Joey Nolfi
Joey Nolfi is an entertainment journalist at Entertainment Weekly who turns reality television, drag culture, daytime talk shows, and theme-park fandom into detailed, personality-driven stories. He works as a writer, on-camera interviewer, and podcast host for the masthead, anchoring coverage with exclusives, oral histories, and multimedia conversations with performers and creators. His reporting carries a clear fan’s-eye view, but it is built on direct interviews and close tracking of how pop culture moments play out across television, streaming, and live attractions.
Reality TV and Drag Culture
Nolfi’s most distinctive lane is reality TV, particularly drag competitions and other camp-inflected shows. He regularly covers RuPaul’s Drag Race, writing exclusives with contestants like Lala Ri about quitting drag and reflecting on depression during an All Stars season, and following winners such as Onya Nurve through post-crown conversations about performance and reveal culture. He leans into character-driven reporting, spotlighting moments like a Traitors and Drag Race star describing a live-show mishap in the ballroom in visceral detail, or a performer dissecting the stakes of a lip-sync battle and how it shapes their public persona.
His coverage of awards and prestige television still tracks back to personality and competition. In his reporting on a Hacks star who admits to storming out of the Emmys after losing to a costar and calls herself the “biggest sore loser,” he foregrounds the emotional fallout behind a polished red-carpet image and uses direct quotes to anchor the story in the subject’s own words. Across reality formats, he uses exclusives, cast roundtables, and his role hosting shows like Entertainment Weekly’s drag-focused podcast to build a running dossier on how queer and camp television evolves season to season, and how fans read those changes.
Daytime TV and ‘The View’
Nolfi has a deep recurring beat on daytime talk, with a particular focus on The View. He tracks the show at the level of schedule, controversy, and on-air dynamics, filing pieces that explain why Whoopi Goldberg is off the panel for a given week and when she is expected to return, and pairing that information with production details on shooting schedules and hiatus patterns.
His stories on Joy Behar range from health and injury updates that keep viewers informed when she misses episodes, to segments where she interrupts cozy cooking demos to revisit dramatic anecdotes, such as stabbing herself and needing hospital care, which he uses to illustrate how hosts fold personal history into daytime discourse.
He also covers the show’s political and cultural flashpoints.
In one line of reporting, he follows Sunny Hostin as she clarifies her stance on an alleged campus sexual assault case after backlash, transcribing and contextualizing her explanation so readers can see how her legal framing shifts under public pressure. In another, he publishes an exclusive interview with Ana Navarro in which she frankly describes her past as a “Republican hack” who took talking points from party operatives, then contrasts that with her current on-air positioning.
Around the edges of the program, he writes pieces on stories like a bakery owner denying Whoopi Goldberg’s speculation that they refused a birthday dessert over politics, using those incidents to show how daytime commentary spills into local business and social media.
Theme Parks, Halloween Horror Nights, and Disney
A second defining pillar of Nolfi’s work is theme parks and immersive attractions, where he connects celebrity narratives to ride design and fan experience. He covers Halloween Horror Nights in detail, including an exclusive preview of an Ozzy Osbourne “Prince of Darkness” haunted house, built from an interview with Sharon Osbourne about translating the musician’s life and legacy into a maze and how she believes he would react to the tribute.
His reporting doesn’t stop at the marquee name; he describes specific scenes, villains, and story beats inside the house so readers can picture how the event uses horror language to honor a music icon.
His Disney coverage is similarly granular and fan-oriented. Nolfi reports on the creation of a dedicated Villains Land at Disney World, listing the roster of classic antagonists, outlining plot hooks about “twisted” storylines and the potential lack of a happy ending, and explaining how those choices reshape the tone of a family park. He amplifies voices like Ariana Grande when she makes a public plea to “protect and preserve” the Tower of Terror from a planned Marvel makeover, framing the piece around her emotional language and what it reveals about the attachment fans and artists feel toward specific attractions.
Across these stories, he treats rides, lands, and seasonal events as narrative spaces, using interviews, concept details, and fan reactions to show how parks sit at the center of contemporary pop culture.
Pop Divas, Streaming, and Fandom Flashpoints
Nolfi’s entertainment beat also spans pop stars and the ecosystem of streaming shows and specials surrounding them. He covers Lady Gaga both as an artist and as a business figure, documenting her makeup brand’s clash with a beauty influencer over shade inclusivity and her subsequent public apology through Haus Labs, and separately interviewing her about a project titled MAYHEM, past reality-TV pranks, and the extended life of fan-favorite albums.
