Travis Fant
Travis Fant is a video-led dirt bike journalist and content producer whose work at Dirt Bike Magazine centers on immersive coverage of off-road motorcycles, especially two-stroke builds, race bikes, and the sound and feel of performance machines. Through detailed project features, race-focused videos, and rider collaborations, he turns technical motocross subjects into clear, watchable stories that show how a bike is built, ridden, and refined.
Two-Stroke Tuesday and Project Builds
Fant is closely associated with Dirt Bike Magazine’s Two-Stroke Tuesday franchise, using it to showcase distinctive project machines and personal builds. His Minesweeper 2005 Yamaha YZ250 project is presented as a full custom build, reflecting his interest in transforming a familiar platform into a sharper, more individualized two-stroke racer. He also completes and documents tribute bikes, including a 2007 Yamaha YZ250 built to echo Jeremy McGrath’s Chaparral Yamaha, underscoring his focus on race heritage and the visual identity of famous machines. Alongside these builds, he produces video features on models such as the all new Ducati Desmo 250MX, extending his coverage from Japanese motocross staples to European off-road machinery and showing how classic race ideas are reinterpreted in modern packages.
Race Events and Endurance Features
Fant’s coverage extends from garage builds to the realities of hard racing, with a particular interest in how bikes and riders cope with demanding events. In his feature on the Two-Stroke World Championship-winning Yamaha YZ300, he focuses on a race-winning machine and its rider, capturing both the technical edge of the 300cc two-stroke and the competitive context that proves its performance. His Fant Files report from the Ironman round of the Grand National Cross Country series is framed around survival and preparation, distilling what he learned volunteering for the event into practical advice for riders facing the worst race conditions. Across these pieces, he uses video and narrative detail to connect mechanical setup, endurance demands, and rider experience, making race environments and their pressures intelligible to an enthusiast audience.
Rider and Brand Collaborations on Video
Fant’s work often puts riders at the center of the story, pairing their skills with carefully produced video that highlights both speed and sound. He films content such as a KTM 250SX two-stroke “dream” segment with racer Mitch Anderson, emphasizing the way a specific bike and rider combination looks and feels on track. In pieces focused on 500cc motorcycles, his footage and sound design showcase the distinct character of high-displacement two-stroke engines, inviting audiences to compare exhaust notes and track presence across platforms. He has also produced full-length videos built around riders like Carson Brown on machines such as a Kawasaki KX125, showing how sponsored projects and collaborative builds can still be documented with the same technical and visual rigor as editorial tests. Through these collaborations, Fant maintains a consistent emphasis on authenticity, race-pace riding, and the sensory impact of the bikes he covers.
Visual Craft and Multi-Platform Presence
Fant’s role at Dirt Bike Magazine is anchored in video, photography, and social media, and he is described within the masthead as heading the outlet’s video department and serving as a core videographer. His broader professional background spans more than 15 years in action sports media, with experience across video production, still photography, and social content, which feeds directly into the multi-platform nature of his dirt bike coverage. He contributes to Dirt Bike Magazine’s digital presence as a named contributor and is associated with its output in external directories and social channels, reinforcing his position as a key visual storyteller for the brand’s motocross and off-road audience. Whether shooting race features, project builds, or brand-supported videos, Fant’s work is characterized by strong camera placement, clear sightlines to the bike, and audio that foregrounds engine character, aligning his visual craft with the enthusiast priorities of sound, speed, and mechanical detail.
4 more automobile journalists.
Aarian Marshall
Aarian Marshall is a staff writer at WIRED who stands out for covering how cars, software, and policy collide. She writes on transportation systems and cities, from the auto industry to broader mobility systems. Before WIRED, she reported on cities and urban policy for The Atlantic’s CityLab. Her beat runs from electric vehicles, fuel prices, tariffs, and car-buying decisions to autonomous vehicles, robotaxis, and software-defined cars. She reports with a systems view, linking policy shifts, technical failures, and urban life to what happens on streets, in repair shops, and at the pump.
Adrian Leung
Adrian Leung writes engineering-led coverage of Chinese electric vehicles and performance cars for CarNewsChina. He focuses on new energy vehicles, battery systems, powertrains, electric platforms, high-end domestic brands, and track-ready models, and he explains technical details in plain language for non-specialist readers. His reporting treats new models as hardware and systems stories, with precise figures on range, battery capacity, chassis layout, motor outputs, weight, and acceleration. He also covers the Chinese auto industry’s finances and technology roadmap, including sector profits, vehicle volumes, and solid-state battery timelines. His background in Electrical and Computer Engineering shows in the way he writes about vehicle electronics and battery management.
Al Pefley
Al Pefley is a television news reporter for CBS12 News whose work centers on how laws, law enforcement and local decisions shape everyday life for drivers and other residents. He reports in a general assignment role but returns often to transportation, public safety and pocketbook issues, treating driving as a point where policy, disability and policing intersect. His coverage includes driver-focused laws, fuel and tax policy, crime, policing and internal affairs findings, with a consistent focus on accountability and concrete consequences for people’s wallets, safety and trust in institutions. He explains county gas tax debates, campaign positions on teacher pay, property crime and retail theft in short, clear segments. Pefley works primarily on the scene, using live or recorded field reporting and interview-driven pieces to show what happened, why it matters and what comes next.
Aliza Savira
Aliza Savira focuses on the hidden financial costs of owning modern cars, especially how insurance can undermine expected savings. She writes about automobiles for MSN, looking at new technology and electric vehicles through everyday ownership rather than showroom appeal. Her work highlights the gap between promises of cheaper running costs and the full financial picture of owning a vehicle. In electric vehicle coverage, she treats insurance premiums as a key ownership problem that can erode long-term value. She stays close to practical questions drivers face, such as which recurring costs matter most after purchase. She reports on how insurance structures and premium levels interact with new automotive technology. Her beat is consumer-focused automobile reporting, with a clear, utilitarian lens on ownership experience, recurring expenses, and risk, rather than lifestyle or performance.