Joseph Furness
Joseph Furness is a style and culture editor at Esquire UK, focused on menswear, sneakers, watches, grooming and screen-led pop culture. His coverage stands out for the way it treats fashion, footwear and timepieces as part of wider cultural stories, whether that is a Marvel phase, a film festival red carpet or a viral celebrity moment. He works across digital and social platforms, shaping news, features and short-form content around style, culture, grooming and watches.
Style, sneakers and watch coverage
Furness spends much of his time on menswear, sneaker and watch stories that link product detail to trends and taste rather than simple shopping picks. He writes round-ups of standout shoes on the runway, such as a survey of the best sneakers at Paris Fashion Week Spring/Summer 2026, where each selection is framed in terms of design, brand narrative and how it fits into current sneaker culture.
Weekly trainer columns draw out new drops and under-the-radar pairs in “The Best Men's Trainers to Have on Your Radar (This Week)”, blending brief styling notes with practical information about availability. His watch coverage ranges from broader trend pieces to tightly focused stories on specific models, including close-read analysis of a rare timepiece worn by Henry Cavill at Ascot and why the design matters to collectors and fans.
He treats grooming and wardrobe questions as part of the same style ecosystem, contributing to long-form guides like “The Complete, Unbeatable, Esquire Guide to Smart Casual Style”, which breaks down outfits, fabrics and colour palettes into clear, usable advice. Across these pieces, he writes as both editor and consumer, balancing brand knowledge with straightforward, service-driven recommendations.
Screen culture and Marvel analysis
Beyond pure fashion, Furness is deeply embedded in screen culture, with a particular focus on how film and television drive taste in clothes and accessories. He produces analyses of character style in animated and live-action worlds, including essays on the quietly distinctive wardrobes of Studio Ghibli protagonists and the sharper, more abrasive looks worn by the men of Top Boy.
Within the masthead he is described as a Marvel “fan-in-residence”, and his coverage of the franchise treats release schedules, phases and casting decisions as part of a larger conversation about audience fatigue and creative direction. In his Marvel writing he breaks down where a film sits within the studio’s timeline, how it responds to criticism of recent entries, and what its costumes and production design say about changes in tone.
That same lens informs broader culture stories, where he connects superhero cinema, streaming hits and festival favourites back to the way readers dress and shop.
Celebrity interviews and red-carpet style
Furness also works directly with screen and music talent, conducting interviews that sit at the intersection of profile, style and career. At Esquire he has spoken with Jeremy Allen White, Austin Butler and Wizkid, focusing on how each subject’s personal style, grooming choices and partnerships relate to their work and public image.
These interviews often fold in discussion of specific garments, watches or sneakers, drawing clear lines between what a subject wears, the brands they endorse and the roles or projects they are promoting. On the red carpet side, he produces best-dressed breakdowns for major events such as the Venice Film Festival, spotlighting individual looks, tailoring choices and accessory selections rather than generic recap. His festival coverage tends to move quickly from surface impressions to practical takeaways, identifying trends - like looser cuts, particular colour stories or footwear shifts - that later appear in his service and shopping pieces.
Guides, shopping and service pieces
Service journalism is a core part of Furness’s role, and he is responsible for style e-commerce coverage that connects editorial taste to concrete shopping decisions. His guides take the form of structured walk-throughs, explaining how to build a smart casual wardrobe, what to look for in a seasonal sneaker, or how to choose a watch that fits a specific occasion.
In these articles he uses clear, direct language, pairing brand and model names with reasons to buy, care advice and suggestions on how to wear items with existing outfits. Shorter news pieces highlight new collaborations or product launches, such as designers backing retro Nike models or limited-edition accessories tied to cultural moments. Before joining Esquire, Furness wrote on similar themes for fashion and luxury platforms including Highsnobiety, Farfetch and Mr Porter’s Journal, which reinforces his focus on contemporary menswear, sneakers and watches.
Across outlets and formats, his work is consistent: he treats clothes, shoes and timepieces as cultural objects first, and buying decisions as the final step.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.