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Michael Karlis

San Antonio Current (sacurrent.com)USA
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Local PoliticsImmigration EnforcementElection CampaignsCity Governance
About

Michael Karlis tracks how power is exercised in Texas, focusing on the decisions, conflicts and controversies that shape local and state politics for the San Antonio Current. He works as a multimedia journalist, carrying his reporting across print and social platforms and leaning into social-first coverage of political stories. His work often zeroes in on moments when policy, civil rights and public rhetoric collide, including high-profile disputes over concerts, immigration enforcement, city budgets and election campaigns. His reporting has earned recognition beyond his home outlet, with work featured or cited by national and regional publications.

Local and state politics in Texas

Karlis’ core beat is the machinery of local and state government, with a steady stream of stories on elected officials, state agencies and the consequences of their decisions.

He covers the Texas attorney general’s office in detail, including reporting on plea deals in multiple sex abuse cases that extend beyond the one already under public scrutiny, framing them in terms of accountability and prosecutorial discretion. He follows the work of state legislators such as James Talarico, documenting allegations of voter suppression and efforts to push Texans to confirm their registration status ahead of elections.

His coverage of debates over U.S. policy toward Israel shows him tracking how Texas Senate hopefuls use foreign policy positions and weapons sales to define their campaigns, linking state-level races to national and international issues. Across these pieces, he keeps the focus on concrete actions - plea agreements, proposed legislation, and public calls to investigate or reform - rather than personality-driven politics.

Immigration enforcement and detention

Immigration enforcement and detention conditions are a recurring thread, with Karlis returning to stories involving ICE facilities and federal enforcement in Texas. He reports on Texas Democrats demanding an independent investigation into an ICE shooting in Austin, emphasizing questions about use of force and the adequacy of internal oversight.

In separate coverage, he chronicles testimony from women who say they were sexually assaulted in ICE detention sites in Texas, foregrounding first-hand accounts and the systemic issues they raise. He also follows local opposition to an ICE detention center on San Antonio’s East Side, detailing how the mayor and a majority of the city council unite against the facility and what that means for city–federal relations.

These articles show him treating immigration not as a distant national debate but as a local public-safety and civil-rights issue that demands scrutiny of both federal agencies and local leaders.

City budgets, development and public debate

Karlis reports extensively on the fiscal and development choices that determine how the city grows and who benefits from that growth. He explains San Antonio’s budget deficit by contrasting public blame placed on “careless spending” with expert views that describe a more complex set of drivers, making budget mechanics accessible without simplifying the underlying economics.

His coverage of debates over public funding for a proposed Spurs arena captures how mayors, council members and residents line up for and against major capital projects, highlighting crowd turnout and the push for a citywide vote on arena financing. He places growth statistics in context, covering new census numbers that rank San Antonio as one of the nation’s fastest-growing cities and tying that data to broader questions of planning and affordability. Karlis also examines how public debate plays out on digital platforms, documenting efforts by moderators of the r/sanantonio Reddit community to block content from local news outlets and what that reveals about trust in media and gatekeeping in online spaces.

He uses controversies around high-profile events, such as the city’s move to amend Ye’s Alamodome concert contract to bar a song titled “Heil Hitler” and swastika merchandise, to show how cultural events become arenas for political and ethical decision-making.

Campaigns, candidates and political messaging

Election campaigns and political messaging are another central focus, with Karlis closely following congressional and local races in Texas. He covers candidates in redrawn districts such as Texas’ 35th, interviewing figures like Johnny Garcia on themes of affordability and how cost-of-living pressures shape their pitch to voters.

His reporting on Tejano singer Bobby Pulido’s congressional run in South Texas pairs polling data with the candidate’s profile, showing how cultural recognition and music careers intersect with electoral prospects. Karlis watches how national figures engage in Texas races, including Pete Buttigieg’s public criticism of congressional candidate Brandon “AK Guy” Herrera over remarks about veterans’ children, using these moments to illustrate how messaging missteps can reverberate beyond a single district. He returns to Talarico’s campaigns to document both policy pledges and communication strategies, such as promises to push for bans on selling certain weapons to Israel and calls for vigilance around voter registration.

Across these pieces, Karlis treats polls, public statements and policy platforms as core reporting material, mapping how candidates test messages, respond to backlash and position themselves within the broader political landscape.

Multimedia and social-first reporting

Underlying Karlis’ beat coverage is a multimedia approach that treats social platforms as reporting terrain rather than mere distribution channels. At the Current he works as a multimedia journalist, and his professional profile describes him as an award-winning investigative multimedia journalist whose reporting focuses on local and state politics in South and Central Texas. His emphasis on social-first reporting means that political stories involving online communities, such as the Reddit moderators’ conflict with local news outlets, sit comfortably alongside more traditional coverage of city hall and state agencies.

The combination of detailed political reporting, attention to public debate in both physical and digital spaces, and a willingness to cover cultural flashpoints like the Ye concert makes his work distinct from a generic beat reporter confined to a single topic.

Also covering this beat

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Andrea Dresdale

ABC Audio (digital.abcaudio.com)

Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.

USA·Music
AW

Andrew Weber

KUT (kut.org)

Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.

USA·Music
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Andy Greene

rollingstone.com

Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.

USA·Music
AL

Anna Grace Lee

vogue.com

Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.

USA·Music
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