Anna Cafolla
Anna Cafolla traces how fashion, beauty, and contemporary culture intersect through short, sharp pieces that use celebrity style, fashion weeks, and brand moves as her main lens. She is news editor at Vogue, working across fashion, beauty, culture, and living. Her recent work concentrates on how public figures dress and present themselves, and how those choices connect to wider conversations about taste, status, and the pace of the industry. Alongside daily news and quick-turn stories, she also writes service pieces and features that decode trends, dress codes, and the cultural meaning of merch.
Celebrity Style and Beauty
Cafolla’s core output sits in the celebrity style and beauty verticals, where she follows actors, musicians, and other public figures through premieres, fashion weeks, and city appearances. Her headline about Demi Moore and Tallulah Willis frames mother–daughter coordination in summery suiting as a way to read intergenerational style signals. Pieces on Michelle Obama’s looks at Céline Dion’s Paris comeback show and at the U.S. Open treat outfits as extensions of public persona, paying attention to color choices and occasion-appropriate polish.
Coverage of Margot Robbie’s “chicest possible solution” to rainy Paris and Lady Gaga’s polar-opposite date-night looks shows the same focus on how practical dressing and theatrical styling operate side by side in contemporary celebrity wardrobes.
On the beauty side, Cafolla writes frequently within the “Celebrity Beauty” rubric, tracking details such as Hailey Bieber’s much-discussed “French show with the good lighting” look, Selena Gomez’s merlot manicure, and Dakota Johnson’s shift away from a blurred lip.
A recurring “Beauty Marks: The Best Beauty Looks of the Week” format collects multiple faces into one digest, highlighting specific eyes, nails, and hair moments rather than broad trend claims. Her fashion-week beauty pieces, including Milan coverage that describes glam as “unruly,” focus on a small set of key trends and explain them in clear, compact prose.
The Nicole Kidman couture story sits in the same lane, using a single high-profile look to show how couture can read as easy and wearable rather than remote.
Fashion Weeks, Events, and Occasion Dressing
Cafolla covers fashion weeks as live cultural events, following both runway-adjacent personalities and the broader mood of cities hosting them. Recent headlines follow Heidi Klum’s daughter Lou during a fashion week debut, Brooklyn and Nicola Peltz Beckham in Paris, and Rosalía and Loli Bahia turning a public display of affection into a couples style moment. Florence Pugh’s take on a divisive fall shade, Connor Storrie and Hudson Williams’s debate over knitwear, and Jennifer Lawrence’s bangs at Paris fashion week are treated as discrete case studies that together build a picture of the season.
This approach distinguishes her from generic show reports; the emphasis is on how individuals wear the season rather than on collection reviews.
Beyond runway cycles, Cafolla writes practical guides that help readers navigate big nights out. “What to Wear to a Gala to Look Chic and Timeless” sets out occasion dressing as a manageable brief, breaking down silhouettes and accessories for formal events.
“Why Can’t You Wear White After Labor Day?” examines a long-standing style rule, using history and contemporary examples to frame whether and how that convention still matters. Her toe-ring trend story, which suggests shelving statement shoes in favor of a “statement toe ring,” applies the same tone to a niche accessory, explaining how a small detail can carry most of the visual interest in a look.
Together, these pieces show a consistent service angle: she translates fashion’s unwritten codes into direct guidance grounded in current imagery.
Designers, Culture, and Tech Merch
Cafolla also profiles designers and brands when they represent a shift in how fashion lives online and off. Her feature on Paloma Wool describes the label “escaping the endless scroll,” focusing on how a brand can reset its relationship with social media and digital saturation. The tone is observational rather than reverential, paying attention to strategy and atmosphere as much as to garments.
In coverage of Skims’s first international flagship celebration, she follows Kim Kardashian and guests through the event, documenting both the clothes and the way a brand stages its physical presence.
She extends this interest into corporate merch and tech culture, notably in a piece asking what tech companies are telling us when they launch merch, pegged to OpenAI “entering the swag chat.” That story treats logo hoodies, caps, and limited drops as signals about how companies want to be seen, and reads them against the broader landscape of brand identity. A lighter but related Citi Bike piece frames the bike-share scheme as “this summer’s hottest celebrity date spot,” connecting city infrastructure, young couples, and casual dressing in one vignette.
