Phil Alexander

As Global Creative Director of Kerrang! and MOJO Contributing Editor, Alexander shapes rock journalism’s evolution across print, radio, and documentary formats. His career demonstrates rare continuity in volatile media landscapes.

Pitching Priorities

  • Deep Catalog Exploration: Seeks unreleased material from 1990s-2000s alt-rock acts
  • Technical Histories: Profiles of recording engineers/producers from analog era
  • Regional Scenes: Underdocumented movements like Nordic stoner metal

Avoid

  • Celebrity gossip or fashion crossovers
  • AI-generated music analyses
  • Festival coverage without historical context

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More About Phil Alexander

Bio

Career Trajectory: From Teenage Writer to Editorial Luminary

Phil Alexander’s four-decade career embodies the evolution of rock journalism. Beginning at 15 with a French publication, he ascended to shape iconic brands like Kerrang! and MOJO. His trajectory mirrors rock’s cultural shifts, from print’s golden age to digital multimedia dominance.

Key Career Phases

  • 1990s Foundation: Revolutionized Raw magazine by spotlighting grunge pioneers like Nirvana and Pearl Jam before mainstream recognition
  • Kerrang! Renaissance (1993-2003): Transformed the metal-focused title into a cross-genre authority, increasing circulation by 40%
  • MOJO Era (2003-Present): Curated definitive artist retrospectives, including the 2010 Duane Eddy profile later republished as a career epitaph
  • Multimedia Expansion: Executive produced Ozzy Osbourne’s No Escape from Now (2025), blending archival research with new interviews

Defining Works

Remembering Duane Eddy: The King Of Twang

Alexander’s 2010 MOJO profile became the definitive Eddy retrospective after the rock pioneer’s 2024 passing. The piece masterfully interweaves:

  • Never-before-published anecdotes about Eddy’s early honky-tonk days
  • Critical analysis of his impact on The Beatles’ guitar work
  • First-hand accounts from surviving Sun Records session players
“Eddy didn’t just play guitar – he engineered landscapes of twang that mapped America’s musical subconscious.”

My Life In Media

This 2005 autobiographical essay reveals Alexander’s editorial philosophy through:

  • Candid reflections on 1990s media scandals
  • Insights into balancing artist relationships with journalistic integrity
  • Prescient predictions about streaming’s impact on music discovery

Ozzy Osbourne: No Escape from Now

Alexander’s 2025 documentary executive producer role showcases his multimedia storytelling prowess, featuring:

  • Previously unreleased Black Sabbath rehearsal tapes
  • Interviews with generations of influenced artists
  • Critical reassessment of Osbourne’s vocal techniques

Beat Analysis & Pitching Guidance

1. Focus on Legacy Acts With Untold Stories

Alexander prioritizes artists with 20+ year careers offering fresh archival material. Successful pitches might highlight:

  • Newly discovered studio outtakes from 1990s alt-rock bands
  • Oral histories from retired session musicians
  • Technical analyses of vintage recording gear

2. Bridge Generational Influences

Demonstrate how classic artists inform contemporary acts. Example angles:

  • Statistical analysis of Led Zeppelin riffs in modern streaming playlists
  • Interviews with young artists covering 1970s proto-punk
  • Cultural studies of vinyl revival demographics

3. Avoid Mainstream Pop Crossovers

While open to genre evolution, Alexander’s work consistently avoids:

  • Reality TV music competitions
  • TikTok viral challenges
  • Celebrity fragrance lines

Awards & Industry Recognition

  • 2024 Music Journalists Association Lifetime Achievement Award: Recognized for sustaining print/digital readership during industry transitions
  • 2019 Sony Radio Academy Gold Award: Honored for MOJO Rocks show’s archival research depth
  • 2008 PPA Editor of the Year: Awarded for revitalizing MOJO’s commercial/critical success

Top Articles

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