Brian Sunday
Brian Sunday covers celebrity fashion for Page Six, focusing on how stars present themselves on red carpets and at high-profile entertainment events. His coverage treats the clothes and styling as the story, using film premieres and other public appearances to show how fashion, fame and promotion intersect.
Red carpet fashion at film premieres
Sunday’s work centers on red carpet moments, using major premieres to frame what different stars are wearing and how they choose to show up. In his coverage of the “Supergirl” New York premiere red carpet with Milly Alcock, Nicholas Hoult, Rachel Brosnahan and others, he builds the piece around who attended and the looks they brought to the step-and-repeat, rather than around the film itself. He highlights ensembles across the cast, turning a single event into a visual fashion tour of the night.
Within that format, he balances quick-hit mentions of multiple guests with enough detail to give a sense of each outfit and its tone. Readers come away knowing which actors were there and how their looks differed, from lead stars to supporting names, which suits the fast, personality-driven style of the masthead. The emphasis stays on outfits, silhouettes and overall vibe, not on reviews of the project being promoted.
Multi-celebrity style roundups
Sunday often structures pieces as roundups that move briskly from one celebrity to the next, keeping the focus on variety across the carpet. The “Supergirl” premiere story presents multiple actors in succession, each with their own fashion moment, which allows him to show the range of styling choices in a single night. That approach lets publicists and stylists see how ensembles play in context, side by side with peers on the same step-and-repeat.
Because he is writing for a celebrity-focused audience, his fashion coverage is designed to be scannable and image-led. Names and looks come first, with the event acting as the common thread that ties the piece together. This gives his work a distinct rhythm compared with more analysis-heavy fashion reporting, prioritizing who was there and what they wore over deeper industry commentary.
Event-driven, visually oriented coverage
Sunday’s beat sits squarely where fashion meets entertainment publicity, and his stories reflect that. He uses premieres and similar events as natural hooks, then fills the frame with outfits, styling choices and headline-friendly celebrity pairings. The clothes are described through the lens of star power and moment-in-time impact, making his pieces most useful when the goal is to showcase a look as part of a broader publicity push.
For brands, designers and talent teams working around carpets and photo calls, his coverage offers a straightforward way to land looks in front of a celebrity-obsessed readership. The orientation is always toward what the audience can see — dresses, suits, accessories and the overall polish of the appearance — rather than toward behind-the-scenes business or trend forecasting. That focus on visible, event-specific style is what defines his reporting lane.
4 more fashion journalists.
Aaron Royce
Aaron Royce turns runway moments and celebrity event dressing into clear, wearable stories that show readers how trends move from the red carpet to real life. He is a fashion news writer at The Zoe Report, where he covers fashion, trends, celebrity style, and related news across the site. He also works in a fashion news editing role at The Daily Front Row, extending his reporting into the industry’s front row and party circuit. As a contributing and freelance journalist, he writes for fashion and lifestyle magazines including People, InStyle, Marie Claire, and other outlets, with a focus on shopping, beauty, and culture. His reporting centers on fashion’s visual language, celebrity influence, and shoppable outcomes across fashion, beauty, fragrance, jewelry, skincare, menswear, wellness, accessories, shoes, pop culture, and celebrity news.
Abigail Connolly
Abigail Connolly stands out for covering celebrity culture and fashion as a visual story about outfits, images, and online reaction. She writes for Yahoo and SheFinds, where she covers celebrity news, fashion, and related lifestyle topics. Her beat focuses on stars, royals, and political figures, with stories on red carpet looks, runway trends, state-visit wardrobes, and social media posts that shape public image. She has written about Oprah Winfrey’s all-white Cannes look, Paris Fashion Week fur, Anya Taylor-Joy’s Dior dress, Melania Trump’s style, and royal figures such as Queen Camilla and Prince William. Her reporting is short, tightly focused, and descriptive, using fan comments, captions, and sourced claims to show how a single look or post drives conversation online.
Aemilia Madden
Aemilia Madden writes about how people actually live in their clothes, blending disciplined wardrobe editing with specific shopping recommendations and a clear point of view on taste and restraint. A fashion and lifestyle journalist, former senior fashion writer at Vogue, and now a freelance writer, editor, and consultant, she focuses on service-driven fashion and lifestyle stories grounded in personal testing, long-term wear, and real scenarios. Her work connects shopping lists, trend coverage, and essays into a focus on more intentional choices about what to buy and how to wear it. She reports through first-person experiments, practical shopping guides, sale roundups, and trend explainers, and her portfolio spans Vogue, Harper’s Bazaar, Elle, T Magazine, The Cut, The Wall Street Journal, and her newsletter Taeste Bud, where she extends her interest in archival references, obsessions, and inside-the-closet cleanses.
Air Mail
Batsheva Hay writes fashion and culture pieces for Air Mail with the sensibility of a working designer rather than a conventional style reporter. She is the founder of the cult label Batsheva, known for prairie dresses and vintage-inflected, modest silhouettes that rethink traditions of feminine dress. At Air Mail she sits inside style and lifestyle coverage, writing about fashion and shopping from the point of view of someone who designs the kinds of clothes she describes. Her background as a former lawyer shapes a structured, argumentative way of taking apart dress codes and conventions. She focuses on vintage clothing, modesty, subversion, and how old styles gain new meaning. In guides such as her Upper West Side piece, she treats locations as mood boards and supporting characters, using sensory detail and lived-in references to map the cultural influences behind her clothes and the world her label inhabits.