Jake Hodges
Jake Hodges turns fast-moving screen news into clear, accessible coverage that connects big franchises with character-driven crime dramas and prestige television. He is a senior film and television journalist at Collider, where he has written more than 1,000 articles spanning news, lists, resources, and utilities. His work draws on a professional background in scriptwriting and directing, giving his coverage a strong focus on narrative stakes and how story decisions shape the future of a show or film.
Superhero Franchises and Blockbusters
Jake’s film coverage includes major superhero franchises and other box office-driven projects, where he writes with an eye on long-term character and franchise arcs. In his piece on Spider-Man: Brand New Day, he uses the storyline to frame a potential turning point in Tom Holland’s run as Spider-Man, treating the project as a possible close of a chapter rather than a standalone announcement. That article balances continuity detail with plain explanation of what such a shift would mean for the broader Marvel slate, anchoring speculation in the existing trajectory of the character and the series. Across his blockbuster work, he keeps the focus on how casting, character changes, and tonal adjustments reshape a franchise, rather than on isolated production trivia.
Crime Dramas and Prestige Television
Jake’s reporting leans strongly toward television, with a particular focus on crime dramas and serialized thrillers.
His article “It Feels Very Relevant: ‘Slow Horses’ Showrunner Gives a Politically-Charged Update on Season 5” foregrounds the showrunner’s comments about the political climate and themes, tying news of the upcoming season directly to questions of relevance and tone. In that coverage, he highlights how new seasons engage with current events and shifts in audience expectations, treating production updates as a way to explain where a series is headed rather than as simple renewal notices. This emphasis on crime and espionage-led shows sits alongside broader work on other TV genres, but the pattern in his portfolio is to return to series where tension, investigation, and institutional politics drive the story.
Release News, Cast Updates, and Utility Coverage
Jake covers the day-to-day cycle of television news, focusing on cast announcements, release dates, and status updates on scripted series.
His articles commonly deliver straightforward information on who has joined a project, when new seasons will arrive, and how renewals or cancellations change the viewing landscape, while situating each update within the existing run of a show. At Collider he contributes across the resources, lists, utilities, and news teams, which means his byline appears on both breaking items and more evergreen, service-oriented pieces. That utility work includes format-driven articles designed to help audiences navigate what to watch and when, with clear headlines and structured information that make complex release schedules and ensemble casts easier to track.
Lists, Guides, and Script-Centric Analysis
Beyond straight news, Jake writes in multiple formats, including lists, features, and resource articles that catalogue and compare film and TV offerings.
His author record at Collider shows substantial volume across lists and utilities as well as news, underscoring that he is used as a versatile writer for both high-tempo reporting and more reflective pieces. A background as a professional scriptwriter and director feeds directly into that side of his work, allowing him to discuss structure, pacing, and character development with the familiarity of someone who has worked on fiction and documentary shorts.
As a result, even when a piece is framed as a guide or list, his angle tends to foreground story mechanics and performance choices rather than only marketing or platform details.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.