Jake Kanter
Jake Kanter is an investigations editor at Deadline, focusing on the global TV, film and wider media business. His coverage is defined by accountability reporting on broadcasters, streamers and production companies, using scoops and deep reporting rather than routine show promotion. He writes with an industry-facing focus, tracking how decisions inside major media organisations affect programmes, talent and audiences. Alongside investigations, he contributes news features and on-diary coverage across the entertainment beat.
Investigations into broadcasters and media institutions
Kanter’s investigative work frequently centres on the internal workings of major broadcasters, including their handling of misconduct, accountability and governance.
In coverage of the BBC’s dilemma over airing Ashley Cain: Into The Danger Zone after historic tweets resurfaced, he treats the decision as a test of the broadcaster’s standards and judgement. As a media correspondent, he has broken front-page stories about the BBC and Channel 4, focusing on how executive decisions and political pressure shape coverage and commissioning.
His deep dive on the disappearance of TV producer Terrence Woods exemplifies his methodical approach to complex, long-running cases in the television industry. Across these pieces he tends to foreground documents, timeline reconstruction and sourced accounts, giving readers a clear picture of what went wrong inside institutions rather than just outcomes.
Exclusive industry scoops and deal-driven news
In his current role at Deadline, Kanter is tasked with delivering exclusive scoops on companies and organisations across Europe and the wider international marketplace. Much of this work revolves around executive moves, corporate restructurings, regulatory scrutiny and strategy shifts at broadcasters, streamers and production groups. These stories are written with a business-literate lens, connecting boardroom decisions to implications for programming slates, talent relations and competitive positioning.
He also produces news-centric features that unpack the context behind high-profile disputes or regulatory interventions, turning breaking news into clear narratives for industry readers.
Features, newsletters and event coverage
Beyond investigations and scoops, Kanter has originated and fronted recurring features and newsletters that track the international screen business. At Deadline he has played a key role in creating The Film That Lit My Fuse and the International Insider newsletter, both designed to surface agenda-setting conversations in film and television. His International Insider dispatches blend curated news, original reporting and informed analysis on topics ranging from studio strategy to festival dynamics. He also turns up on the entertainment calendar with pieces such as red-carpet photo galleries for returning series, capturing talent presence and platform positioning at launch events. Earlier in his career he worked as a news editor and bureau leader at trade and digital outlets focused on broadcasting and business, experience that informs his disciplined, newsroom-style approach to the entertainment beat today.
Media commentary and cross-platform presence
Kanter’s work extends beyond the page into regular broadcast commentary on media stories. He appears on television and radio programmes to discuss developments in journalism, broadcasting and the wider media industry, bringing investigative context to daily news. This cross-platform presence reinforces his positioning as a specialist in the structures and behaviour of media organisations rather than a general entertainment reporter.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.