Wesley LeBlanc
Wesley LeBlanc covers video game and technology news for Game Informer with a focus on fast, player-facing coverage of major releases, platform updates, and the shifting digital storefront landscape. His work stands out for the volume and timeliness of his news hits, his emphasis on what a development or leak means in practical terms for players, and his attention to how big franchises operate across retailers, platforms, and live-service ecosystems.
Grand Theft Auto VI and other tentpole releases
LeBlanc regularly tracks headline franchises, using them as anchors for broader coverage of how the industry moves. In his reporting on Best Buy listing Grand Theft Auto VI preorders going live on a specific Monday, he ties a single retail action to larger questions about Rockstar’s rollout, consumer expectations, and the reliability of retailer leaks. He treats this kind of story as a hard news item rather than rumor, grounding it in what is visible to customers, what publishers have said publicly, and what history with that franchise suggests about timing and availability. Across similar work on blockbuster games, he focuses on clear details first—dates, editions, platforms, and key new features—before moving to implications for preordering, upgrading, or waiting.
This tentpole focus extends to other major franchises, where his pieces typically cover announcement beats, trailer drops, and new content reveals. His stories explain how a new expansion, sequel, or mode fits into a series’ existing arc, what players gain immediately, and what might change about how they play day to day. Rather than centering his own opinion, he foregrounds official information, in-game specifics, and direct signals from developers.
Daily news on announcements, trailers, and delays
LeBlanc’s author archive at Game Informer is dominated by short, tightly framed news posts keyed to the industry’s daily rhythm: showcase roundups, surprise reveals, delay notices, and release date confirmations. He routinely covers publisher events, digital showcases, and platform-holder streams, breaking out the most relevant announcements into individual pieces that highlight the essentials—what was announced, when it arrives, where it’s playable, and how it differs from earlier messaging.
When a new trailer lands, his coverage typically walks through the footage in concrete terms, calling out mechanics, modes, and story beats that matter for returning fans or curious newcomers. When a delay or development setback hits, he focuses on the new timeline, any stated reasons from the studio, and what it means for a player’s calendar relative to other big releases. The result is a running log of the medium’s moving parts that helps readers keep track of shifting schedules without wading through opinion or speculation.
Guides and practical updates for active players
Alongside breaking news, LeBlanc writes service-oriented pieces that help players navigate ongoing games, technical updates, and platform changes. His guides tend to focus on practical questions—how to access a new mode, what time an update or beta goes live in different regions, which edition or platform best fits a certain type of player, and what early patch notes actually change moment to moment. He narrows in on the information players need in the first hours or days after a patch or launch, rather than exhaustive encyclopedic walkthroughs.
These service pieces often intersect with his news reporting, especially around live-service titles and large content drops. He will break the initial announcement as a news story, then follow with an explainer or guide that steps through requirements, unlock paths, and systems tweaks once more detail or hands-on time is available. The through-line is utility: the writing is structured so a reader can scan for dates, requirements, and actionable steps.
Clear, source-driven news writing
LeBlanc’s style is concise, sourced, and oriented toward clarity over personality. He writes in straightforward prose that prioritises verifiable information from publishers, developers, retailers, and platform holders, often embedding direct statements and concrete data over broad hype language. His pieces rarely drift into commentary; instead, he lets the framing—what he chooses to highlight, what comparisons he makes to previous entries or events—do the interpretive work.
Across his body of work, he shows a consistent interest in how technology and games intersect at the point where consumers make decisions: retail listings, preorder campaigns, subscription services, platform exclusivity, and live updates that can change a game overnight. That focus on the transactional and practical side of gaming, combined with a steady stream of short, newsy pieces, makes his coverage particularly useful when a story hinges on dates, platforms, and concrete features more than on analysis or criticism.
4 more technology journalists.
Alex Co
Alex Co is a video game technology reporter at MP1st who specializes in live-service systems and online titles, with patch coverage as the core of his work. He tracks game updates in real time, documenting patch numbers, download sizes, platform differences, full or near-full patch notes, and the changes that affect everyday play. He also reports on server status, outages, and maintenance windows so players know if issues are local or on the developer’s end. His beat extends to console exclusives, PC ports, subscription services, and cross-platform features, with an emphasis on implementation details and player impact. He focuses heavily on multiplayer shooters and competitive balance, and also covers live-service calendars, seasonal events, and multiplayer stability, always prioritizing precise, timely, and actionable information for active players.
Alex Perry
Alex Perry stands out for turning consumer technology news into practical help for people using the hardware they already own. They cover consumer technology for the masthead, focusing on software support changes, platform policies, device updates, apps, streaming platforms, and online services. Their reporting shows what changes on screen, which settings matter, what stops working, and what workarounds remain. Perry writes in a direct, utility-first style and often treats news as a service problem to solve. They are especially attentive to aging devices, including older Kindles, and explain cutoff dates, affected models, offline use, sideloading, and account changes in plain language. Their work appears in quick news reactions, guides, and longer explainers, always aimed at readers who want clear, step-by-step answers.
Ali Hashmi
Ali Hashmi covers technology through the lens of video games, using individual titles to show how interactive systems feel and function for players. He writes for Prima Games. His work sits where game design, visual presentation, and user experience meet, with a focus on what it is like to inhabit the worlds that new releases create. He treats game criticism as a way into technology, breaking down how it appears in games instead of doing standalone hardware reviews. He looks at how technical choices support pacing, control, and readability on screen, weighing mechanics, performance, and audiovisual style together. In his “REPLACED” review, framed as “Tears in the Rain,” he shows how animation, lighting, and input responsiveness shape mood, storytelling, and immersion. Across his work, his through-line is the player’s moment-to-moment experience with the technology in front of them.
Andrew Agress
Andrew Agress stands out for covering technology through the lens of video games, with a focus on how new titles actually play rather than how they are pitched. He writes for The Outerhaven and works in a preview-driven format that foregrounds direct time with a game. His coverage of The Adventures of Elliot: The Millennium Tales shows his beat: hands-on previews of upcoming titles, with attention to combat, exploration, storytelling, pacing, controls, and presentation. He uses clear genre touchstones and straightforward comparisons, calling the game “Chrono Trigger meets classic Zelda” to place it in context. His reporting stays grounded in player experience and explains what a game feels like moment to moment, not just what features it lists.