Rolling Stone
Rolling Stone runs the recurring “Songs You Need to Know” package as a way to surface new and notable tracks across pop, R&B, hip-hop, and alternative music, treating single releases as the core unit of coverage rather than artist profiles or industry reporting. The franchise article “Tyla, Tierra Whack, Kelela, and All the Songs You Need to Know This Week” shows the approach clearly: concise capsules on a wide spread of artists and genres, curated as a weekly snapshot of what’s moving in contemporary music. Across the masthead, this series sits alongside long-form criticism and industry reporting, but it stands out for its regular, list-based format and emphasis on discovery.
Songs You Need to Know
The “Songs You Need to Know” series focuses on new singles and standout album cuts that have just arrived or recently broken through, instead of deep artist profiles or historical retrospectives. Each installment assembles a cross-genre lineup in one place, from names like Tyla, Tierra Whack, and Kelela to emerging acts, presenting them in short, focused blurbs that highlight what is distinctive about the song itself. The coverage is structured as a weekly or near-weekly rundown, positioning Rolling Stone as a tastemaker that points out what is worth hearing right now in a crowded release ecosystem.
Within these packages, the writing tends to foreground hooks, production choices, vocal performances, and mood, giving communications teams a sense of how the magazine frames songs for readers who may be sampling many tracks in one sitting. Artists are introduced with only the context needed to understand the track’s place in their catalog or current moment, keeping the emphasis on listening rather than narrative. For a story tied to a specific single, EP, or album cycle, this series is the natural landing spot when the goal is to get the music itself in front of an engaged audience quickly.
Pop, R&B, and Genre-Spanning Coverage
Rolling Stone’s music coverage, including the “Songs You Need to Know” franchise, is deliberately genre-agnostic within the broad world of popular music. The Tyla, Tierra Whack, and Kelela installment illustrates a mix of global pop, inventive hip-hop, and forward-thinking R&B in a single piece, reflecting the magazine’s long-standing focus on music that shapes mainstream and alternative culture. This breadth makes space for established stars as well as rising artists whose work intersects with current sounds or scenes rather than any one niche.
Because the series must work as a cohesive playlist, selections tend to favor tracks with clear identities—strong choruses, distinctive production, or lyrical perspectives that stand out quickly. That curatorial logic informs how artists are discussed: the writing isolates the elements that would make someone add the song to their rotation, whether that is a particular beat, a vocal texture, or a thematic angle. Acts whose new releases can sit comfortably alongside contemporary pop, hip-hop, and R&B singles are the most natural fit.
List and Capsule Format
The “Songs You Need to Know” articles use a list format built around short capsules, which shapes both tone and depth. Each song gets a brief, self-contained paragraph or two, enough to explain what it sounds like and why it matters, but not so long that it turns into a feature or review. This makes the series well suited to highlighting multiple artists at once, including those who may only need a quick introduction before listeners click through to hear the track.
The voice is direct and descriptive rather than heavily analytical, trading dense criticism for clear, accessible language that encourages sampling. Hooks, vibes, and standout moments are described in straightforward terms, allowing the piece to function as a guide for readers browsing for something new rather than a destination for in-depth commentary. For campaigns built around a single track or a small set of songs, that capsule structure offers an avenue for concise, high-visibility placement within the magazine’s broader music coverage.
Role in Rolling Stone’s Music Beat
Within the masthead’s music beat, the “Songs You Need to Know” series occupies a specific slot: it is a recurring curation platform that complements long-form artist profiles, album reviews, and industry analysis. The franchise leverages Rolling Stone’s brand as a music-first publication to keep readers updated on what is new, while other sections handle deeper storytelling, historical context, or business reporting. As a result, it is particularly valuable for artists and teams who are in an active release window and want the focus squarely on the music.
The series’ emphasis on timeliness and variety means it plays a continuing role in how the magazine surfaces emerging trends and connects disparate scenes. A single installment can place a breakout pop act next to a boundary-pushing rapper and a critically acclaimed experimental singer, encouraging audiences to engage with music they might not otherwise encounter. Stories tied to fresh, distinctive tracks that can stand alongside this kind of mix are best aligned with the way “Songs You Need to Know” functions inside Rolling Stone’s music coverage.
4 more music journalists.
Abby Webster
Abby Webster zeroes in on the storytelling side of contemporary pop, writing for Billboard about how songs build worlds around K-pop groups, fictional pop stars and ambitious soundtracks. She covers K-pop projects through close, song-by-song features, like her track-by-track piece with SEVENTEEN’s Vernon and The 8 on their EP ‘V8,’ and fan-centered lists such as “7 Best Moments from BTS’ Long-Awaited Return.” She treats soundtracks and fictional acts with the same rigor, mapping the inspirations behind “The Vampire Lestat” soundtrack and profiling in-universe groups like HUNTR/X and Saja Boys as if they were chart acts. Through Chart Beat stories on projects like “KPop Demon Hunters,” she connects these releases to industry strategy, global fandom, and the business systems that turn pop narratives into durable IP.
Alex Suskind
Alex Suskind is a freelance writer and editor who covers music with concise news stories and curated release lists. He focuses on new songs, album roundups, and archival access, from Carly Rae Jepsen’s “On Wires” to Neil Young opening his full catalog to residents of Greenland. His reporting stays close to the release cycle and foregrounds the core hook of each story. He has written for Pitchfork and has freelance work in Vulture, The Guardian, The New York Times, Vanity Fair, and The Atlantic. He also covers broader arts and culture, but his music beat is built around what is newly out now or newly available.
Ali Shutler
Ali Shutler links chart pop, alternative music and fan culture with the ways songs move through festivals, streaming platforms and games. He is a freelance culture journalist specialising in music, writing news and features for NME and other music and culture titles. He covers breakout chart acts, legacy artists whose catalogues are resurfacing, and how audiences rediscover songs via TikTok, streaming or in‑game soundtracks. His reporting on streaming-era pop and live festival moments tracks virality, catalog access and fan behaviour as part of the story of a track. He also examines music, gaming and visual art crossovers, treating game soundtracks and artist-led campaigns as part of a wider cultural map. Alongside this, he profiles emerging chart artists for outlets including The Telegraph, Vice, The Independent, Dork and Upset, focusing on early-career trajectories and fan culture.
Annette Sharp
Annette Sharp is a veteran gossip and entertainment columnist known for direct, opinion-led coverage of celebrity power struggles and reputational crises across television and the music industry. She now writes high-profile columns for the masthead, after a decade on a well-read gossip column and a move to News Corp in 2008. Her real beat is the friction between public image and behind-the-scenes behaviour on flagship TV programs, including breakfast shows, reality formats and other long-running franchises. She focuses on who drives conflicts, who is exposed and who benefits, using ratings history, production decisions and industry mechanics as context. Sharp covers on-air personalities, executives, advisers and musicians, treating television and music as workplaces with competing egos, contracts and alliances, and blending reporting, media commentary and critique in a narrative column format.