Tosin Oyediran
Tosin Oyediran is a journalist at Punch Newspapers whose reporting is anchored in human-angle storytelling and incisive interviews across entertainment and wider public-interest beats. He brings more than eight years of newsroom experience to coverage that connects politics, policy, health, advocacy, sports and cultural life back to the people affected. His work focuses on public accountability and civic issues, using clear, accessible news writing to show how decisions by leaders, institutions and parties play out in everyday lives.
Politics, policy and power
Much of Oyediran’s recent output follows the actions and messaging of political leaders, ministers and party structures, with a consistent emphasis on how policy choices affect citizens. He reports on economic and governance debates in stories such as “Tinubu rules out return to fuel subsidy in Nigeria” and “Nigeria @66: Tinubu declares ‘age of prosperity’ after three years of reforms,” tracking shifts in fuel subsidy policy and broader reform narratives. In “Restore petrol subsidy or fund student loans, minister question critics,” he covers arguments over whether scarce public funds should support consumption subsidies or social investment in education, highlighting tensions between short-term relief and long-term opportunity. Pieces like “Lagos APC takes Tinubu, Hamzat 2027 campaign to Nigerians in US” and “Lagos assembly confirms 12 nominees for state commissions, boards” show him following party strategy and appointments, keeping attention on who holds power and how mandates are consolidated. He also covers opposition and electoral integrity, as in “Anyone who rigs election under me will go to jail - Obi,” where he reports on warnings against rigging and the promise of consequences for electoral offenders.
Human-angle news and safety stories
Oyediran’s reporting frequently centres on incidents and risks that reveal the fragility of everyday security and the cost of institutional failure.
In “Stray bullet kills 400-level student during land dispute in Niger,” he documents how a local dispute escalates into lethal violence, bringing the consequences home through the death of a university student. “NYSC confirms missing Osun corps member safe, sound” follows the disappearance and recovery of a youth corps member, reflecting his interest in the welfare and safety of young people navigating national service.
His coverage of disaster preparedness in “Despite billions released, Nigeria still not ready for floods - Ex-NEMA boss” uses the voice of a former emergency agency head to show the gap between funding and actual readiness, underscoring the human stakes of climate and infrastructure failures. Across these stories, he uses interviews and human-angle framing to turn news events into narratives about vulnerability, responsibility and the social cost of instability.
Health, education and social welfare
Oyediran tracks how health systems, education policy and poverty measures intersect with government directives and public expectations.
In “Don’t send cancer patients home when they need care, FG tells hospitals,” he covers official instructions on the treatment of cancer patients, focusing on access to care and the obligation of hospitals to provide support. His reporting on exam fees in “FG suspends proposed WAEC, NECO fee hike” follows a federal decision that directly affects families and students, situating education costs within broader debates about affordability and opportunity.
“Nigeria has no business with poverty, says Obasanjo” adds the voice of a former leader to conversations about poverty and development, showing how political figures frame responsibility for social welfare. Together with “Restore petrol subsidy or fund student loans, minister question critics,” these stories illustrate a consistent interest in how public policies and official pronouncements shape the material conditions of schooling, health and livelihood.
Interviews, advocacy and cross-beat reporting
Beyond straight news, Oyediran is known for conducting incisive interviews and producing human-angle stories that deepen complex issues. His professional record includes in-depth, long-form features on sensitive social and political topics such as religious tension, mob violence, gender roles and the psychological impact of full-time housewifery, where he uses narrative reporting to unpack how structural forces bear down on individual lives. Across beats that include politics, health, advocacy, sports and entertainment, he focuses on people-centred reporting and public-interest storytelling, applying strong editorial judgement to balance accuracy, context and responsible coverage.
This cross-beat approach allows him to move between entertainment and hard news while keeping the through-line of civic impact and human experience, making his work suited to stories that sit at the intersection of culture, policy and everyday reality.
4 more entertainment journalists.
Ama Sechere
Ama Sechere is an entertainment publicist at Bell Media who maps Crave’s streaming slate across Crave, HBO, Starz, and related specialty channels. Her main work is the recurring Crave Streaming Overview series, published monthly from at least December 2021 through July 2026 and in weekly editions. These releases track feature films, returning series, premieres, finales, special events, and new acquisitions by date, format, and platform. She also handles campaign-style announcements for priority titles, including the short-form original comedy series MY DEAD MOM. Sechere focuses on streaming and television publicity, with more than a decade of experience in national and multi-platform campaigns. She reports through structured schedules, concise loglines, highlight notes, premiere details, and clear cross-brand labels. Her work supports media planning rather than criticism or review.
Amaris Encinas
Amaris Encinas tracks how viral culture, celebrity news and brand-driven moments move across platforms and into everyday life for USA TODAY’s national trending desk. She covers celebrities, athletes, entertainment headlines, consumer news, viral food culture, internet trends, nostalgia and technology. Her work includes stories on Simone Biles, Jimmy Kimmel, Dolly Parton, Sophie Cunningham, Taco Bell’s Pink Baja Blast, viral food hacks, Cartoon Network Flash games and Apple launches. She also reports on recalls, retail policy, public safety and representation, including a profile of Revista Étnica’s founder. Encinas writes quick-turn, news-driven pieces that explain why incidents, products and trends are capturing attention. She connects online activity to real-world effects and grounds stories in clear facts, timelines and stakes. Before USA TODAY, she covered breaking news, arts and life for regional outlets.
Andrew Thompson
Andrew Thompson covers the modern wrestling business through interview-led news and detailed event reports across major promotions. He writes for Fightful and POST Wrestling, focusing on clear, news-first stories built from wrestler quotations, promotional announcements and match results. Since 2017, his beat has spanned WWE, AEW, NJPW, MLW and other companies, documenting plans, deals and career moves through his own interviews and conversations. He files chronological recaps from major WWE cards and weekly shows, tracking match outcomes, title changes, segments and announced bouts with wrestling-specific detail. His cross-promotion coverage and appearances discussing events like AEW All In add context on how talent, stories and major cards move between companies. Beyond articles, he runs the “Andrew Thompson Interviews” video series and appears as a podcaster, keeping the emphasis on direct questions, sourced quotes and concrete developments.
Angelina Mazza
Angelina Mazza is a romance scholar and cultural critic who treats love stories, celebrity narratives, and pop entertainment as serious subjects, tracing how they shape contemporary culture. She writes for outlets including Vulture, Slate, Literary Hub, Salon, and other magazines and journals. At Vulture she covers romance fiction and celebrity stories, using list-driven guides and essays to analyze genre tropes, fandoms, and how romance moves from niche communities into mainstream culture. Her work extends to television, music, poetry, internet culture, and the history of music television, examining programming choices, character types, and images as texts that encode identity, desire, gender, and audience. She also writes about digital culture and campus television comedies, and works as a fact-checker, bringing precise detail and careful sourcing to her reported and critical pieces.