Chanel Vargas
Chanel Vargas connects celebrity fashion moments with the wider entertainment story, using quick-hit news pieces on the masthead’s entertainment vertical to track how outfits, street style, and public appearances signal trends in pop culture, relationships, and self-presentation. She is a freelance writer, editor, and journalist with more than eight years of experience, specialising in wellness and entertainment as well as TV, film, music, fashion, beauty, and celebrity news.
Celebrity street style and red carpet fashion
Vargas’s recent work at the masthead focuses on what celebrities wear in public and why it matters, with detailed descriptions of silhouettes, fabrics, and styling choices. She regularly builds stories around specific looks, such as Kristen Stewart’s bra-baring skirt suit reinterpretation of a classic Chanel ensemble, treating the outfit as a fresh take on a luxury house’s signature codes. In coverage of Kaia Gerber’s back-to-back little white sundress looks, she frames braless styling and minimal dressing as a deliberate warm-weather fashion statement rather than a throwaway paparazzi moment.
Her celebrity fashion pieces often zero in on street style as much as formal events, as seen in her write-up of Lola Tung strutting through New York City in slingback heels and a sheer look, where she characterises the actor’s “streetwear game” and highlights how accessories and fabric choices complete the outfit. She applies the same lens to red carpet–adjacent or performance looks, like Carrie Underwood’s all-denim romper with oversized puff sleeves and ruffled illusion shorts, spelling out the construction details that make the look eye-catching. Across these stories, Vargas distinguishes herself from a generic fashion reporter by treating each appearance as a small narrative about how a celebrity wants to be seen, rather than simply cataloguing garments.
Swimwear, lingerie, and body-confident looks
A recurring thread in Vargas’s fashion coverage is body-conscious dressing and skin-baring style, which she presents as part of broader conversations about confidence and visibility at different ages. Her pieces spotlight plunging, sheer, or ultra-short designs, from Ashley Judd taking a dip in a plunging one-piece swimsuit and sharing a rare glimpse of her swimsuit collection, to Kate Hudson in “itty-bitty leather hot pants” and a flowing corset styled with sheer black tights. She consistently notes the ages of her subjects in headlines and copy, such as Ashley Judd, 58, and Carrie Underwood, 43, using those details to underscore how bold dressing and experimental silhouettes are not confined to a single demographic.
Vargas often gravitates toward looks that play with underwear-as-outerwear or reveal-and-conceal contrasts, as in her coverage of Kristen Stewart baring her bra and abs in a tailored skirt suit. The Kaia Gerber sundress story similarly hinges on braless styling as a defining feature of the outfit, casting it as a case study in relaxed, body-forward summer dressing. By consistently selecting swimwear, lingerie-adjacent pieces, and cutaway silhouettes as subjects, she positions her fashion beat at the intersection of style, body image, and the shifting norms of what celebrities are comfortable wearing in public.
Pop culture couples and trend explainers
Alongside fashion, Vargas covers celebrity relationships and the trends that emerge around them, often using style choices as an entry point into wider pop culture conversations. Her article on Jenna Bush Hager’s “major aversion” to a couples’ matching-outfits trend uses the television host’s comments — “We don’t all need to dress like each other” — to examine why coordinated looks can feel “kind of strange,” framing it as a cultural discussion rather than a one-off quote. In other pieces, she tracks high-profile pairings in more straight news terms, such as Brad Pitt and Ines de Ramon cuddling up during a PDA-filled outing shortly after attending a concert in Paris.
Vargas also writes explainer-style stories that blend relationship coverage with pop culture analysis, notably her piece on why Taylor Swift and Travis Kelce are compatible. That work draws on her background in TV, film, music, fashion, and celebrity news to situate the couple within a larger entertainment narrative, rather than treating them as gossip items alone. Across these stories, her distinct angle comes from tying relationship headlines to trends in how couples present themselves — through style, public affection, and commentary — and how audiences interpret those signals.
