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Charlotte Phillipp

people.comAustralia
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About

Charlotte Phillipp covers the intersection of celebrity culture, storytelling media and public scrutiny for PEOPLE. She is a writer-reporter on the Weekends team, where she focuses on celebrity pop culture news alongside trials and crime, often using books, music and publishing stories to show how public figures shape and are shaped by broader cultural debates. Across quick-turn news pieces and longer explainers, she highlights the human stakes behind entertainment headlines, from family dynamics to legal and ethical controversies.

Celebrity culture and family stories

Phillipp regularly reports on celebrity relationships and parenting, with a particular interest in how stars present their family lives on social media. In her coverage of Carey Hart’s Father’s Day tribute to Pink, she frames the post around their shared experience raising children and the way Hart describes that role as his “life’s highlight,” underscoring the emotional tenor of the message rather than treating it as a perfunctory holiday note. She applies a similar lens to reality television figures, such as her piece on Collin Gosselin’s pointed public message to his mother Kate following the announcement of his memoir about growing up on reality TV, where she connects the statement to long-running tensions within the family and the way those tensions are revisited through new projects. These stories blend celebrity news with intimate details of family life, giving readers context on how public posts and press announcements tie back to longer arcs in these relationships.

Books, horror and the publishing world

A distinctive strand of Phillipp’s beat is her focus on books and the publishing industry, especially where they intersect with celebrity and controversy. She has covered the cancellation of the horror novel Shy Girl after allegations that the author used artificial intelligence to produce the text, detailing the publisher’s decision to withdraw the title and explaining how questions about AI and authorship are reshaping industry standards. In an exclusive feature with horror writer Alma Katsu and librarian Becky Spratford, she explores why horror is having “a moment,” using interview-driven reporting to break down genre trends, reader interest and the cultural appeal of horror narratives. Her work on literary recognition includes reporting on The Correspondent author Virginia Evans winning the Women’s Prize for Fiction, where she highlights both the significance of the prize and the themes of the novel within the contemporary fiction landscape. She also draws links between music and publishing, as in her piece on Elton John writing the foreword for the Oz-themed graphic novel Ultimate Oz Universe: The Lost Lands, situating the project at the crossroads of classic fantasy, comics and the legacy of a major music figure. This recurring attention to books, horror and awards makes her a key voice on how written storytelling and genre culture intersect with celebrity and public conversation.

Trials, crime and public scrutiny

Beyond entertainment and books, Phillipp reports on legal and crime-related stories that carry high public interest, reflecting her Weekends team remit that includes trials and crime. Her coverage of the ICE arrest involving the nephew of political figure Karoline Leavitt focuses on the account given by the child’s mother and the details of the arrest, drawing out both the procedural aspects and the personal impact of immigration enforcement. In the publishing world, her reporting on the withdrawal of Shy Girl similarly touches on investigative and ethical dimensions, outlining how internal review processes and external criticism can lead to a book being pulled from circulation. Across these pieces, she presents legal developments in clear, accessible terms, while keeping attention on the individuals at the center of the story rather than only the institutional actors.

Role and background

Phillipp joined PEOPLE as a writer-reporter in 2024 and works on the Weekends team, where she covers celebrity pop culture news as well as trials and crime. Her portfolio shows a particular strength in stories that sit at the intersection of entertainment, books and newsy controversy, moving between celebrity family updates, award announcements, genre explainers and industry scandals. Before joining PEOPLE she reported on entertainment for a start-up news outlet, experience that informs her focus on the arts and pop culture and her comfort moving between music, television, books and broader cultural trends.

Also covering this beat

4 more music journalists.

AW

Abby Webster

billboard.com

Abby Webster zeroes in on the storytelling side of contemporary pop, writing for Billboard about how songs build worlds around K-pop groups, fictional pop stars and ambitious soundtracks. She covers K-pop projects through close, song-by-song features, like her track-by-track piece with SEVENTEEN’s Vernon and The 8 on their EP ‘V8,’ and fan-centered lists such as “7 Best Moments from BTS’ Long-Awaited Return.” She treats soundtracks and fictional acts with the same rigor, mapping the inspirations behind “The Vampire Lestat” soundtrack and profiling in-universe groups like HUNTR/X and Saja Boys as if they were chart acts. Through Chart Beat stories on projects like “KPop Demon Hunters,” she connects these releases to industry strategy, global fandom, and the business systems that turn pop narratives into durable IP.

Australia·Music
AS

Alex Suskind

pitchfork.com

Alex Suskind is a freelance writer and editor who covers music with concise news stories and curated release lists. He focuses on new songs, album roundups, and archival access, from Carly Rae Jepsen’s “On Wires” to Neil Young opening his full catalog to residents of Greenland. His reporting stays close to the release cycle and foregrounds the core hook of each story. He has written for Pitchfork and has freelance work in Vulture, The Guardian, The New York Times, Vanity Fair, and The Atlantic. He also covers broader arts and culture, but his music beat is built around what is newly out now or newly available.

Australia·Music
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Ali Shutler

nme.com

Ali Shutler links chart pop, alternative music and fan culture with the ways songs move through festivals, streaming platforms and games. He is a freelance culture journalist specialising in music, writing news and features for NME and other music and culture titles. He covers breakout chart acts, legacy artists whose catalogues are resurfacing, and how audiences rediscover songs via TikTok, streaming or in‑game soundtracks. His reporting on streaming-era pop and live festival moments tracks virality, catalog access and fan behaviour as part of the story of a track. He also examines music, gaming and visual art crossovers, treating game soundtracks and artist-led campaigns as part of a wider cultural map. Alongside this, he profiles emerging chart artists for outlets including The Telegraph, Vice, The Independent, Dork and Upset, focusing on early-career trajectories and fan culture.

Australia·Music
AS

Annette Sharp

news.com.au

Annette Sharp is a veteran gossip and entertainment columnist known for direct, opinion-led coverage of celebrity power struggles and reputational crises across television and the music industry. She now writes high-profile columns for the masthead, after a decade on a well-read gossip column and a move to News Corp in 2008. Her real beat is the friction between public image and behind-the-scenes behaviour on flagship TV programs, including breakfast shows, reality formats and other long-running franchises. She focuses on who drives conflicts, who is exposed and who benefits, using ratings history, production decisions and industry mechanics as context. Sharp covers on-air personalities, executives, advisers and musicians, treating television and music as workplaces with competing egos, contracts and alliances, and blending reporting, media commentary and critique in a narrative column format.

Australia·Music
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