Stephanie Schmidt
Stephanie Schmidt covers professional audio technology for Sennheiser, focusing on how the company’s tools and partners make large-scale music and broadcast events work in practice. Her coverage stays close to the production floor, using specific projects to show what Sennheiser systems do in the hands of engineers, artists and technical partners.
Live event technology at flagship music shows
Schmidt’s work on Sennheiser’s collaboration with Spectera at the Eurovision Song Contest 2026 shows how she uses individual productions to anchor her technology coverage. She writes about the audio demands of a televised music spectacle and the role that Sennheiser equipment plays in meeting them, keeping the focus on how sound systems support performance, staging and broadcast. The emphasis is on the workflow around the gear as much as the products themselves, treating Eurovision as a case study in complex live-event sound.
Partner-focused technology features
Rather than writing in abstract terms about product specifications, Schmidt frames her stories around Sennheiser’s relationships with production companies, technical providers and creative teams. By highlighting partners such as Spectera, she links technology choices to business and creative decisions, showing why a particular setup is adopted and how it fits into a wider production strategy. This partner-led approach distinguishes her from a generic technology reporter, who would be more likely to compare vendors or survey a whole market than to drill into the details of one collaboration.
Brand-side perspective on audio innovation
Schmidt writes from within Sennheiser’s own newsroom, so her technology stories are firmly rooted in the company’s product ecosystem and projects. Her pieces explain where Sennheiser systems sit in the signal chain, how they integrate with other tools on site and what they enable for performers and engineers. The result is coverage that blends product communication with practical insight: she shows how audio solutions are deployed in real venues and broadcasts, while keeping the narrative aligned with Sennheiser’s innovations and strategic partnerships.
4 more technology journalists.
Adam Conway
Adam Conway stands out for treating consumer tech as systems to experiment with rather than products to set and forget. He is a journalist at XDA who covers phones, networks, and DIY-friendly hardware with a tinkerer’s mindset. His work focuses on hands-on testing, clear explanations, and practical ways to push devices further. He writes in depth about enthusiast hardware such as ESP32-based touchscreens, mesh networking projects, and off-grid communication tools, emphasizing setup, usability, and trade-offs. On the mobile team, he covers Android phones, software updates, and ecosystem changes, digging into network performance, battery behavior, and connectivity features. He also writes detailed how-tos on modding, customization, and configuration, with a focus on risks, prerequisites, and real-world use. His coverage is analytical, enthusiast-focused, and aimed at readers who act on his reporting.
Adnan Farooqui
Adnan Farooqui is a technology journalist at SamMobile whose work centers on Samsung’s hardware, software and strategy, with a focus on what its moves mean for the company’s future. He treats foldable phones as a strategic inflection point, using devices like the Galaxy Z Flip line to examine portfolio strategy, demand, cost and competition, and to track how long Samsung sustains product lines. He also covers the everyday Galaxy ecosystem of phones, tablets, wearables and the software that connects them, following One UI and Android updates, security patches and new features. His reporting ties product news to business decisions, pricing, launch strategy, software support windows and subscription pushes. He blends fast news with analysis, separates confirmed facts from his own reading of events, and uses plain language to frame why Samsung’s choices matter to different buyers.
Alexander Haro
Alexander Haro stands out for surf and ocean culture coverage that focuses on how people really use gear and technology in the water. He writes for surf readers who care about feel, not specs, and he often uses specific surfers, sessions, and waves to show how new equipment, design ideas, and board-building trends change the ride. He writes regularly about surf equipment, especially foiling, and he covers surf craft, foils, and the practical effects of new gear on paddling, speed, and wave connection. His work is short, session-driven, and video-led, with measured, conversational reporting that avoids hype while respecting surf history and newer ideas.
Alíz Kovács-Zöldi
Alíz Kovács-Zöldi covers photography technology where engineering detail meets practical shooting. She writes for Amateur Photographer, focusing on camera gear, optical design and how new hardware shapes the way images are made. She covers camera and lens technology, especially lenses and other core parts of a kit. She looks at how new products are built and what they are designed to do, not just their spec sheets. Her stories stay close to the tech, explaining focal lengths, focusing systems and form factors in clear language. In her piece on Thypoch’s first autofocus lens with three prime focal lengths in one unit, she shows how she explains unconventional gear and its intended use. Her beat is hardware-focused, tracking advances in autofocus, optics and physical design through concrete examples of new cameras and lenses.