Across these articles, Cafolla’s distinction lies in treating fashion as a language for institutions and individuals alike, whether the subject is a designer exploring slower digital rhythms or a tech firm sending messages through souvenir-style clothing.
Background and Range
Before joining Vogue as news editor, Cafolla worked at fashion and lifestyle titles and contributed to major newspapers and culture magazines.
Her author biography notes experience at Dazed, Cosmopolitan, and ELLE, as well as writing for The Guardian, The Face, AnOther, and Condé Nast Traveller. That background explains the range in her current portfolio, which moves easily between celebrity coverage, designer-focused features, service journalism, and tech-adjacent culture pieces.
The through-line is consistent: she uses fashion and beauty stories to read the attitudes and ambitions of the people and brands behind them, in concise copy that favors specific images and examples over sweeping claims.
4 more fashion journalists.
Adam Cheung
Adam Cheung is a style writer at British GQ with a specialist focus on sneakers, streetwear and menswear product coverage. He treats sneakers and streetwear as culture and design objects, writing about individual models, new silhouettes and the details that make them stand out. His work spans men’s style, watches and grooming, keeping attention on how people can wear and buy into emerging trends. He produces service-led shopping edits on shoes, bags and accessories, built around clear recommendations and concise reasoning. He covers brands and market trends with an emphasis on wearable takeaways for everyday style and occasion dressing. His British GQ features are republished across international GQ editions, and he runs Typed Hype, an Instazine dedicated to sneaker culture, extending his coverage across mainstream menswear, niche releases and culture-facing commentary.
Alexandra Fullerton
Alexandra Fullerton is a freelance stylist and fashion writer for The Telegraph, known for turning professional styling methods into simple, practical rules for dressing. She covers outfit formulas, wardrobe edits, seasonal dressing, tights, festive knitwear, high-street fashion, smart shopping and investment pieces. Her advice focuses on what to keep, what to buy and how to wear it in real life, rather than fashion news or abstract trends. She draws on a long career as a fashion director and editor at Stylist and Glamour, styling shoots and working with actors, musicians and presenters. She also styles commercial campaigns and individual clients. Fullerton writes fashion books, including guides to everyday dressing and Chanel bags, and runs the My3Words shopping concept based on her three-word method.
Alexandria Dale
Alexandria Dale specialises in turning celebrity style and emerging trends into affordable high street shopping guides. She is Digital Fashion Writer at Cosmopolitan UK, covering fashion news, trend analysis and product-led features. Her beat includes seasonal colours, fabrics, transitional dressing, polished looks on a budget, sustainable fashion and new brands. She finds high street alternatives to luxury pieces and identifies trends worth investing in, with a focus on fit, fabric, versatility and repeat wear. Her guides often centre on one trend or wardrobe staple, with specific buys under a clear price cap. Recent work includes Victoria Beckham-inspired burgundy leather midi skirts, Primark wide-leg trousers, M&S argyle jumpers and Primark home delivery. She has six years of fashion journalism experience across digital and print titles, including Glamour and Ok!, and reports with practical styling advice and product detail.
Alice Reynolds
Alice Reynolds is a writer and production journalist on The Independent’s IndyBest shopping desk who tests accessible supermarket and high-street products in real life. She focuses on fashion, beauty, food and fitness, reviewing supermarket food and drink, protein bars and creatine supplements, and high-street clothing and beauty launches. Her beat spans supermarket staples such as dark chocolate, pizzas, Easter eggs and Greek yoghurt, plus workout snacks and performance supplements, and value-led fashion like viral jackets, wrap skirts and beauty advent calendars. She runs comparative “best of” round-ups that weigh flavour, texture, thickness, quality, price and usefulness, using hands-on trials and taste tests. Her reporting is plain, practical and grounded in repeated supermarket and high-street testing, informed by interests in food, fitness and lifestyle shopping and earlier experience across travel and news formats.