Brendyn Creamer
Brendyn Creamer is a reporter and newsletter editor at The Coast, covering news, arts and entertainment with a focus on Halifax. His coverage stands out for the way it connects local arts and entertainment reporting with clear, accessible coverage of housing, poverty, labour and municipal policy. Across guides, features and explainers he produces practical reference pieces that help readers navigate festivals, follow civic debates and understand emerging creative industries. Alongside his articles, he contributes to The Coast’s daily newsletter, distilling the day’s key stories in a conversational, high-context format.
Arts festivals, music and cultural listings
Creamer devotes a significant portion of his reporting to documenting the region’s arts festivals and live music scene. He writes exhaustive guides such as “Every performance at the 2026 Halifax Fringe Festival” and “Every artist playing Nova Scotia Music Week 2026,” giving readers a clear, sortable picture of who is performing, when and where. His coverage of the Grou Tyme Festival highlights Acadian heritage through profiles of musicians, food and programming, framing the event as both celebration and cultural education.
In the Best of Halifax 2026 Arts + Culture results, he walks through filmmakers, theatre companies, visual artists, drag performers and other cultural figures, presenting the winners in a straightforward way that showcases the breadth of the local arts community.
Within entertainment, he gravitates toward pieces that foreground working artists and organizers rather than only marquee names. Festival coverage balances enthusiasm with practical detail, emphasizing schedules, venues and the mix of independent and established acts. His tone in arts and music stories is descriptive and direct, avoiding hype in favour of context on why an event matters for the local scene.
This approach makes his arts reporting useful as both a planning tool and a snapshot of how cultural infrastructure is evolving.
Housing, poverty and municipal budget reporting
Creamer’s beat extends beyond entertainment into sustained reporting on housing and affordability.
In “Halifax has a massive rental housing ownership problem,” he breaks down who owns the rental stock and what that means for tenants, focusing on structural issues rather than individual anecdotes. “Public housing in Nova Scotia - what you need to know” serves as a clear explainer on how the system works, summarizing eligibility, waiting lists and the agencies involved.
His piece on new reports highlighting housing stability ahead of 2026 situates local conditions within an affordability crisis, pulling out key findings and implications for the coming years.
He applies a similar methodical lens to poverty and social policy. In “Nova Scotia scores a D on Food Banks Canada’s Poverty Report Card.
Here’s why,” Creamer walks through the factors behind the low grade, translating a national report into specific takeaways for readers. Municipal budgeting coverage, including “Tell the mayor about your top priorities for Halifax’s 2027/28 budget” and his “Build-a-budget with Brendyn” feature, invites residents into the budget conversation by explaining how spending decisions are made and where public input fits.
Across these stories, he uses plain language and a consistent explainer format, positioning civic issues as something readers can understand and act on rather than distant government processes.
Video games, labour and the creative tech economy
Creamer brings specialist attention to the local video game and interactive media industry, treating it as both cultural and economic story. His feature on Talberon Games looks at how an independent studio keeps video game development active in Halifax, focusing on the people building games and the scene around them. Coverage of the sudden closure of Ubisoft Halifax centres a lead programmer’s experience, documenting the impact on 71 workers and situating the shutdown within broader questions of unionization and studio stability.
Follow‑up reporting on former Ubisoft developer George Greer’s new indie studio, besszong, details the development of the comedic multiplayer game Out of Office!, tracking how talent moves from large studios into independent projects.
These pieces link labour conditions, creative risk and community identity in a way that goes beyond typical entertainment reviews. He treats game development as part of the local creative economy, with attention to union efforts, job loss and the challenges of building sustainable studios. Outside of The Coast, his professional profile describes a self‑titled video channel where he discusses media such as video games, music and television, suggesting a comfort with the medium and its audience. That familiarity with game culture underpins his reporting, allowing interviews and explanations to land with both players and readers who are new to the subject.
