Nick Reilly is a music and culture journalist at Rolling Stone UK, specializing in live performances, album deep dives, and artist-led industry innovations. His work balances critical analysis with a fan’s enthusiasm, making complex topics accessible to broad audiences.
Based in the UK, his reporting reflects both local music scenes and global trends. Connect via his Rolling Stone UK profile for opportunities aligned with his forward-thinking beat.
Nick Reilly has carved a niche as a forward-thinking music and culture journalist at Rolling Stone UK, where his work bridges the gap between artistic innovation and audience engagement. Over the years, he’s developed a reputation for deep-dive analyses of live performances, album releases, and the evolving dynamics of the music industry. His coverage often highlights the intersection of music with broader cultural movements, making his work essential reading for industry professionals and fans alike.
This article delves into Depeche Mode’s Memento Mori tour, captured in a live film shot during their Mexico City performances. Reilly dissects the band’s ability to reinvent their stage presence decades into their career, emphasizing the technical and emotional layers of their performances. By interviewing crew members and analyzing fan reactions, he underscores how the film preserves the band’s legacy while appealing to newer audiences. The piece also explores the logistical challenges of large-scale tour documentaries, positioning Reilly as a journalist who understands both the art and business of music.
Reilly’s profile of Bastille frontman Dan Smith highlights the artist’s collaboration with O2 to combat ticket fraud. The article blends investigative reporting with narrative storytelling, detailing Smith’s personal experiences with scalping and the broader implications for live music accessibility. Reilly’s access to behind-the-scenes strategies—such as blockchain-based ticketing—showcases his ability to translate technical innovations into relatable insights for readers. This piece solidified his reputation as a journalist who spotlights artists driving meaningful change.
In this exclusive, Reilly breaks down Pulp’s highly anticipated comeback album, weaving interviews with band members and producers to trace its thematic evolution. He contrasts the album’s nostalgic undertones with its contemporary production techniques, offering a balanced critique of its place in modern rock. The article’s deep focus on lyrical content and studio experimentation reflects Reilly’s skill in dissecting artistic intent, making it a standout example of album journalism.
Reilly consistently highlights artists who leverage technology or partnerships to address industry challenges. For example, his coverage of Bastille’s anti-scalping initiative demonstrates his interest in actionable solutions. Pitches should emphasize unique collaborations, tech integrations, or sustainability efforts within music projects.
His analysis of Depeche Mode’s tour film reveals a fascination with how live experiences are archived and reimagined. Pitches about immersive concert formats, behind-the-scenes documentaries, or fan-driven event innovations will align with his beat.
Reilly’s work sidesteps tabloid-style gossip in favor of substantive artist narratives. PR professionals should avoid pitching personal life updates or reality TV crossovers unless they tie directly to cultural commentary or artistic output.
While specific awards aren’t listed in available sources, Reilly’s bylines in Rolling Stone UK—a flagship publication for music journalism—speak to his industry credibility. His articles frequently trend on the platform’s “Most Read” lists, indicating strong reader engagement and editorial trust.
At PressContact, we aim to help you discover the most relevant journalists for your PR efforts. If you're looking to pitch to more journalists who write on Music, here are some other real estate journalist profiles you may find relevant:
