Devon Johnson
Devon Johnson writes about music for 105.7 The Point, with a focus on rock artist news and features that highlight the station’s listener community. Their coverage blends artist-focused updates with short, promotional pieces that keep fans connected to The Rizzuto Show and its loyalty initiatives.
Team Rizz member spotlights
A core part of Johnson’s output is a steady stream of “Team Rizz member of the day” articles for The Rizzuto Show. These pieces follow a tight format: the headline names the featured listener, and the body presents them as the day’s honoree within the Team Rizz community. The work is consistent and high-volume, with recent examples including profiles of Hank Gustafson, Dan Zone, Devonn DeLong, Emily Johnson, and John Daley. Through these spotlights, Johnson reinforces the show’s connection to its audience, treating individual listeners as the main subject rather than the on-air talent.
Listener promotions and sponsor tie-ins
Johnson’s Team Rizz pieces are also vehicles for station promotions and sponsor messaging. Each article ties the featured member to ongoing contests or special campaigns, such as chances to win cash or major prize pools during sports events. The posts repeatedly reference HotShots Sports Bar and Grill, weaving in taglines about soccer tournaments, hockey away games, and happy hour offers alongside the listener spotlight. This pattern shows Johnson working at the intersection of music radio, audience engagement, and commercial partners, using concise copy to both recognize fans and drive participation in station promotions.
Rock and alternative music news
Beyond listener features, Johnson covers artist news, including developments around prominent rock and alternative musicians. Their work includes reporting on Tom Morello stepping away from a European solo tour to care for his mother, bringing a personal, human angle to a touring update. This type of story keeps The Point’s audience informed about major figures in the rock world while matching the station’s musical identity. In combination with the Team Rizz coverage, it shows Johnson moving between artist-centric news and community-facing content within the same music beat.
4 more music journalists.
Abby Webster
Abby Webster zeroes in on the storytelling side of contemporary pop, writing for Billboard about how songs build worlds around K-pop groups, fictional pop stars and ambitious soundtracks. She covers K-pop projects through close, song-by-song features, like her track-by-track piece with SEVENTEEN’s Vernon and The 8 on their EP ‘V8,’ and fan-centered lists such as “7 Best Moments from BTS’ Long-Awaited Return.” She treats soundtracks and fictional acts with the same rigor, mapping the inspirations behind “The Vampire Lestat” soundtrack and profiling in-universe groups like HUNTR/X and Saja Boys as if they were chart acts. Through Chart Beat stories on projects like “KPop Demon Hunters,” she connects these releases to industry strategy, global fandom, and the business systems that turn pop narratives into durable IP.
Alex Suskind
Alex Suskind is a freelance writer and editor who covers music with concise news stories and curated release lists. He focuses on new songs, album roundups, and archival access, from Carly Rae Jepsen’s “On Wires” to Neil Young opening his full catalog to residents of Greenland. His reporting stays close to the release cycle and foregrounds the core hook of each story. He has written for Pitchfork and has freelance work in Vulture, The Guardian, The New York Times, Vanity Fair, and The Atlantic. He also covers broader arts and culture, but his music beat is built around what is newly out now or newly available.
Ali Shutler
Ali Shutler links chart pop, alternative music and fan culture with the ways songs move through festivals, streaming platforms and games. He is a freelance culture journalist specialising in music, writing news and features for NME and other music and culture titles. He covers breakout chart acts, legacy artists whose catalogues are resurfacing, and how audiences rediscover songs via TikTok, streaming or in‑game soundtracks. His reporting on streaming-era pop and live festival moments tracks virality, catalog access and fan behaviour as part of the story of a track. He also examines music, gaming and visual art crossovers, treating game soundtracks and artist-led campaigns as part of a wider cultural map. Alongside this, he profiles emerging chart artists for outlets including The Telegraph, Vice, The Independent, Dork and Upset, focusing on early-career trajectories and fan culture.
Annette Sharp
Annette Sharp is a veteran gossip and entertainment columnist known for direct, opinion-led coverage of celebrity power struggles and reputational crises across television and the music industry. She now writes high-profile columns for the masthead, after a decade on a well-read gossip column and a move to News Corp in 2008. Her real beat is the friction between public image and behind-the-scenes behaviour on flagship TV programs, including breakfast shows, reality formats and other long-running franchises. She focuses on who drives conflicts, who is exposed and who benefits, using ratings history, production decisions and industry mechanics as context. Sharp covers on-air personalities, executives, advisers and musicians, treating television and music as workplaces with competing egos, contracts and alliances, and blending reporting, media commentary and critique in a narrative column format.