Lauren Del Fabbro
Lauren Del Fabbro covers music and wider entertainment through the lens of how artists and cultural figures are framed in the news cycle. Her work for the Press Association runs across music, books, film and celebrity culture, and is regularly carried by outlets including the Irish News, the Anglo-Celt and other regional and national titles, as well as by the Belfast Live masthead for Northern Ireland–focused readers. She focuses on the intersection of popular culture, public persona and visibility, often writing from a news hook rather than a review or opinion angle.
News-led music and pop culture coverage
Del Fabbro reports on music stories that combine celebrity, politics and fan culture, rather than on record-by-record criticism. In her coverage of Kneecap’s “Slán Keir” message to Keir Starmer after his resignation, she homes in on the political edge of the group’s response and how it plays back against the politician’s previous criticism of them, showing her focus on the narrative around artists as much as the music itself. She also writes on musicians and performers when they are part of broader news events, such as Perrie Edwards’ high-profile wedding to footballer Alex Oxlade-Chamberlain, handling it as an entertainment news story that highlights the crossover of music, sport and celebrity.
Her pieces tend to be concise wire-style reports that foreground the core development and quote or describe the relevant cultural figures, aimed at fast distribution across partner outlets.
Books, prizes and literary crossovers
A significant strand of Del Fabbro’s work sits at the junction of literature and popular culture. She reports on major book awards and literary appointments with a clear news brief, highlighting who has won, for which work and why it matters. In her piece on Patrice Lawrence becoming Children’s Laureate for 2026–2028, she focuses on the author’s body of work and the significance of the new role within children’s literature.
She covers the Women’s Prize for Fiction and Non-Fiction in similar fashion, emphasising the winning debut authors, their nationalities and the themes of their books, while keeping the copy tightly focused on the announcement and its implications for their careers.
She also reports when television or film figures intersect with the book world, as in her coverage of Gavin and Stacey star Ruth Jones being shortlisted for author of the year at the British Book Awards, framing it as a crossover between screen fame and literary recognition. Across these stories she treats books and prizes as part of the entertainment ecosystem rather than a standalone literary beat, maintaining the same accessible, newswire tone she uses for music.
Screen, celebrity and human-interest entertainment
Beyond music and books, Del Fabbro regularly reports on film and television figures, particularly where there is a strong human-interest angle.
Her coverage of Rami Malek discussing the historical drama “Nuremburg” focuses on his comments about how stories like the film can “inch” society towards greater unity, using the actor’s reflections to link entertainment to broader social questions. In a feature on Jacob Elordi, she centres his remarks on unrequited love and his advice to “wear it on your sleeve”, treating his off-screen comments as the core of the story rather than plot details from his work.
She also collaborates on pieces that mix celebrity and family themes, such as an article co-written with Laura Harding in which David Beckham speaks about the need for parents to let children “make mistakes”, drawing out a softer, advice-driven side of celebrity coverage. Across these stories she consistently anchors the piece in a timely quote or event, then builds out just enough context for general readers while keeping the copy sharply focused on the newsworthy angle.
Syndicated entertainment reporting for multiple outlets
Del Fabbro works in a syndicated model as an entertainment reporter, with her byline appearing across multiple publications that take Press Association content.
Her stories on George Michael’s historic tour in China, on Rami Malek, and on Jacob Elordi all run with a Press Association entertainment credit, indicating a role aimed at supplying fast, reusable copy to a wide range of newsrooms. The same structure shows up in her coverage of the Women’s Prize and other book and culture stories, which are picked up by regional titles such as the Anglo-Celt and by Irish national outlets.
For music-related news on Belfast Live, this means her pieces tend to arrive as wire-fed entertainment stories with a clear angle, tight word counts and a focus on what has changed - a new honour, a fresh quote, a public appearance or a viral moment.
4 more music journalists.
Abigail Kellett
Abigail Kellett is a news reporter at the Halifax Courier who stands out for visually led coverage that shows how culture, nightlife and local life play out on the ground. She documents gigs, festivals and major live shows at venues such as The Piece Hall through curated photo sets that capture atmosphere, crowd and setting as much as performers, and she uses extensive image galleries to tap reader nostalgia for nights out in Halifax town centre. Her beat spans arts, entertainment, going out, heritage, books and literary events, along with community life, people stories, local challenges, milestones, transport, regeneration, lifestyle and food. She reports through photographs, checklist-style features, reader-driven lists and roundups of most-read stories, turning announcements, programmes, author events, festivals, shop lists and everyday characters into stories about place, shared memory and how people spend their time.
Adam Lyon
Adam Lyon is a digital audience and content editor whose news beat sits at the intersection of Ayrshire’s cultural life, business environment and public affairs. He works for the Ayr Advertiser and as Digital Audience & Content Editor for Newsquest in the west of Scotland across multiple weekly titles. He covers Ayrshire news with a strong thread of music and local culture alongside business, courts and public affairs. He reports on music when it has a clear community or national hook, treating songs as news events rather than reviews. His business work explains how local firms and retail policy shape town centres. His court coverage uses round-ups of sheriff court cases to show patterns and outcomes. He also fronts video previews and is active in a football supporters trust community.
Adam Maidment
Adam Maidment is a senior What’s On and LGBTQ+ reporter whose work links big-name gigs, new venues and cultural flashpoints to everyday fan culture and inclusion. He covers music, nightlife and the wider cultural scene for the Manchester Evening News, focusing on how concerts, openings and immersive events land with real people and communities. His beat spans live music, arenas and stadiums, new restaurant and bar openings, food reviews, exhibitions, street art and nightlife infrastructure, with a particular focus on LGBTQ+ audiences and neighbourhoods. He reports on venue ambitions and problems, cultural institutions and equality issues, and franchise-led experiences, using straightforward, on-the-ground reporting and clear description. Drawing on a background in community reporting, he looks for underrepresented perspectives and uses social media, analytics and local sourcing to find stories where culture, identity and place meet.
Alex Rigotti
Alex Rigotti is a freelance music and culture editor and journalist who joins fast-turnaround music news with detailed reporting on artists, fandom and politics. They report breaking stories and live music updates for NME and Paste Magazine, covering pop, rock, club music, underground scenes and cultural debates around art and identity. Their live-music beat includes setlists, tours, festival appearances, cancellations, ticketing, venues and onstage collaborations. They previously served as a contributing editor for NME’s Radar section, supporting coverage of emerging artists and new scenes. Rigotti also writes features on rap lyrics and criminalisation, Eurovision and politics, queer feminist bodybuilding, astrotherapy and contemporary art. Their reporting is direct and specific, using clear quotes, concrete details and artists’ own words to explain what happened and how music fits into wider cultural and industry trends.