Meg Walters
Meg Walters covers entertainment through the prism of film, television, and celebrity style, linking screen narratives with the way performers present themselves on red carpets, in campaigns, and in everyday images. Her work ranges from fashion-led features, such as her piece on Dua Lipa’s elaborate feathered wedding dress, to essays and criticism that trace larger patterns in pop culture and casting. Across outlets, she writes as a culture-focused features writer, combining reported detail, critical perspective, and accessible service advice.
Celebrity style and transformations
Walters often follows the arc of a celebrity’s evolving image, using style transformations as a way into their careers and public personas. At The List, she has chronicled the “stunning transformation” of Felicity Jones, tracked Katie Holmes’ “drastic style transformation through the years,” and examined how Melissa Rauch’s fashion choices have shifted since her time on “The Big Bang Theory.” Other pieces look at figures adjacent to fame, such as the transformation of Miles Teller’s wife Keleigh Sperry, and why Monica Barbaro from “A Complete Unknown” looks familiar, tying wardrobe and appearance changes to milestones in their work.
She writes serviceable, trend-driven stories too, including roundups on haircuts “everyone wanted” in 2025 and lists of celebrities who are “unrecognizable” without their signature long hair, blending expert input from stylists with image analysis. At InStyle, that same interest in fashion is evident in coverage of Dua Lipa’s wedding dress and a travel and fashion diary built around attending Céline Dion’s Paris residency, where outfit choices sit alongside city experiences.
Film and pop culture criticism
Beyond celebrity style, Walters writes criticism and essays that situate films and television shows within broader pop culture currents. Her own site frames her focus as “film, television and all things pop culture,” noting recurring interests in classic films, rom-coms, period dramas, millennials, and style. She has written about “Things Only Adults Notice About Wicked,” unpacking how the musical’s themes land differently with older viewers, and explained why a performer like Monica Barbaro feels familiar by tracing previous roles and genre conventions.
At Inverse, she has contributed retrospectives such as “Netflix’s Weirdest Superhero Show Ushered in a New Gothic Era” and a piece on a complex sci‑fi character that makes “Foundation” required viewing, treating genre series as cultural touchpoints rather than niche fare. Her portfolio includes essays like “The Renaissance of the Middle-Aged ‘Popcorn Actress’ Is, Ironically, So Meta,” which look at casting trends and the kinds of roles available to women in mainstream comedy.
Across these pieces, she links individual titles to shifts in taste, representation, and the stories that resonate with millennial audiences.
Interviews with actors and creatives
Interviews are a consistent strand in Walters’ work, and she regularly speaks with actors, directors, musicians, and behind-the-scenes talent about how they shape the stories audiences see. Her professional bios highlight conversations with figures such as Celine Song, Bella Hadid, Bessie Carter, Charlotte Gainsbourg, costume designer Mona May, Lola Tung, Sara Bareilles, Jessie Ware, and Shirley Henderson, reflecting a mix of on‑screen and creative roles. Her recent portfolio includes interviews like a feature with Bessie Carter about playing Prudence in “Bridgerton” and appearing in “Dear Octopus” at the National Theatre, where performance choices and career trajectory are discussed in detail. Agency and profile pages describe her as a freelance features writer and critic whose work appears across titles including Glamour, Stylist, InStyle, The Guardian, Vulture, The Daily Beast, Little White Lies, and Marie Claire, and note that she is a member of the Critics’ Circle. In these interviews, she typically balances plot or campaign context with craft questions, drawing out how collaborators think about character, costume, and tone.
Health and lifestyle service features
Alongside culture and entertainment, Walters writes health and lifestyle service pieces that keep a similar emphasis on practical, reader-focused guidance. At Healthline, she has covered topics like infradian rhythms, period syncing, and working with menstrual cycles, translating medical and wellness concepts into everyday routines.
Her articles there include product-focused guides such as “Best Hair Growth Products in 2026,” advice on getting healthy long eyelashes, and a comprehensive skincare guide with tips for different skin types, all grounded in expert commentary. She has also explored sleep habits through pieces on whether “sleep addiction” is a real phenomenon and ways people may be sabotaging their sleep schedules, and examined the appeal and limits of healing crystals.
In more overtly topical work, she has written about feeling safe in the body after the overturning of Roe v.
Wade, connecting health, emotion, and politics. This strand of her writing complements her entertainment coverage by applying the same clear, explanatory style to wellbeing and lifestyle decisions.
Across outlets and formats, Walters’ through-line is a blend of cultural criticism and accessible explanation, whether she is dissecting a rom-com archetype, unpacking a celebrity’s wardrobe evolution, or breaking down sleep and skincare advice. She works as a freelance culture and lifestyle writer, frequently contributing to Glamour, Stylist, and InStyle while maintaining a broad portfolio that spans newspapers, magazines, and digital-first platforms.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.