Riley Cardoza
Riley Cardoza focuses on the intimate, day-to-day sides of celebrity life, especially how relationships, parenting choices and public moments intersect with fame. Her coverage for Page Six sits at the heart of the masthead’s celebrity news and entertainment remit, but she distinguishes herself by treating family dynamics and relationship stories as the main event rather than background color. She returns to the same high-attention figures repeatedly, tracking how their private decisions play out in public, whether in blended families, long-running relationships or high-profile breakups. Her work also extends beyond traditional gossip into lifestyle and culture features, keeping her lens on how celebrities live, read and spend their time.
Celebrity families and parenting choices
Cardoza’s reporting often centers on the choices celebrities make about family, parenting and whether to have children at all. In one of her pieces, she highlights stars such as Miley Cyrus, Ashley Judd and Carly Pearce who speak directly about not making children a priority, treating their statements as newsworthy decisions rather than passing quotes.
In coverage of Kourtney Kardashian’s Father’s Day tribute to Travis Barker, she frames the story around loyalty, co-parenting and how public celebrations can signal shifts in long-term relationships, rather than focusing only on surface-level social media posts. Across this line of work, she uses specific examples and named figures to show how celebrity families manage blended households, former partners and public scrutiny, with family milestones like holidays and tributes as her recurring entry points.
This focus on parenting and family gives her entertainment beat a clear sub-angle: she is less concerned with industry business moves and more with how high-profile people define family for themselves.
Kardashians, reality TV and blended relationships
Cardoza returns to reality TV families, and especially the Kardashian orbit, as a recurring setting for her stories. The Kourtney Kardashian–Scott Disick–Travis Barker dynamic is one example of how she treats a single family’s history as ongoing context, reading new posts and gestures against years of public relationship coverage.
Her headlines and framing emphasize snubs, tributes and visible signs of allegiance, making clear to readers who is in and who is out of a given inner circle at any moment. This approach fits naturally within Page Six’s celebrity news stream, where Kardashians sit at the center of the wider entertainment narrative, but her emphasis remains on how they navigate exes, new partners and step-parent roles in public.
The result is coverage that treats reality TV stars as long-running characters, with every new social-media move or public appearance weighed against the established storyline.
Taylor Swift, crossover sports moments and live events
Cardoza also follows Taylor Swift closely, particularly when Swift’s movements intersect with other high-visibility worlds such as major sports events.
A report cited by The Sporting News notes her Page Six coverage of Swift attending a Knicks–Spurs NBA Finals game without Travis Kelce, drawing attention to both the celebrity presence and the relationship angle embedded in the news. In that lane, Cardoza treats appearances at games and high-stakes events as relationship and lifestyle stories as much as sports-adjacent news, focusing on who attends, who is absent and what that signals for fans tracking Swift’s personal life.
This gives her Swift coverage a dual focus: she respects the scale of the events themselves while maintaining attention on the interpersonal narrative - how a single seat choice or guest list can fuel broader speculation and conversation.
Entertainment and lifestyle features
Alongside straight celebrity news, Cardoza contributes to entertainment-adjacent lifestyle packages and editorial roundups that showcase her tastes and cultural interests. In a Page Six editors’ feature on beach reads for summer 2026, she appears as an associate editor recommending gothic fiction, highlighting author Melissa Albert’s novel “The Children” and noting Stephen King’s praise for its atmospheric quality.
This kind of participation shows she is comfortable stepping out of pure gossip into culture writing that connects books, reading and personal taste with the broader entertainment landscape. Beyond Page Six, her bylines at outlets such as Us Weekly and Woman’s World extend her range into celebrity features and lifestyle service journalism, reinforcing her focus on how public figures approach family, wellness and everyday life.
Taken together, these pieces show a journalist who treats celebrity culture not just as spectacle but as a lived experience, using both news items and lifestyle coverage to build a consistent picture of how famous people organise their relationships, homes and leisure time.
4 more entertainment journalists.
Ama Sechere
Ama Sechere is an entertainment publicist at Bell Media who maps Crave’s streaming slate across Crave, HBO, Starz, and related specialty channels. Her main work is the recurring Crave Streaming Overview series, published monthly from at least December 2021 through July 2026 and in weekly editions. These releases track feature films, returning series, premieres, finales, special events, and new acquisitions by date, format, and platform. She also handles campaign-style announcements for priority titles, including the short-form original comedy series MY DEAD MOM. Sechere focuses on streaming and television publicity, with more than a decade of experience in national and multi-platform campaigns. She reports through structured schedules, concise loglines, highlight notes, premiere details, and clear cross-brand labels. Her work supports media planning rather than criticism or review.
Amaris Encinas
Amaris Encinas tracks how viral culture, celebrity news and brand-driven moments move across platforms and into everyday life for USA TODAY’s national trending desk. She covers celebrities, athletes, entertainment headlines, consumer news, viral food culture, internet trends, nostalgia and technology. Her work includes stories on Simone Biles, Jimmy Kimmel, Dolly Parton, Sophie Cunningham, Taco Bell’s Pink Baja Blast, viral food hacks, Cartoon Network Flash games and Apple launches. She also reports on recalls, retail policy, public safety and representation, including a profile of Revista Étnica’s founder. Encinas writes quick-turn, news-driven pieces that explain why incidents, products and trends are capturing attention. She connects online activity to real-world effects and grounds stories in clear facts, timelines and stakes. Before USA TODAY, she covered breaking news, arts and life for regional outlets.
Andrew Thompson
Andrew Thompson covers the modern wrestling business through interview-led news and detailed event reports across major promotions. He writes for Fightful and POST Wrestling, focusing on clear, news-first stories built from wrestler quotations, promotional announcements and match results. Since 2017, his beat has spanned WWE, AEW, NJPW, MLW and other companies, documenting plans, deals and career moves through his own interviews and conversations. He files chronological recaps from major WWE cards and weekly shows, tracking match outcomes, title changes, segments and announced bouts with wrestling-specific detail. His cross-promotion coverage and appearances discussing events like AEW All In add context on how talent, stories and major cards move between companies. Beyond articles, he runs the “Andrew Thompson Interviews” video series and appears as a podcaster, keeping the emphasis on direct questions, sourced quotes and concrete developments.
Angelina Mazza
Angelina Mazza is a romance scholar and cultural critic who treats love stories, celebrity narratives, and pop entertainment as serious subjects, tracing how they shape contemporary culture. She writes for outlets including Vulture, Slate, Literary Hub, Salon, and other magazines and journals. At Vulture she covers romance fiction and celebrity stories, using list-driven guides and essays to analyze genre tropes, fandoms, and how romance moves from niche communities into mainstream culture. Her work extends to television, music, poetry, internet culture, and the history of music television, examining programming choices, character types, and images as texts that encode identity, desire, gender, and audience. She also writes about digital culture and campus television comedies, and works as a fact-checker, bringing precise detail and careful sourcing to her reported and critical pieces.