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Marissa Galko

obj.caCanada
Interested in
Local BusinessRestaurantsConsumer TrendsUrban Policy
About

Marissa Galko reports on how local businesses intersect with culture, entertainment and everyday life, with particular attention to the streets, venues and trends that shape how people spend their leisure time. As a reporter with the Ottawa Business Journal, she produces local business news stories, manages the outlet’s event listings and contributes social media content. Her coverage ranges from restaurant and retail openings and closings to issue-based features on infrastructure, insurance and consumer protection, consistently linking business decisions to the way residents experience their city. Alongside this work, she draws on experience covering topics from business and politics to fashion and music, giving her entertainment beat a strong grounding in both economic and cultural angles. Her portfolio also includes pieces on consumer-facing technology such as dating apps, where she profiles startups trying to compete with established platforms.

Local business corridors and BIAs

Galko devotes significant attention to business improvement areas and neighbourhood corridors, documenting how they respond to policy changes, public safety concerns and shifting patterns of foot traffic.

Her reporting on the Glebe BIA’s reaction to a bus lane pilot project on Bank Street examines how such changes are monitored for their impact on nearby businesses. In a companion piece, she explores the BIA’s preference for increased police presence over bus lanes, showing how merchants balance customer access, safety and streetscape design.

She covers BIAs across the city as they ramp up efforts to get consumers to support local businesses, highlighting campaigns and initiatives aimed at keeping spending in neighbourhood shops and venues.

Her work on downtown businesses after major snowstorms shows how severe weather affects main street corridors, from operational challenges to the pace at which commercial districts “dig out” and return to normal trading. She also writes about an Orléans community centre expansion framed in terms of job creation, economic growth and new space for local artists and community users, reinforcing her focus on how local investment reshapes cultural and business hubs.

Restaurants, bars and nightlife venues

Restaurants, bars and other leisure venues are a recurring focus in Galko’s coverage, where she tracks openings, closings and concept changes with an emphasis on what they mean for the surrounding business landscape. She reports on a new Chinese restaurant taking over the long-time Yangtze location at 700 Somerset Street West, noting the plans of owner Chris Xie and the significance of a familiar corner site getting a new culinary identity.

Her story on a Turkish eatery reopening in a former Clocktower Brew Pub location in the Glebe follows a venue through temporary closure and relaunch, underlining the role of recognizable spaces in local dining culture.

She covers how local pubs and bars respond to the Ottawa Charge playoff run, from “Sens Lot” events to themed parties, showing how sports entertainment translates into foot traffic, promotions and atmosphere in nightlife businesses. Galko also documents retail food changes such as a salad shop taking over a skate shop space on Bank Street, capturing the shift in use from specialty retail to fast-casual dining in a key commercial corridor.

Earlier work includes coverage of an Orléans coffee shop closure, adding detail on how owners communicate with customers and how neighbourhoods absorb the loss of familiar gathering places.

Consumer trends, retail and lifestyle coverage

Galko frequently writes about consumer trends and lifestyle influences, particularly where digital culture meets bricks-and-mortar retail. In a story on local bookstores responding to BookTok, Bookstagram and BookTube, she examines how online communities of readers drive in-store sales strategies, curation and events. Her piece on why an Ottawa storefront sign is costing businesses customers explores how design and messaging at the door affect walk-in traffic, reflecting her interest in the practical side of marketing and customer experience.

She has reported on Walmart Canada’s new supercentre at Place d’Orléans taking over a former Hudson’s Bay space, framing the move as a significant shift in big-box retail presence at a major shopping centre.

Her coverage of whether fall 2025 will resemble fall 2019 in downtown Ottawa looks at how the return of public and private sector employees to offices influences retail, hospitality and street life, moving her entertainment beat into a broader lifestyle and urban vibrancy context. She extends this consumer lens to home and property, with stories on Ottawa’s wettest month in recorded history and what it means for roofs, and on roof liability as a risk line item for property owners. These pieces emphasize how weather, insurance and maintenance decisions affect residents’ daily lives and costs, tying practical concerns to a wider narrative about living in and engaging with the city.

