Julia Teti
Julia Teti covers the music beat for Women's Wear Daily, focusing on industry events and honors and presenting them in a clear, photo-led format that documents the key moments of each occasion.
Songwriters Hall of Fame and music honors
Her coverage of the Songwriters Hall of Fame Induction and Awards Gala 2026 is structured as a visual recap of the ceremony, with a headline that explicitly frames the piece as a photo feature. The story centers on the annual induction and awards program, highlighting songwriting achievements and the formal recognition of artists and writers whose work shapes the contemporary music landscape. By organizing the piece as a gallery, she turns a live, one-night event into a sequence of distinct moments that can be revisited and referenced after the gala has concluded.
In this work, she keeps the focus on the institution of the Songwriters Hall of Fame and the specific 2026 ceremony, rather than broad commentary, giving communications teams a straightforward record of who was honored and how the event unfolded. The emphasis on the induction and awards structure signals an interest in the formal side of music recognition—who is being celebrated, in what setting, and under which categories—rather than purely promotional coverage.
Awards gala photo coverage
The “[PHOTOS]” framing in her Songwriters Hall of Fame piece shows that she uses photography as the primary storytelling tool for at least part of her music beat. The format favors concise captioning over extended narrative, treating each image as its own entry in the story of the night. This approach suits awards galas and similar ceremonies, where the visual record of attendees, on-stage moments and the atmosphere of the venue often matters as much as the list of winners.
Her photo-led reporting makes these events accessible to readers who follow music industry developments but were not inside the room, and it gives sources a clear sense of how their presence and performance might be represented. The structure also aligns with the masthead’s broader emphasis on visual coverage, allowing music stories to sit comfortably alongside fashion and culture features while retaining a distinct focus on the ceremonies that define the beat.
Music beat within a fashion-industry trade journal
Julia contributes this music coverage within Women’s Wear Daily, a fashion-industry trade journal known for delivering information and intelligence on changing trends and breaking news in its sectors. Her beat brings music into that context, documenting how the industry’s own milestones and honors unfold in real time. By placing music ceremonies and their participants inside the pages of a fashion-focused publication, her work reflects the way the music business intersects with wider cultural and commercial trends.
She reports as a journalist for Women’s Wear Daily, supplying the masthead with music-facing coverage that complements its established focus on fashion, retail and trend analysis. The combination of event-driven music stories and a visually oriented format positions her as a practical contact for coverage tied to awards, inductions and other formal recognitions on the music calendar.
4 more music journalists.
Aisling Murphy
Aisling Murphy is the theatre reporter and critic at The Globe and Mail. She stands out for writing about theatre as both art and infrastructure, with coverage that links new Canadian stage work, awards culture, and pop-inflected criticism. She covers theatre, music, and pop culture in a detailed, conversational style, moving between reviews, reported features, and analysis of the systems that shape what gets produced. Her beat includes the Dora Awards, Toronto stages, new writing, intimate productions, and smaller venues, as well as controversy where artistic decisions meet politics and community response. Before The Globe, she was senior editor of Intermission Magazine, and her bylines include The New York Times, Toronto Star, CBC Arts, and the Baltimore Sun.
Alex Hudson
Alex Hudson is Editor-in-Chief of Exclaim! and leads coverage of music’s links to sports, literature, and technology, with a strong focus on Canadian artists. Hudson reports on how music intersects with other fields, not as a separate industry. Recent coverage has included Blue Jays pitcher Max Scherzer on how playing piano saved his career, Ottawa Bluesfest’s Canada-wide soccer watch party, Lakes of Canada’s Margaret Atwood-inspired album Transgressions, Hannah Mary McKinnon on The Beaches influencing her rock-themed novel, and Alexander Nilsson’s 1001 Albums Generator as a tool for broadening music discovery beyond algorithmic recommendations.
Alexis Mikulski Ruiz
Alexis Mikulski Ruiz is a commerce writer whose distinct focus is the buying and streaming side of music, entertainment and lifestyle, helping readers decide how to watch major events and what to purchase around them. She is an e-commerce specialist at Rolling Stone, covering products, platforms and deals tied to award shows, festivals, sports and everyday culture. Her beat blends music streaming guides with shopping and product recommendations across fashion, beauty, tech, food, wellness and drinks. She reports through experience-focused service journalism, using lists, comparison roundups and step-by-step guides to answer concrete questions about how to stream major cultural moments, where to shop and which products to choose. Her background includes commerce and lifestyle writing for consumer publications such as Esquire, Men’s Health, Good Housekeeping, Oprah Daily, Women’s Wear Daily and Billboard.
Allie Gregory
Allie Gregory maps how audiences encounter new music by tracking the practical pathways of releases, tours, festivals, platforms and projects. She is a managing editor and news writer at Exclaim!, where she is a primary editorial contact for forthcoming releases and news tips and helps shape the outlet’s daily agenda around new music and its broader entertainment context. Her reporting centres on timely album and tour announcements, live logistics and festival programming across indie, metal, country, pop and adjacent film and streaming news. She writes direct, information-heavy pieces that foreground calendars, support acts, set times and programming structures, while also producing longer-form interviews, cultural stories and staff-pick recommendations that connect artists’ work, controversy and creative campaigns to how audiences encounter music and entertainment on the road, at festivals and on screens.