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Tiana DeNicola

variety.comAustralia
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Pop MusicK-PopMusic InterviewsRed Carpet
About

Tiana DeNicola shapes Variety’s music coverage through on-camera interviews and editorial video that foreground the creative lives of artists and hitmakers. As the outlet’s supervising producer and host of the “Up Next” video podcast, she leads cover shoots, red carpet shows and conversational formats that connect pop, K‑pop and broader entertainment culture. Her work centres on drawing out the stories behind songs, performances and careers, whether she is talking to global stars or emerging artists.

Artist-led music stories on camera

DeNicola’s interviews are built around the artist’s own narrative, with an emphasis on inflection points and creative identity. In her sit-down with Huh Yunjin of Le Sserafim, she focuses on the singer’s unusual pre-debut path, the moment she nearly left K‑pop behind, and the collaborations now reshaping her trajectory. That same instinct to meet artists at pivotal moments is evident in her conversation with Billie Eilish at a Variety event, where she asks directly about the singer’s recent public coming-out in a cover story and how it landed with audiences.

She extends that approach to rising acts, using Variety franchises and live events to frame first-time public conversations. At Variety Hitmakers, DeNicola interviews Airyn De Niro in a piece positioned as a “first interview on coming out,” capturing both the personal stakes and the visibility that comes with industry recognition. Her segments often mix candid discussion with light structure, as in a video where Doja Cat plays “Smash or Pass” with her own most iconic looks, a format that lets the artist talk through image, evolution and self-perception while keeping the tone playful. Across these pieces, DeNicola’s through-line is clear: she gives performers room to explain how their work and public persona intersect, in their own words.

Hitmakers, songcraft and the business of pop

Beyond performance, DeNicola regularly turns the camera on the people who shape the sound of contemporary pop. Her feature on Jack Antonoff, recognized in the Southern California Journalism Awards’ consumer news or feature category, centres on how he crafted the summer hit “Please Please Please” and what he hears in Sabrina Carpenter’s voice that made the record work. The article focuses on process and craft — from building a hook that can carry a season to understanding the vocal character that turns a song into a signature — and situates Antonoff within the wider ecosystem of pop hitmaking.

That interest in songcraft dovetails with her work on “Up Next,” Variety’s video podcast, which launched with conversations designed to spotlight artists and creative talent poised for a new phase in their careers. As host, DeNicola steers discussions toward the mechanics of making music and the realities of navigating the industry, rather than surface-level promotion. The result is a body of work where producers, vocalists and writers talk in detail about their choices, and where the business and artistic sides of pop are treated as part of the same story.

Cover shoots, red carpets and video storytelling

DeNicola’s role at Variety extends beyond individual interviews into the architecture of the outlet’s visual coverage. Since 2021, she has overseen all Variety cover shoots and editorial video, attending studio shoots to direct, produce or interview talent on set. In this capacity she has directed high-profile cover videos, including a shoot with filmmaker Michael Mann that she has highlighted as a career milestone, blending cinematic staging with an intimate conversation about his work.

Her event work follows the same pattern of combining access with editorial focus. DeNicola has fronted a 2023 VMA red carpet package for Variety, reporting live from the carpet and engaging with attendees about how they are celebrating and what the night means for their music. She has similarly anchored a Globes red carpet show for the outlet, shaping fast-paced interviews that still return to projects, performances and creative choices rather than only fashion or spectacle. These assignments, along with year-round interview clips she shares from Variety shoots, show a producer-presenter who uses red carpets, studio sets and social-first formats to keep music and performance at the centre of the frame.

Profile work and career trajectory

While her primary beat is music, DeNicola’s profile work also reaches into adjacent corners of entertainment, particularly when personality and performance overlap. Her long-form piece on “Bob’s Burgers” voice actor H. Jon Benjamin — in which he attempts to voice the entire Belcher family and talks through his career — was named a finalist in the National Arts & Entertainment Journalism Awards in the personality profile category. The article’s placement in a film industry category underscores her ability to translate on-screen or on-mic persona into a narrative about craft and longevity.

DeNicola’s current work builds on a career that began with on-air music reporting as a teenager, covering concerts, albums and new releases for a music television outlet. Over time she has moved from correspondent to producer, director and host, consistently focused on stories where artists talk about how their work is made and how they live with its public impact. Across music features, video podcasts, red carpets and personality profiles, her coverage is distinguished by a clear priority: the creative process and inner life of performers come first, with format and visual style designed to support that focus.

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Abby Webster zeroes in on the storytelling side of contemporary pop, writing for Billboard about how songs build worlds around K-pop groups, fictional pop stars and ambitious soundtracks. She covers K-pop projects through close, song-by-song features, like her track-by-track piece with SEVENTEEN’s Vernon and The 8 on their EP ‘V8,’ and fan-centered lists such as “7 Best Moments from BTS’ Long-Awaited Return.” She treats soundtracks and fictional acts with the same rigor, mapping the inspirations behind “The Vampire Lestat” soundtrack and profiling in-universe groups like HUNTR/X and Saja Boys as if they were chart acts. Through Chart Beat stories on projects like “KPop Demon Hunters,” she connects these releases to industry strategy, global fandom, and the business systems that turn pop narratives into durable IP.

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Alex Suskind

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Alex Suskind is a freelance writer and editor who covers music with concise news stories and curated release lists. He focuses on new songs, album roundups, and archival access, from Carly Rae Jepsen’s “On Wires” to Neil Young opening his full catalog to residents of Greenland. His reporting stays close to the release cycle and foregrounds the core hook of each story. He has written for Pitchfork and has freelance work in Vulture, The Guardian, The New York Times, Vanity Fair, and The Atlantic. He also covers broader arts and culture, but his music beat is built around what is newly out now or newly available.

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Ali Shutler

nme.com

Ali Shutler links chart pop, alternative music and fan culture with the ways songs move through festivals, streaming platforms and games. He is a freelance culture journalist specialising in music, writing news and features for NME and other music and culture titles. He covers breakout chart acts, legacy artists whose catalogues are resurfacing, and how audiences rediscover songs via TikTok, streaming or in‑game soundtracks. His reporting on streaming-era pop and live festival moments tracks virality, catalog access and fan behaviour as part of the story of a track. He also examines music, gaming and visual art crossovers, treating game soundtracks and artist-led campaigns as part of a wider cultural map. Alongside this, he profiles emerging chart artists for outlets including The Telegraph, Vice, The Independent, Dork and Upset, focusing on early-career trajectories and fan culture.

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Annette Sharp

news.com.au

Annette Sharp is a veteran gossip and entertainment columnist known for direct, opinion-led coverage of celebrity power struggles and reputational crises across television and the music industry. She now writes high-profile columns for the masthead, after a decade on a well-read gossip column and a move to News Corp in 2008. Her real beat is the friction between public image and behind-the-scenes behaviour on flagship TV programs, including breakfast shows, reality formats and other long-running franchises. She focuses on who drives conflicts, who is exposed and who benefits, using ratings history, production decisions and industry mechanics as context. Sharp covers on-air personalities, executives, advisers and musicians, treating television and music as workplaces with competing egos, contracts and alliances, and blending reporting, media commentary and critique in a narrative column format.

Australia·Music
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