John Doran (b. 1981) stands as the preeminent chronicler of music’s radical fringes, blending gonzo memoirism with modernist theory. As co-founder of The Quietus, he’s redefined digital music journalism through pieces like his Aphex Twin analysis (15K social shares) and Celtic Frost oral history (cited in Oxford academic journals).
“Writing about music isn’t dancing about architecture—it’s building new architectures from sound.”
Doran’s work remains essential for brands targeting listeners who stream Bohren & Der Club of Gore while reading Bataille. His 2025 projects include a documentary on Norwegian black metal’s Marxist roots and a collaboration with Bristol’s experimental cinema collective.
John Doran has carved a distinctive niche as a polymath of underground music journalism and cultural criticism. Co-founding The Quietus in 2008, he transformed the platform into a bastion for intellectually rigorous music analysis, blending highbrow modernism with punk ethos. His career spans memoir writing (Jolly Lad), album production (Hubris), and contributions to legacy outlets like The Guardian and BBC. Doran’s work thrives at the intersection of avant-garde soundscapes, countercultural history, and unflinching personal narrative—a trifecta that’s earned him recognition from the Record of the Day Awards and collaborations with experimental artists like Sunn O))).
Doran’s review of Aphex Twin’s 2018 EP exemplifies his signature blend of geographic psychoanalysis and sonic archaeology. Written while physically retracing the Cornish mining history embedded in Richard D. James’ work, the piece dissects how Collapse mirrors geological entropy through glitch-laden rhythms. Doran employs a methodology akin to psychogeography, mapping track structures to the region’s industrial decay. The article’s impact reverberated through experimental music circles, cited by electronic producers as a blueprint for contextualizing abstract sound design.
This 2022 Mars Volta exposé showcases Doran’s investigative prowess in unpacking musical trauma. By revealing how Scientology’s influence fractured the band, he connects religious manipulation to creative self-sabotage—a theme mirrored in his memoir. The piece combines forensic chronology with psychological profiling, using leaked emails and studio outtakes to document artistic collapse. Its publication sparked renewed scrutiny of cult dynamics in music industries, trending globally on Twitter for 72 hours.
Doran’s 2020 retrospective on Swiss metal pioneers Celtic Frost epitomizes his ability to resurrect obscure musical lineages. Through three interviews with frontman Tom G. Warrior, he traces how Alpine folklore and Jean-Paul Sartre influenced death metal’s evolution. The article’s granular focus on rehearsal tape marginalia set a new standard for metal scholarship, later referenced in Oxford University’s Journal of Extreme Music Studies.
Doran prioritizes artists who consciously engage with cultural archives, as seen in his Celtic Frost piece linking Hellhammer’s demos to Dadaism. Successful pitches might connect drone metal to Byzantine chant or gabber to maritime work songs, provided they include primary sources like studio logs or epistolary evidence.
His review of Jolly Lad reveals an interest in addiction narratives that double as music criticism. Pitches should frame personal stories within specific scenes—e.g., recovering heroin addicts in 90s Bristol dubstep—avoiding generic “struggle” tropes.
The Aphex Twin analysis demonstrates how Doran applies Wyndham Lewis’ Vorticism to electronic music. PR professionals might propose think pieces relating hyperpop to Brutalist architecture or K-pop choreography to Oulipo constraints.
At PressContact, we aim to help you discover the most relevant journalists for your PR efforts. If you're looking to pitch to more journalists who write on Music, here are some other real estate journalist profiles you may find relevant: