Heidi Ulrichsen
Heidi Ulrichsen is an editor and reporter at Sudbury.com, where she covers education and the arts scene alongside broader local news. Her work stands out for its focus on how institutions, cultural events and everyday residents intersect, often using photo-led and feature formats to document community life. She moves easily between hard-edged policy stories and lighter cultural pieces, keeping the emphasis on how decisions and events land on the ground.
Education and institutional change
Heidi reports regularly on post-secondary governance and planning, with repeated coverage of Laurentian University’s finances and long-term strategy.
She explains major changes such as the university approving 2022–23 financials that move into surplus and the formal adoption of a 2024–2029 strategic plan, breaking complex documents into clear, accessible narratives. Her reporting also tracks how broader developments trigger updates to strategic priorities, including coverage of pandemic-inspired revisions to a municipal strategic plan.
She extends this institutional lens to public services, such as a story on the school bus consortium starting a new year with enough drivers, linking operational logistics and community impact. In campus-focused coverage she has detailed the indefinite closure of a 60-year-old pub, connecting student life, tradition and the practical effects of financial and strategic decisions. Across these pieces she treats education as a system that touches families, workers and local culture, not just as an abstract policy area.
Arts, culture and local storytelling
Heidi covers the arts scene through stories on musicians whose singles reach the top of radio station charts, highlighting creative careers emerging from the community. Her features on authors, including a historical fiction novel inspired by an Irish grandmother, emphasise the personal histories behind new books and the ways those stories echo through local audiences. In film and festival coverage, she profiles events such as the Cinéfest Sudbury International Film Festival’s gala screening of a Terry Fox documentary, giving readers both the context of the film and practical details on how to attend.
Her reporting on a Science North exhibit that uses art to spotlight the impact of single-use plastics shows an interest in cultural programming that engages with environmental themes. She also writes about a local man taking on the role of Colonel Sanders in national KFC advertising, using a pop-culture figure to explore how local talent moves onto larger stages. These pieces share a consistent approach: she grounds arts coverage in individual stories while showing how music, literature, film and visual art contribute to the wider civic narrative.
Community events, politics and public safety
Heidi frequently produces photo-driven coverage of civic celebrations, capturing Canada Day festivities, park anniversaries and Pride activities that draw large crowds downtown. In these assignments she documents everything from recreation officials encouraging residents to share memories, to scenes of food, games and strategies for staying cool during summer heat.
Her photo essays emphasise participation and atmosphere, giving equal weight to official programming and informal moments among attendees.
Her local news work also includes personality-driven stories, such as the feature on a local man portraying Colonel Sanders, which foregrounds community figures appearing in widely seen campaigns. She contributes to political coverage through reports on mayoral debates where challengers confront an incumbent mayor, presenting key exchanges and framing the stakes for voters.
In public-safety reporting she has produced a year-in-review piece tallying homicides over a calendar year, summarising major cases and their impact in a straightforward, factual tone. Taken together, her community, political and crime coverage shows a reporter who connects individual events to longer-running narratives about how residents experience their city day to day.
Across education, arts, community events and public safety, Heidi Ulrichsen’s Sudbury.com reporting is distinguished by its steady attention to people living inside institutional decisions and cultural moments. She uses clear language, structured explanations and vivid scene-setting to make policy stories readable and to give arts and lifestyle pieces weight and context.
For sources and organisations, she is a consistent conduit for stories that sit at the intersection of education, culture and civic life.
4 more entertainment journalists.
Ama Sechere
Ama Sechere is an entertainment publicist at Bell Media who maps Crave’s streaming slate across Crave, HBO, Starz, and related specialty channels. Her main work is the recurring Crave Streaming Overview series, published monthly from at least December 2021 through July 2026 and in weekly editions. These releases track feature films, returning series, premieres, finales, special events, and new acquisitions by date, format, and platform. She also handles campaign-style announcements for priority titles, including the short-form original comedy series MY DEAD MOM. Sechere focuses on streaming and television publicity, with more than a decade of experience in national and multi-platform campaigns. She reports through structured schedules, concise loglines, highlight notes, premiere details, and clear cross-brand labels. Her work supports media planning rather than criticism or review.
Amaris Encinas
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Andrew Thompson
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Angelina Mazza
Angelina Mazza is a romance scholar and cultural critic who treats love stories, celebrity narratives, and pop entertainment as serious subjects, tracing how they shape contemporary culture. She writes for outlets including Vulture, Slate, Literary Hub, Salon, and other magazines and journals. At Vulture she covers romance fiction and celebrity stories, using list-driven guides and essays to analyze genre tropes, fandoms, and how romance moves from niche communities into mainstream culture. Her work extends to television, music, poetry, internet culture, and the history of music television, examining programming choices, character types, and images as texts that encode identity, desire, gender, and audience. She also writes about digital culture and campus television comedies, and works as a fact-checker, bringing precise detail and careful sourcing to her reported and critical pieces.