He reports on her casting in Wednesday season 2 alongside Jenna Ortega, positioning the news within the broader context of how musicians cross into genre television and how fandoms respond.
His work returns often to Ariana Grande and the public discourse around her. He writes about Pete Davidson criticizing “f---ed up” commentary on Grande’s body, drawing out his quotes to show how celebrity exes contest online scrutiny and stand up for each other long after a relationship ends. Earlier stories track Grande’s music and screen projects alongside Liam Hemsworth, tying singles, EPs, and films to spikes in viewing and box office performance, and illustrating how personal narratives feed into entertainment metrics.
Beyond these individual figures, he reports on anthology shows like Black Mirror, exploring the possibility of further stories after interactive installments like Bandersnatch, and covers industry moves such as streaming platforms acquiring short-form series originally produced for other services.
Across these threads, Nolfi uses a consistent toolkit: exclusive interviews, oral histories with ensembles like the The Devil Wears Prada cast, and a steady presence as a podcast and video host for Entertainment Weekly series focused on drag, awards season, binge viewing, and theme parks. He stitches together celebrity quotes, fan vernacular, and detailed plot or attraction descriptions to show not just what happened, but how those moments land with audiences living inside pop culture.
4 more entertainment journalists.
Aaron Couch
Aaron Couch connects fan-driven genre stories with the business of filmmaking at The Hollywood Reporter, where he is film editor and co-writer of the Heat Vision newsletter. He covers big-budget franchises, comic book properties, horror and genre cinema, studio deals, film development and the producers who shape them. His beat includes trailers, superhero films, franchise strategy, comic-to-film adaptations, production deals and the people behind repeatable genre hits. He has written about Tom Holland’s Spider-Man return, Sony acquiring Michelle Yeoh’s The Surgeon, adaptation interest in a Boston Globe article about lesbian bars, and horror producers Roy Lee and Steven Schneider. He reports on both fandom and industry mechanics, connecting trailers, creators and comics with careers, dealmaking, publicity cycles and franchise stewardship.
Adam Blevins
Adam Blevins tracks how major entertainment projects perform, stall, and evolve across theaters and streaming platforms. He is a senior author at Collider covering film, television, superhero and science-fiction franchises, and gaming-related screen projects. His core beat is box office results, streaming performance, release windows, budgets, production changes, cancellations, sequels, and franchise durability. He has written exclusives involving Avengers: Doomsday, The Penguin, and Star Wars: Skeleton Crew. Earlier, he wrote gaming features at Screen Rant and became a senior editor at Agents of Fandom, where he interviewed talent connected to Marvel Studios, House of the Dragon, and Planet of the Apes. He also visited the set of The Chosen. His reporting is high-volume, direct, and data-driven, using metrics, release details, interviews, and production context to explain commercial prospects and fan interest.
Adele Ankers-Range
Adele Ankers-Range is a senior writer at MovieWeb who tracks streaming thrillers, book-to-screen adaptations, and industry announcements through the fan conversations around them. Writing professionally since 2015, she has also contributed to IGN, Sideshow Collectibles, Screen Rant, and other genre-focused brands. Her beat covers new and upcoming film and television titles, especially thrillers, high-concept genre releases, literary franchises, and projects moving from development to release. She reports on teaser reveals, casting, release dates, CinemaCon announcements, platform strategy, and early critical response. Her coverage often uses reception metrics such as Rotten Tomatoes scores to show how a release is landing. She returns to adaptations as they develop, following announcements, talent attachments, marketing, and final release details. Her work is fast, news-driven, concise, and attentive to fan theories, speculation, and the reasons a project matters.
Adrianna Freedman
Adrianna Freedman turns fan-driven TV and streaming moments into fast, service-focused entertainment stories for Good Housekeeping. She covers network dramas, procedurals, Hallmark titles, streaming releases and book-to-screen projects, including renewals, premiere dates, cast news, release timing, platforms and pricing. Her work centers on how developments affect committed viewers. She also reports on daytime hosts and celebrities, covering health updates, family milestones, career changes, social posts and fan response without gossip or speculation. Freedman conducts interviews and writes features on subjects such as personal books, career milestones and awards. She has written for or across Hearst titles including ELLE, Cosmopolitan, Men’s Health and Town & Country, as well as Prevention and Oprah Daily. Her coverage of television, movies, music and celebrity pop culture uses clear language, concise explainers and direct, headline-driven angles.