Keri Blakinger is a Pulitzer Prize-finalist journalist covering criminal justice for the Los Angeles Times, where she investigates law enforcement practices and incarceration narratives. A formerly incarcerated reporter, she brings unique insight to stories of systemic reform and carceral accountability.
We’ve followed Keri Blakinger’s work as it evolved from personal memoir to systemic exposé, cementing her role as one of America’s most impactful criminal justice journalists. Her reporting combines investigative rigor with human-centered storytelling, offering unprecedented insights into carceral systems while maintaining unflinching accountability for power structures.
Blakinger’s career defies simple categorization. After surviving addiction and incarceration, she transformed lived trauma into journalistic fuel:
This 2024 investigation exposed how financial mismanagement at LASD created a self-perpetuating crisis. Blakinger analyzed 4.3 million overtime hours through:
The piece sparked audits and legislation proposing OT caps, demonstrating her ability to translate bureaucratic data into compelling public interest stories.
Blakinger’s forensic examination of forensic science revealed:
“The very technology meant to ensure justice became its adversary,” she wrote, encapsulating the paradox of flawed forensic systems.
This reporting led to case reviews and improved validation processes for forensic tools.
Blakinger’s Pulitzer-finalist piece for The Marshall Project redefined prison journalism by:
The article inspired academic studies on role-playing therapy in carceral settings and became the basis for her Oscar-nominated documentary I Am Ready, Warden.
Blakinger excels at connecting policy failures to individual experiences. Successful pitches should mirror her approach in the DNA kit investigation, which paired technical analysis with stories of wrongful convictions. Propose sources who can speak to both personal impact and structural causes.
Her death row D&D coverage demonstrates interest in counter-narratives that complicate prison stereotypes. Pitch stories exploring unexpected aspects of incarcerated life, particularly those revealing resilience or creativity under constraint.
The LASD overtime investigation shows her skill in financial forensics. Develop pitches around budget allocations, contractor relationships, or economic incentives perpetuating carceral systems.
As seen in her Washington Post Magazine piece on women’s jails, Blakinger prioritizes stories from those directly impacted. Pitches should facilitate access to formerly incarcerated individuals ready to discuss systemic solutions.
Her documentary work reveals appetite for multimedia storytelling. Propose collaborations combining traditional reporting with archival research, oral histories, or data visualization.
Recognized for “When Wizards and Orcs Came to Death Row,” this nomination highlights Blakinger’s ability to merge literary journalism with hard-hitting investigation. The Pulitzer Board particularly noted her “innovative use of fantasy gaming as a lens to examine capital punishment’s human toll.”
I Am Ready, Warden extended her Death Row reporting into visual journalism, marking rare crossover success between investigative reporting and cinematic storytelling. The film’s inclusion of victim family perspectives set new standards for balanced capital punishment coverage.
Her Washington Post Magazine piece on women’s jails contributed to the publication’s award-winning issue, with judges praising “groundbreaking integration of personal experience and policy analysis.”
At PressContact, we aim to help you discover the most relevant journalists for your PR efforts. If you're looking to pitch to more journalists who write on Crime, here are some other real estate journalist profiles you may find relevant: