffee bean,” using design details and archives to show how a single motif can anchor an entire line of high jewellery. A feature on Hemmerle’s Harmony bangle marks a landmark anniversary by tracing the evolution of a single design and the values that have kept it relevant for three decades. Coverage of Japanese jeweller Tasaki and sculptor-turned-jewellery designer Ana Khouri similarly combines maker biography, material choices and the cultural moment around pearls and contemporary sculpture-inspired pieces.
His jewellery reporting extends into watchmaking and brand iconography, from Bulgari’s Monete creations to the way historic coins and artefacts are re-set in modern pieces. In The Odyssey Effect, a British Vogue feature on ancient artefacts in jewellery, he shows how coins, carved stones and other millennia-old materials are reframed as focal points of current designs, tying specific examples to broader waves of Egyptomania and renewed interest in antiquity. Across these stories he treats jewellery and watches as carriers of history and identity, using close description and interviews with dealers, designers and creative directors to ground each piece.
Inside luxury houses: Tom Ford, Jil Sander and Tiffany
Another strand of his work sits inside the inner rooms of major fashion and jewellery houses, where he profiles designers, ambassadors and executives at brands such as Tom Ford, Jil Sander, Tiffany & Co., Dior, Chanel and Louis Vuitton. His interview with Tom Ford at The Week follows the designer’s reflections on his second major book, using the publication as a frame to chart the ascent of the Tom Ford label and the imagery and collaborators that define it. A feature on Lucie and Luke Meier at Jil Sander looks at how the duo have rooted their custodianship of the brand in plant life and nature, drawing a line from minimalist DNA to a more emotionally connected aesthetic.
At Tiffany & Co., his profile of Alexandre Arnault walks readers through the renovated New York flagship, positioning the store as the start of “a new era” and explaining how space, architecture and merchandising are deployed to refresh a heritage name.
He regularly writes about ambassadors and collaborators who embody or reinterpret a house’s identity, such as Penelope Cruz’s long relationship with Chanel and the way she navigates the brand on and off screen.
In his coverage of Dior’s Lady 95.22 bag he focuses on craft, frequency of appearance and the social context around the design, presenting it as a symbol of high society as much as an accessory. A feature on Frank Ocean’s luxury brand Homer profiles the musician as a jewellery creator, using a rare interview to explain his approach to materials and representation in the jewellery world.
These stories distinguish his beat by placing creative directors, actors and musicians within the commercial and cultural strategies of luxury houses rather than treating them as standalone personalities.
Travel and wellness: Chenot Palace to Palazzo Fiuggi
Beyond products, he writes about travel, wellness and hospitality experiences that sit firmly in the luxury sphere.
His feature on Chenot Palace Weggis, a health retreat on Lake Lucerne, presents the property as a “midwinter reset,” detailing the programme, setting and atmosphere to show how wellness is packaged as a high-end lifestyle offering. A piece on Chopard’s hotel on Place Vendôme describes the Paris property as an “ultra-exclusive” jewel that elevates hospitality, positioning it within the jewellery maison’s broader brand universe. At The Blend he reviews Palazzo Fiuggi, again tying treatment programmes and interiors to their appeal for design- and health-conscious guests.
Coverage of Rimowa’s 125th anniversary and its origins in lightweight grooved luggage further underscores his interest in travel infrastructure as an element of luxury identity.
He often frames these locations and brands through sensory details and design cues, showing how hotels, luggage, and wellness retreats are constructed as extensions of the same aesthetic and narrative values as jewellery and fashion. This angle gives his travel and hospitality writing a clear link back to his core watches-and-jewellery beat, keeping the focus on how environments and objects interact.
Objects and senses: books, blotters and perfume bottles
Objects, collecting and sensory experience recur across his work, whether in fashion, fragrance or culture pieces. He writes about Erdem Moralioglu’s rare first editions, presenting the designer’s book collecting as a window into his inspirations and as a tip for fellow bibliophiles. A story on bespoke blotters for Jacques Cavallier-Belletrud treats these paper tools as essential instruments in the art of fragrance, using them to show how even utilitarian items can be part of a luxury creative process.
In The Blend, his review of design-focused perfume bottles centres on how flacon design, materials and shapes contribute to the allure of scent, reinforcing his focus on the visual and tactile dimensions of luxury.
Columns such as “Sense check: Haider Ackermann” gather the sights, sounds and sensations that inform a designer’s world, underlining how he approaches fashion not just through garments but through the broader sensory environments creators inhabit. Across these pieces, his through-line is an attention to how people curate and live with objects - from books and perfume bottles to jewellery and luggage - and how those choices define contemporary luxury.
4 more fashion journalists.
Adam Cheung
Adam Cheung is a style writer at British GQ with a specialist focus on sneakers, streetwear and menswear product coverage. He treats sneakers and streetwear as culture and design objects, writing about individual models, new silhouettes and the details that make them stand out. His work spans men’s style, watches and grooming, keeping attention on how people can wear and buy into emerging trends. He produces service-led shopping edits on shoes, bags and accessories, built around clear recommendations and concise reasoning. He covers brands and market trends with an emphasis on wearable takeaways for everyday style and occasion dressing. His British GQ features are republished across international GQ editions, and he runs Typed Hype, an Instazine dedicated to sneaker culture, extending his coverage across mainstream menswear, niche releases and culture-facing commentary.
Alexandra Fullerton
Alexandra Fullerton is a freelance stylist and fashion writer for The Telegraph, known for turning professional styling methods into simple, practical rules for dressing. She covers outfit formulas, wardrobe edits, seasonal dressing, tights, festive knitwear, high-street fashion, smart shopping and investment pieces. Her advice focuses on what to keep, what to buy and how to wear it in real life, rather than fashion news or abstract trends. She draws on a long career as a fashion director and editor at Stylist and Glamour, styling shoots and working with actors, musicians and presenters. She also styles commercial campaigns and individual clients. Fullerton writes fashion books, including guides to everyday dressing and Chanel bags, and runs the My3Words shopping concept based on her three-word method.
Alexandria Dale
Alexandria Dale specialises in turning celebrity style and emerging trends into affordable high street shopping guides. She is Digital Fashion Writer at Cosmopolitan UK, covering fashion news, trend analysis and product-led features. Her beat includes seasonal colours, fabrics, transitional dressing, polished looks on a budget, sustainable fashion and new brands. She finds high street alternatives to luxury pieces and identifies trends worth investing in, with a focus on fit, fabric, versatility and repeat wear. Her guides often centre on one trend or wardrobe staple, with specific buys under a clear price cap. Recent work includes Victoria Beckham-inspired burgundy leather midi skirts, Primark wide-leg trousers, M&S argyle jumpers and Primark home delivery. She has six years of fashion journalism experience across digital and print titles, including Glamour and Ok!, and reports with practical styling advice and product detail.
Alice Reynolds
Alice Reynolds is a writer and production journalist on The Independent’s IndyBest shopping desk who tests accessible supermarket and high-street products in real life. She focuses on fashion, beauty, food and fitness, reviewing supermarket food and drink, protein bars and creatine supplements, and high-street clothing and beauty launches. Her beat spans supermarket staples such as dark chocolate, pizzas, Easter eggs and Greek yoghurt, plus workout snacks and performance supplements, and value-led fashion like viral jackets, wrap skirts and beauty advent calendars. She runs comparative “best of” round-ups that weigh flavour, texture, thickness, quality, price and usefulness, using hands-on trials and taste tests. Her reporting is plain, practical and grounded in repeated supermarket and high-street testing, informed by interests in food, fitness and lifestyle shopping and earlier experience across travel and news formats.