Joanna Connors (The Plain Dealer, USA) merges investigative depth with literary sensibility across psychology, arts, and culture. Her work prioritizes:
Joanna Connors’ career spans over four decades, marked by a fearless commitment to storytelling that bridges personal vulnerability and journalistic rigor. Beginning as a theater critic for the Minneapolis Star in the early 1980s, she honed her analytical voice before joining The Plain Dealer in 1983. Her early roles as arts editor and film critic laid the groundwork for a transition into narrative features, where she merged cultural critique with human-centered reporting.
“I’ve always been drawn to stories that demand emotional honesty—the kind that linger long after the curtain falls.”
Connors’ 2008 series, Beyond Rape: A Survivor’s Story, redefined trauma reporting. By investigating her own sexual assault and tracking down her attacker’s family, she blended memoir with investigative journalism—a approach later expanded in her 2016 memoir, I Will Find You. This work earned her the Medill Medal for Courage in Journalism and Columbia University’s Dart Award, cementing her reputation as a voice for survivors.
This five-part series combined forensic detail with raw introspection, tracing Connors’ journey to confront her assailant’s history. By interviewing his relatives and prison officials, she exposed systemic failures in addressing repeat offenders. The series sparked national conversations about victim advocacy and inspired legislative reforms in Ohio’s parole protocols.
Expanding her 2008 investigation into a memoir, Connors explored the psychological aftermath of trauma while critiquing societal stigmatization of survivors. The book’s unflinching prose and structural innovation—alternating between reportage and personal reflection—made it a landmark in narrative nonfiction.
In a recent deep-dive, Connors examined the battle to preserve Chicago’s McCarthy Building, blending urban history with profiles of grassroots activists. Her analysis of how architecture shapes community identity showcased her ability to pivot across beats while maintaining thematic cohesion.
Connors prioritizes stories that intersect psychology, justice, and culture. Pitches might explore innovative therapies for PTSD or systemic gaps in victim support. For example, her 2008 series highlighted how trauma impacts familial relationships—a angle underreported in mainstream media.
While she no longer reviews films or theater, Connors remains interested in how artistic movements reflect societal shifts. A pitch about post-pandemic theater initiatives addressing mental health would align with her award-winning coverage of Steppenwolf Theatre’s trauma-informed productions.
Her 2025 piece on the McCarthy Building demonstrates a flair for connecting archival research to contemporary debates. Propose stories that resurrect overlooked histories—e.g., mid-century feminist murals rediscovered in urban renewal zones.
