Trey Alston
Trey Alston writes about contemporary music and pop culture for Yahoo Entertainment’s music section, with a focus on how pop and rap stars navigate the always-online spotlight. His coverage centers on flashpoint moments, from lawsuits and live performances to viral livestreams and cosmetic statements, and treats them as part of a larger story about image, fandom, and power. He brings to this beat years of music reporting and feature writing for outlets across the hip-hop and pop landscape.
Pop stars at flashpoint
Alston’s recent work for Yahoo Entertainment follows major pop figures through periods of scrutiny and transition. In his coverage of Lizzo’s response to the lawsuit brought by former dancers, he foregrounds her own language and public posture, tracking how she frames the case and her insistence that she is not afraid of the eventual record.[He anchors the piece in her statements and the legal context, concentrating on what the dispute reveals about power, work, and expectations around pop stardom.] He uses similar framing when writing about high-profile performances, such as Bad Bunny’s Super Bowl halftime show and its awards recognition, emphasizing both the spectacle and the industry validation that follows.
The through-line is that he treats these stories less as isolated headlines and more as episodes in an ongoing negotiation between artists, their teams, and the audiences who watch them so closely.
Online culture, fandom and image
A recurring thread in Alston’s Yahoo Entertainment work is the intersection of music news with internet culture and personal image. His piece on Drake appearing on a Kick dating show, where the rapper barks for goth streamer Pinkchyu, treats the episode as a small but telling example of how superstar musicians play to niche online communities and streaming platforms. In a story on Ice Spice debuting “saint” and “sinner” back-thigh tattoos, he focuses on how body art, social posts, and fan reactions feed into the construction of a public persona.
These quick-turn articles move through screenshots, livestream moments, and social media clips, and they underline how a streaming appearance or a tattoo reveal can shape the narrative around an artist as much as a single or album rollout.
Interviews and longer-form storytelling
Beyond short news hits, Alston has a long record of interviewing artists and writing deeper narratives about the music they make. He has reported on music and pop culture for publications including Pitchfork, Pigeons & Planes, Complex, Highsnobiety, Revolt TV, XXL, HipHopDX, Vibe Magazine, Vulture, BET, and others, often focusing on rap and adjacent scenes.
His portfolio includes conversations with musicians such as Megan Thee Stallion, Jack Harlow, and Charli XCX, where he spends time on the creative process as well as the pressures of visibility and success. In a Q&A with George Clinton, for example, he situates questions about classic albums alongside reflections on legacy and experimentation, showing an interest in both the historical stakes and the human stories behind the records.
Across these pieces, he tends to balance artist quotes with contextual detail, making room for the musician’s own voice while connecting it to broader currents in genre and culture.
Background across music and pop culture outlets
Alston works as both a journalist and a copywriter, moving between editorial stories and brand assignments. In his own professional bios, he describes himself as a freelance journalist and senior copywriter, previously a staff writer at MTV News and before that an associate staff writer at Pitchfork. He notes that he has written important stories for publications including Complex, Pigeons & Planes, Highsnobiety, Revolt TV, XXL, HipHopDX, Vibe Magazine, Vulture, and BET, and that he continues to contribute to outlets like Complex and Vulture alongside his work for Yahoo Entertainment.
His copywriting portfolio includes work for brands such as Microsoft, Sprite, and Vice TV, which runs in parallel to his reporting on music and pop culture. In one public profile he is described as a writer who loves video games, anime, and underground rap, a mix that shows up in his curiosity about subcultures and scenes that sit just outside the mainstream.
He also appears in conversations about the craft of music journalism itself, including podcast discussions on how the field can evolve, which underscores his engagement not only with artists and fans but with the practice of coverage.
Across these roles, Alston’s through-line is clear: he tracks the way artists, especially in rap and pop, build and defend their images in an environment where every stream, clip, and claim is instantly visible. His Yahoo Entertainment pieces give fast, tightly framed accounts of those moments, while his broader portfolio shows a sustained interest in the stories, sounds, and scenes that produce them.
4 more music journalists.
Andrea Dresdale
Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.
Andrew Weber
Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.
Andy Greene
Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.
Anna Grace Lee
Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.