Tom Phillips (United Kingdom) is a journalist and bestselling author specializing in media literacy, historical misinformation, and the societal impact of storytelling. He currently writes through his Substack newsletter and HarperCollins-published books, reaching a global audience across 30+ territories.
“A master of making historical research feel urgently relevant” – The Times (UK), on Conspiracy: A History of B*llocks Theories
We’ve followed Tom Phillips’s work as a journalist and author whose career spans digital media innovation, fact-checking leadership, and bestselling historical analysis. Beginning at BuzzFeed UK, where he pioneered viral formats and interactive storytelling, Phillips later transitioned to editorial leadership at Full Fact, the UK’s independent fact-checking organization. His tenure there during Brexit, the COVID-19 pandemic, and the 2019 general election solidified his reputation as a trusted voice in combating misinformation. Today, he focuses on long-form writing, blending rigorous research with accessible humor in books like Humans: A Brief History of How We F*cked It All Up and his Substack newsletter, which dissects media trends and historical parallels.
This newsletter edition exemplifies Phillips’s knack for curating interdisciplinary insights. He analyzes George Lucas’s unmade Star Wars: Underworld series, linking its shelving to broader media industry trends. By contextualizing the $40 million-per-episode project within Disney’s acquisition strategy, Phillips underscores the tension between creative ambition and corporate pragmatism. His critique of franchise storytelling gaps—particularly the lack of narratives about Darth Vader’s prime—reveals his focus on mythmaking’s societal impact. The piece also integrates affiliate marketing for supplements, demonstrating his hybrid approach to monetizing independent journalism.
Here, Phillips deconstructs cinematic storytelling through a comparison of Sergio Leone’s and Quentin Tarantino’s tension-building techniques. His analysis of The Good, the Bad, and the Ugly versus Inglourious Basterds showcases his ability to translate film theory into mainstream discourse. The newsletter also includes tactical advice for leveraging credit card rewards programs—a reflection of his interest in consumer finance as a subset of media literacy. This blend of highbrow analysis and practical life hacks defines his Substack’s value proposition.
Though technically a book, this work functions as Phillips’s magnum opus on media literacy. He traces conspiracy theories from the 17th-century “Popish Plot” to QAnon, employing a methodology that combines archival research with contemporary case studies. The chapter on anti-vaccine narratives during the 1721 Boston smallpox epidemic draws direct parallels to COVID-19 misinformation, exemplifying his trademark historical parallelism. HarperCollins’s global distribution (20+ languages) underscores its academic-press rigor meets commercial appeal.
Phillips frequently uses past crises (e.g., the 1721 Boston smallpox epidemic) to contextualize modern issues like vaccine hesitancy. A successful pitch might explore how 19th-century railroad stock bubbles mirror cryptocurrency speculation, using primary sources like newspaper archives. This approach aligns with his book Truth: A Brief History of Total Bullsh*t, which dissects historical misinformation cycles.
His BuzzFeed-era work on virality algorithms makes him receptive to pitches about platform governance. For example, a story on TikTok’s recommendation engine favoring apocalyptic content could tie into his research on doomsday narratives. Include quantitative data—a study showing a 300% increase in “prepper” videos since 2023 would capture his interest.
While Phillips acknowledges pop culture’s societal role (e.g., his Star Wars analysis), he avoids tabloid-style coverage. A pitch about Taylor Swift’s impact on election turnout would need to pivot to broader fan community dynamics, citing academic studies rather than tour revenue stats.
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