Sofia Fedeczko
Sofia Fedeczko is a journalist whose work for The Oldham Times focuses on entertainment, major events and how they affect local people and places. Her recent coverage of Parklife, Take That concerts and other large-scale events combines music and nightlife reporting with clear information on travel disruption and crowd pressures. Across her stories she links culture, infrastructure and community campaigns, moving between arts coverage and hard-edge local news.
Major events and travel disruption
Fedeczko’s entertainment work is rooted in big event weekends, where multiple concerts and festivals converge and strain local transport networks.
In her piece on five major events including Take That and Parklife, she frames the story around the practical realities for gig-goers and residents, warning of travel chaos and advising people to plan journeys around rail, road and tram congestion. That approach mirrors wider regional reporting that treats Parklife and stadium shows as both cultural highlights and logistical challenges, with tens of thousands of fans moving through the city at peak times and transport agencies issuing detailed alerts and guidance. Her entertainment beat therefore carries a strong service element, using event listings and headliners as the entry point to explain how a packed calendar changes how people move, work and socialise over the affected days.
Oldham arts institutions and cultural figures
Alongside major music events, Fedeczko reports on Oldham’s arts institutions and cultural infrastructure. In her coverage of the Oldham Coliseum, she focuses on uncertainty around its reopening, noting that six months before a planned restart there is still no clear assurance that the historic theatre will be ready for the 2026 pantomime season. She shows the scale of the renovation and the importance of the venue to the town’s cultural life, treating the delay as both an arts story and a civic concern. Her profile of Sir Brian Clarke, described as an extraordinary life of an Oldham artist, extends that focus from buildings to individual figures, highlighting a locally rooted artist whose work and biography warrant an in-depth feature. Together these pieces show an entertainment reporter who looks beyond listings to the long-term health of theatres and the careers of artists who shape the area’s cultural identity.
Community campaigns and social issues
Fedeczko’s Oldham Times work also includes prominent community campaigns and social flashpoints, often anchored in individual stories. In one lead piece, she reports on the family of a 79-year-old man from Oldham who died in The Gambia after an attack, detailing their efforts to raise funds to bring his body home.
Another story follows a girl from Altrincham whose urgently needed liver transplant is not available on the NHS, covering her parents’ decision to launch a crowdfunding campaign to pay for treatment abroad.
She also covers more confrontational moments in local politics and social life, such as tensions outside a hotel housing refugees, where protestors and counter protestors face each other across a sharp divide over migration and hospitality. Her reporting on a far-right group holding a “birthday party for Hitler” in an Oldham pub reflects a willingness to document extremist activity and its presence in everyday venues, turning a single event into a warning about organised hate in the area. Across these stories she keeps the focus on people directly affected, while situating their experiences within broader debates about healthcare, immigration and extremism.
Broader regional events and urban life
Beyond individual headlines, professional profiles of Fedeczko describe a remit that spans events and conferences, transportation and mobility, architecture, arts and entertainment and retail, with an emphasis on stories relevant to the United Kingdom. That breadth matches the mix visible in her Oldham Times bylines: large festivals and stadium shows, theatre redevelopment, artist profiles and community-led campaigns. It also explains the consistent attention to how crowds, buildings and businesses interact, whether through travel warnings around packed weekends, concerns over the future of a key theatre or fundraising drives tied to medical and humanitarian crises.
The result is a body of work that treats entertainment as part of a wider urban fabric, rather than as a separate lifestyle niche.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.