Jessica Priest
Jessica Priest follows how power, politics and money reshape life at Texas colleges and universities. She covers higher education for the Texas Tribune in partnership with Open Campus, with a beat that centers on campus speech, governance, curriculum and access. Her reporting focuses on the concrete consequences of policy decisions for students, faculty and public institutions. She brings an investigative sensibility to the beat, informed by earlier work in the newsroom’s joint investigative unit and a series that was named a Pulitzer Prize finalist in explanatory reporting.
Campus free speech and protest rules
Priest regularly tracks the clash between student expression and institutional control on Texas campuses.
Her coverage of a judge’s ruling that the University of Texas at Austin did not violate students’ rights in a pro-Palestinian protest case shows how she walks through court findings and what they mean for future demonstrations. In reporting on the UT System’s push to enforce campus protest bans under Senate Bill 2972, she details how a federal judge viewed students’ First Amendment claims and the specific limits the law places on overnight expression, speakers and amplified sound. She returns to free speech in a report card that gives Texas colleges failing grades, using outside assessments to measure campus climates and documenting how institutions respond to criticism.
Her story on Texas Republicans redefining higher education ties legislative changes and political pressure to confusion about what speech is allowed on campus, blending statutory analysis with on-the-ground accounts from universities.
University governance, faith and public oversight
Priest often focuses on who ultimately controls Texas higher education institutions and their affiliated entities. Her coverage of the Texas Supreme Court’s decision allowing the United Methodist Church to continue its fight to prevent a split with Southern Methodist University explains an 8-1 ruling that preserves the church’s right to make its case in court without deciding the merits, highlighting the stakes for university governance and religious ties. She treats public media as part of this landscape in her story on the University of Texas firing the general manager of public radio station KUT after a festival dispute, showing how internal disagreements over security, crowd expectations and messaging around a live music event can cost a leader their job.
Across these pieces, she follows board decisions, legal strategies and institutional communications to show how they ripple through campuses and public-facing organizations.
Tuition, funding and enrollment pressures
Priest closely tracks how universities pay their bills and promise access to students. Her reporting on the University of North Texas’ tuition-free program for incoming freshmen explains the terms of the offer and how the university hopes to use it to attract students while navigating financial constraints. In covering a $100 million gift from billionaire Jeff Yass to the University of Austin for free tuition, she shows how large-scale philanthropy is reshaping the economics of emerging institutions and the expectations around who can attend.
Her story on UNT blaming a budget shortfall on the loss of international students and subsequent cuts details enrollment trends, the financial impact of changing student flows and the choices administrators make in response. These pieces build a picture of higher education finance that connects tuition promises, donor-driven models and the risks that come with demographic shifts.
Curriculum and academic freedom battles
Priest’s work also follows what students are allowed to learn and how political debates enter the classroom. Her coverage of UT-Austin remaking its core curriculum for future undergraduates shows how a flagship university is rethinking foundational courses and the role of the humanities, highlighting internal deliberations and potential effects on students. In reporting on Texas Tech being sued over limits on race and gender instruction, she lays out the claims against the university, the policies at issue and how they fit into broader efforts to restrict certain topics in higher education.
She ties these curriculum fights back to the political overhaul she documents in her free speech coverage, treating academic freedom, course requirements and campus expression as parts of the same struggle over the mission of Texas colleges.
Investigative roots and engagement reporting
Priest brings experience from engagement-driven investigative work into her beat coverage. She joined the Texas Tribune in 2022 as an engagement reporter in its joint investigative unit with ProPublica, contributing to a series that was later recognized as a Pulitzer Prize finalist in explanatory reporting.
That background shows in her higher education stories, which frequently rely on court records, legislation, internal documents and detailed timelines rather than quick spot news. She uses that material to ground narratives about campus protests, governance fights, funding promises and curriculum changes in verifiable detail rather than rhetoric.
4 more music journalists.
Andrea Dresdale
Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.
Andrew Weber
Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.
Andy Greene
Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.
Anna Grace Lee
Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.