Brian Hunter
Brian Hunter is a games journalist who writes news coverage for God is a Geek, focusing on the fortunes of development teams and the business shocks that hit them after release rather than on review-style opinion.
Studio-side coverage of Luna Abyss
His report on Luna Abyss centres on the fact that the game’s entire development team was laid off only weeks after launch, treating the layoffs as the story rather than the title’s mechanics or critical reception.
The Luna Abyss case involves a small team behind a bullet-hell first-person shooter released in May 2026, whose members were made redundant shortly after the game arrived on PC, consoles, and subscription services. Hunter’s choice to frame the piece around the team’s dismissal and its timing shows a focus on studio stability, employment, and post-launch risk within the games industry, not just the success or failure of a single release.
News reporting on game industry setbacks
By leading with a headline about an entire team being laid off weeks after launch, Hunter positions his coverage within the stream of industry news about closures, mergers, and restructuring, rather than within consumer-oriented previews or reviews. The Luna Abyss story sits alongside wider reporting that documents how quickly a shipped game can be followed by redundancies, highlighting the vulnerability of small teams working on multi-year projects in a volatile market.
In this kind of piece, he keeps the focus on concrete events - who was affected, when the decisions were made, and how they relate to the game’s release window - using the game primarily as context for understanding what has happened to the people and studio behind it.
Focus on concrete events over opinion
Hunter’s work on industry setbacks such as the Luna Abyss layoffs is anchored in verifiable facts: the release date, the scale of the team, and the short interval between launch and redundancy. His framing and language stay in the news register, describing outcomes and timelines without turning the story into commentary on game quality or personal reaction, which distinguishes his coverage from a generic games reporter who might focus on impressions of the title rather than on the studio’s fate.
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Aaron Astle
Aaron Astle covers the business of mobile games through data, company strategy and cross-platform trends. He is Features and Data Editor at PocketGamer.biz and has written more than 2,000 articles for the publication. His beat includes game performance, revenue, player numbers, market share, monetisation, longevity and location-based games. He covers leadership changes, studio restructures, trade bodies, publishing decisions, investment and platform relations. He also reports on mobile, console and PC compatibility, live operations, regional marketing, hardware and app store rules. His work includes interviews with publishers such as King, Scopely, Cygames, Sybo and Rovio, plus year-in-review features for 2024 and 2025. He combines news, interviews, performance data and product timelines in clear analysis. He also contributes to the Week in Mobile Games podcast and event coverage.
Aaron Down
Aaron Down stands out for practical, systems-aware coverage that helps players navigate complex PC games and the platforms around them. He is a guides writer at PCGamesN and a staff writer at The Loadout. His work covers strategy games, live-service updates, codes, online worlds, simulation and management games, and classic titles being remade. He writes about League of Legends and Teamfight Tactics from long experience with both, with a focus on depth, meta shifts, and long-term mastery. His PCGamesN work includes strategy round-ups, Guild Wars 3 news, and reviews such as Two Point Museum. His writing has also appeared in The Digital Fix, Medium, Newsbreak, Flipboard, and other gaming platforms. He reports in clear, direct language, focusing on verified information, game systems, player access, and how platforms such as Steam shape discovery.
Aaron Potter
Aaron Potter is a franchise-focused games journalist who judges big-budget console and PC releases as parts of longer stories. At the Mirror’s gaming vertical, he writes reviews, release-time explainers, deal guides and commentary across PlayStation, Xbox, PC and Nintendo. His beat includes narrative-driven action games, horror, superhero epics, fantasy RPGs, co-op shooters and major series such as Marvel’s Spider-Man, Star Wars Jedi, Resident Evil, Dragon’s Dogma and God of War. He also covers launch times, platforms, Game Pass, crossplay, pre-orders, discounts and AAA ports, helping players decide what to play and how to buy it. With more than eight years in games journalism, prior freelance work and a book on indie games, he compares new releases with their predecessors, weighing storytelling, polish, innovation and value.
Adam Starkey
Adam Starkey stands out for writing about how games feel to play day to day. At Metro, he covers console and PC games, with a focus on Nintendo, fighting games and competitive titles, and he mixes reviews, news and commentary on major releases and hardware. He writes clear, player-focused criticism on mechanics, monetisation, accessibility and local multiplayer appeal. He also reports on live service systems, trailers, reveals, studio statements and consumer issues such as PS5 Pro scalpers. Beyond Metro, he works as a freelance entertainment journalist across games, TV, film, music and esports, with work published in NME, Rolling Stone UK, Radio Times, Edge, Nintendo Life and VG247.