Guides, reader features and newsletter work
Creamer frequently uses list‑driven and results‑style formats to make local information easy to scan and reuse. In the Best of Halifax 2026 series covering arts + culture, public life, and food + drink, he organizes reader‑selected winners across multiple categories, from galleries and dancers to restaurants and public figures. The structure in these pieces prioritizes clarity: categories, winners and short descriptions that let readers quickly find venues and people recognized by the community. Similar guide instincts appear in his festival roundups and budget features, where he leans on headings, lists and direct sub‑sections rather than narrative flourish.
His newsletter work adds another layer to that service orientation.
As a newsletter editor, he manages content and writes daily newsletters, opinion pieces and articles, integrating news, arts and entertainment into a single, returning format. The newsletter archive shows recurring digests that mix hard news - such as new health leadership, housing program updates and infrastructure changes - with lighter items and cultural notes. Taken together, his guides, results pieces and newsletters show a reporter focused on helping readers track what is happening around them, whether that is a new festival lineup, a shifting rental market or a change in public services.
4 more entertainment journalists.
Ama Sechere
Ama Sechere is an entertainment publicist at Bell Media who maps Crave’s streaming slate across Crave, HBO, Starz, and related specialty channels. Her main work is the recurring Crave Streaming Overview series, published monthly from at least December 2021 through July 2026 and in weekly editions. These releases track feature films, returning series, premieres, finales, special events, and new acquisitions by date, format, and platform. She also handles campaign-style announcements for priority titles, including the short-form original comedy series MY DEAD MOM. Sechere focuses on streaming and television publicity, with more than a decade of experience in national and multi-platform campaigns. She reports through structured schedules, concise loglines, highlight notes, premiere details, and clear cross-brand labels. Her work supports media planning rather than criticism or review.
Amaris Encinas
Amaris Encinas tracks how viral culture, celebrity news and brand-driven moments move across platforms and into everyday life for USA TODAY’s national trending desk. She covers celebrities, athletes, entertainment headlines, consumer news, viral food culture, internet trends, nostalgia and technology. Her work includes stories on Simone Biles, Jimmy Kimmel, Dolly Parton, Sophie Cunningham, Taco Bell’s Pink Baja Blast, viral food hacks, Cartoon Network Flash games and Apple launches. She also reports on recalls, retail policy, public safety and representation, including a profile of Revista Étnica’s founder. Encinas writes quick-turn, news-driven pieces that explain why incidents, products and trends are capturing attention. She connects online activity to real-world effects and grounds stories in clear facts, timelines and stakes. Before USA TODAY, she covered breaking news, arts and life for regional outlets.
Andrew Thompson
Andrew Thompson covers the modern wrestling business through interview-led news and detailed event reports across major promotions. He writes for Fightful and POST Wrestling, focusing on clear, news-first stories built from wrestler quotations, promotional announcements and match results. Since 2017, his beat has spanned WWE, AEW, NJPW, MLW and other companies, documenting plans, deals and career moves through his own interviews and conversations. He files chronological recaps from major WWE cards and weekly shows, tracking match outcomes, title changes, segments and announced bouts with wrestling-specific detail. His cross-promotion coverage and appearances discussing events like AEW All In add context on how talent, stories and major cards move between companies. Beyond articles, he runs the “Andrew Thompson Interviews” video series and appears as a podcaster, keeping the emphasis on direct questions, sourced quotes and concrete developments.
Angelina Mazza
Angelina Mazza is a romance scholar and cultural critic who treats love stories, celebrity narratives, and pop entertainment as serious subjects, tracing how they shape contemporary culture. She writes for outlets including Vulture, Slate, Literary Hub, Salon, and other magazines and journals. At Vulture she covers romance fiction and celebrity stories, using list-driven guides and essays to analyze genre tropes, fandoms, and how romance moves from niche communities into mainstream culture. Her work extends to television, music, poetry, internet culture, and the history of music television, examining programming choices, character types, and images as texts that encode identity, desire, gender, and audience. She also writes about digital culture and campus television comedies, and works as a fact-checker, bringing precise detail and careful sourcing to her reported and critical pieces.