Katie Rosseinsky
Katie Rosseinsky is a senior culture and lifestyle writer at The Independent, known for feature-led coverage that connects entertainment stories to wider cultural and social themes. She specialises in arts, entertainment and lifestyle writing, using long-form interviews, reported features and essays rather than straight news on the celebrity beat. Her work often draws out the emotional and psychological stakes behind television, music, celebrity narratives and everyday online life.
Celebrity culture and relationship dynamics
Rosseinsky writes nuanced features on high-profile couples and families where media narratives contrast with private strain, such as The Real Rooneys series exploring the harsh truth about Coleen and Wayne Rooney’s marriage and domestic life. Another piece examines Lauren Sánchez Bezos as a symbol of tech wealth’s emptiness, analysing image architects, fashion shoots and public appearances as markers of a hollow world. These stories treat celebrity as a lens on power, gender roles and emotional labour rather than a vehicle for gossip round-ups. Her entertainment writing also extends to live music coverage that homes in on the emotional weight of onstage moments, such as Harry Styles’s tribute to artist David Hockney during a Wembley show. Across these features she foregrounds how relationships and family narratives play out under relentless public scrutiny.
Television, streaming and pop culture phenomena
Rosseinsky devotes substantial coverage to television and streaming phenomena, tracing how certain shows and universes capture attention over time. She has profiled actor Siobhan Finneran in the wake of Happy Valley’s success, focusing on a new leading role in an ITV police thriller, the secretive world of witness protection and balancing hard-hitting drama with comedy. A feature on Harlan Coben adaptations charts how series such as Fool Me Once and Safe helped his fictional universe dominate Netflix.
She writes retrospective pieces on comedy and television icons, including how Caroline Aherne changed comedy and the long-running Strictly Come Dancing work of judge Shirley Ballas. Interviews with figures such as new Doctor Who companion Millie Gibson emphasise controversial elements of upcoming seasons and how performers navigate them. She also explores reality formats and game shows, from the strange history of madcap reality series to an analysis of The Celebrity Traitors that draws on psychologists to explain the traits that make a winning Traitor.
This mix of interviews, history and analysis positions her as a writer who explains why particular series resonate rather than simply reporting casting news.
Digital life, nostalgia and online behaviour
A consistent strand in Rosseinsky’s features is digital life and the emotions bound up in everyday technology use.
In one piece she describes how a WhatsApp archive can become a digital graveyard, speaking to experts about why hiding uncomfortable conversations is tempting and why it can be a poor long-term strategy. Another explores the evolution of the Facebook status over two decades, from song lyrics and political statements to expressions of boredom, and what these habits reveal about changing online self-presentation. She situates these platforms within broader questions of memory, intimacy and social performance, treating social media posts as cultural artefacts. Her interest in nostalgia also appears in features on Noughties-era phenomena, such as examining how David Nicholls’s One Day became a literary touchstone for a generation.
Across these stories she combines cultural reportage with expert voices to show how old posts, messages and media objects linger in people’s emotional lives.
Lifestyle, bodies and modern choices
Rosseinsky covers lifestyle decisions and body politics with a focus on the lived experience behind headline trends. An in-depth feature on egg freezing captures the loneliness and uncertainty many people feel when undergoing the process, balancing personal testimony with medical and psychological perspectives. She has investigated the teen craze for anti-ageing skincare products, asking dermatological experts what such routines could do to young skin and why this trend has taken hold.
Her reporting repeatedly returns to how commercial pressures and social expectations shape people’s bodies and choices.
Public calls for case studies highlight further themes she explores, including influencers leaving Dubai to build lives elsewhere and the fraught dynamics of close friends dating ex-partners. These lifestyle pieces often sit at the intersection of personal narrative, consumer culture and social psychology.
Arts, books and cultural histories
Beyond entertainment and lifestyle, Rosseinsky writes extensively on arts and literary culture. She has covered a book that examines the friendship and rivalry between Joan Didion and Eve Babitz, using it to explain why new generations remain fascinated by their depictions of 1960s and 1970s Los Angeles.
A separate feature revisits Richard Madeley’s novels, sparked by a viral radio recap of his first chapter that blends bizarre twists with mundane detail. She has also written on Yoko Ono as both the woman blamed for breaking up The Beatles and as a significant feminist artist, weighing competing narratives around her legacy. These pieces look back at cultural figures with a clear eye, drawing connections between their work, the myths around them and contemporary debates.
Her ability to move between pop figures, avant-garde artists and literary icons underpins a broad, feature-led approach to culture reporting.
Rosseinsky currently holds the role of senior culture and lifestyle writer at The Independent, concentrating on feature writing rather than daily news shifts.
She previously worked as arts commissioning editor and writer at the Evening Standard, developing and overseeing coverage across arts and entertainment. Alongside staff roles, she has freelanced for outlets including Stylist, Radio Times and The Guardian, and has also worked for Grazia and Time Out. This combination of commissioning experience, freelance breadth and long-form reporting informs a distinctive voice that treats entertainment, lifestyle and culture as deeply interconnected beats.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.