Urban infrastructure and issue-based business stories

Beyond venues and trends, Galko takes on urban infrastructure and policy-driven stories where business outcomes depend on government decisions and regulatory frameworks.

Her reporting on the procurement process for a high-speed rail project details how a major transportation initiative moves through planning and procurement, and what those steps mean for the regional business community. She has written analytical pieces such as “Why accident victims keep losing in Ontario no matter who’s in power,” which explore systemic issues affecting consumers, insurance claims and legal processes.

Articles on roof failure, insurance and risk dig into the technical and financial aspects of property ownership, presenting roofs not only as physical assets but as liability line items in commercial and residential balance sheets. Her work on bus lane pilots, snowstorms and community centre expansion shows how infrastructure, weather and public investment shape operating conditions for businesses and arts users alike.

Across these stories, Galko’s reporting style combines clear explanations of policy and technical detail with concrete examples drawn from local businesses, keeping complex issues anchored in the realities of corridors, venues and households.

Also covering this beat

4 more entertainment journalists.

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Ama Sechere is an entertainment publicist at Bell Media who maps Crave’s streaming slate across Crave, HBO, Starz, and related specialty channels. Her main work is the recurring Crave Streaming Overview series, published monthly from at least December 2021 through July 2026 and in weekly editions. These releases track feature films, returning series, premieres, finales, special events, and new acquisitions by date, format, and platform. She also handles campaign-style announcements for priority titles, including the short-form original comedy series MY DEAD MOM. Sechere focuses on streaming and television publicity, with more than a decade of experience in national and multi-platform campaigns. She reports through structured schedules, concise loglines, highlight notes, premiere details, and clear cross-brand labels. Her work supports media planning rather than criticism or review.

Canada·Entertainment
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Amaris Encinas

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Amaris Encinas tracks how viral culture, celebrity news and brand-driven moments move across platforms and into everyday life for USA TODAY’s national trending desk. She covers celebrities, athletes, entertainment headlines, consumer news, viral food culture, internet trends, nostalgia and technology. Her work includes stories on Simone Biles, Jimmy Kimmel, Dolly Parton, Sophie Cunningham, Taco Bell’s Pink Baja Blast, viral food hacks, Cartoon Network Flash games and Apple launches. She also reports on recalls, retail policy, public safety and representation, including a profile of Revista Étnica’s founder. Encinas writes quick-turn, news-driven pieces that explain why incidents, products and trends are capturing attention. She connects online activity to real-world effects and grounds stories in clear facts, timelines and stakes. Before USA TODAY, she covered breaking news, arts and life for regional outlets.

Canada·Entertainment
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Andrew Thompson

fightful.com

Andrew Thompson covers the modern wrestling business through interview-led news and detailed event reports across major promotions. He writes for Fightful and POST Wrestling, focusing on clear, news-first stories built from wrestler quotations, promotional announcements and match results. Since 2017, his beat has spanned WWE, AEW, NJPW, MLW and other companies, documenting plans, deals and career moves through his own interviews and conversations. He files chronological recaps from major WWE cards and weekly shows, tracking match outcomes, title changes, segments and announced bouts with wrestling-specific detail. His cross-promotion coverage and appearances discussing events like AEW All In add context on how talent, stories and major cards move between companies. Beyond articles, he runs the “Andrew Thompson Interviews” video series and appears as a podcaster, keeping the emphasis on direct questions, sourced quotes and concrete developments.

Canada·Entertainment
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Angelina Mazza

vulture.com

Angelina Mazza is a romance scholar and cultural critic who treats love stories, celebrity narratives, and pop entertainment as serious subjects, tracing how they shape contemporary culture. She writes for outlets including Vulture, Slate, Literary Hub, Salon, and other magazines and journals. At Vulture she covers romance fiction and celebrity stories, using list-driven guides and essays to analyze genre tropes, fandoms, and how romance moves from niche communities into mainstream culture. Her work extends to television, music, poetry, internet culture, and the history of music television, examining programming choices, character types, and images as texts that encode identity, desire, gender, and audience. She also writes about digital culture and campus television comedies, and works as a fact-checker, bringing precise detail and careful sourcing to her reported and critical pieces.

Canada·Entertainment
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