Wellness, youth culture, and entertainment background
Before focusing on celebrity fashion and entertainment news at the masthead, Vargas held a wellness editor role at a lifestyle arm of the brand, where she edited and wrote stories with a wellness and empowerment slant. In that capacity, she authored features like “21 Under 21: Unstoppable Young Women Manifesting a Brighter Future,” highlighting young women making an impact and positioning wellness as inseparable from social and cultural agency. That experience informs her current tendency to foreground confidence, agency, and age in fashion coverage, particularly when spotlighting older celebrities in bold looks or young performers developing a recognisable style.
Vargas also brings experience from an associate editor position on the Breaking News team at PS, where her remit included TV, film, music, fashion, beauty, and celebrity news. Combined with her current freelance work as a writer, editor, and journalist specialising in wellness and entertainment, this background gives her a broad command of the entertainment landscape and the ability to move quickly between fast-turn news hits and more thematic list-style features. The through-line is a focus on how cultural figures present themselves — through clothes, wellness narratives, or public relationships — and how those choices resonate across fashion, entertainment, and youth culture.
4 more fashion journalists.
Aaron Royce
Aaron Royce turns runway moments and celebrity event dressing into clear, wearable stories that show readers how trends move from the red carpet to real life. He is a fashion news writer at The Zoe Report, where he covers fashion, trends, celebrity style, and related news across the site. He also works in a fashion news editing role at The Daily Front Row, extending his reporting into the industry’s front row and party circuit. As a contributing and freelance journalist, he writes for fashion and lifestyle magazines including People, InStyle, Marie Claire, and other outlets, with a focus on shopping, beauty, and culture. His reporting centers on fashion’s visual language, celebrity influence, and shoppable outcomes across fashion, beauty, fragrance, jewelry, skincare, menswear, wellness, accessories, shoes, pop culture, and celebrity news.
Abigail Connolly
Abigail Connolly stands out for covering celebrity culture and fashion as a visual story about outfits, images, and online reaction. She writes for Yahoo and SheFinds, where she covers celebrity news, fashion, and related lifestyle topics. Her beat focuses on stars, royals, and political figures, with stories on red carpet looks, runway trends, state-visit wardrobes, and social media posts that shape public image. She has written about Oprah Winfrey’s all-white Cannes look, Paris Fashion Week fur, Anya Taylor-Joy’s Dior dress, Melania Trump’s style, and royal figures such as Queen Camilla and Prince William. Her reporting is short, tightly focused, and descriptive, using fan comments, captions, and sourced claims to show how a single look or post drives conversation online.
Aemilia Madden
Aemilia Madden writes about how people actually live in their clothes, blending disciplined wardrobe editing with specific shopping recommendations and a clear point of view on taste and restraint. A fashion and lifestyle journalist, former senior fashion writer at Vogue, and now a freelance writer, editor, and consultant, she focuses on service-driven fashion and lifestyle stories grounded in personal testing, long-term wear, and real scenarios. Her work connects shopping lists, trend coverage, and essays into a focus on more intentional choices about what to buy and how to wear it. She reports through first-person experiments, practical shopping guides, sale roundups, and trend explainers, and her portfolio spans Vogue, Harper’s Bazaar, Elle, T Magazine, The Cut, The Wall Street Journal, and her newsletter Taeste Bud, where she extends her interest in archival references, obsessions, and inside-the-closet cleanses.
Air Mail
Batsheva Hay writes fashion and culture pieces for Air Mail with the sensibility of a working designer rather than a conventional style reporter. She is the founder of the cult label Batsheva, known for prairie dresses and vintage-inflected, modest silhouettes that rethink traditions of feminine dress. At Air Mail she sits inside style and lifestyle coverage, writing about fashion and shopping from the point of view of someone who designs the kinds of clothes she describes. Her background as a former lawyer shapes a structured, argumentative way of taking apart dress codes and conventions. She focuses on vintage clothing, modesty, subversion, and how old styles gain new meaning. In guides such as her Upper West Side piece, she treats locations as mood boards and supporting characters, using sensory detail and lived-in references to map the cultural influences behind her clothes and the world her label inhabits.