Jacob Uitti
Jacob Uitti is a senior writer at American Songwriter, where he focuses on music features that blend pop nostalgia, rock history, and close listening to individual songs and artists. His work moves between list-driven explorations of specific eras and in-depth interviews with major performers, giving equal weight to chart hits, one-hit wonders, and the people who made them. He brings longform storytelling experience from books and other outlets into his music coverage, so pieces read as narratives as much as reference guides.
Soft rock, novelty songs, and one-hit wonders
Uitti regularly writes song lists that revisit specific eras and niches in popular music, using them to show how certain tracks lodge in memory. Recent examples include 3 One-Hit Wonders From the 1980s That Everyone Remembers After the First Note and 6 Soft Rock Songs from the 1960s, both structured as concise rundowns of songs with short contextual capsules.
He extends that approach to novelty tracks and other indelible songs from the 1960s, treating them less as curiosities and more as durable cultural touchstones. Across these pieces, he stays close to the songs themselves - titles, hooks, and key performance details - rather than leaning on broad music history, which makes the lists easy to scan but grounded in specific listening moments.
The overall effect is a catalogue of era-defining tracks aimed at readers who already know the music but want reminder-level framing rather than deep criticism.
Interviews with major artists
Alongside lists and retrospectives, Uitti conducts interviews that spotlight artists across pop, country, rock, and soul. At American Songwriter he has interviewed high-profile figures including Lady Gaga, Dolly Parton, Garth Brooks, and Jennifer Hudson, treating them as working songwriters and performers rather than distant celebrities.
His interview with The Zombies’ Colin Blunstone, for example, centers on how the singer built a solo career “One Year” at a time, framing the conversation around specific albums and career pivots rather than personality alone.
Within the magazine’s Interviews section, his byline appears on features that follow a consistent pattern: scene-setting in the opening, quotations that carry the narrative, and a focus on how songs were written, recorded, or revived over time. This combination of big-name access and craft-focused questioning gives his interviews a practical, process-oriented tone even when the subject is a major star.
Rock histories, tributes, and songcraft features
Uitti’s coverage often returns to rock history and the mechanics of songwriting, especially around iconic bands and players.
In a piece like 3 Songs You Didn’t Know Jimmy Page Wrote Solo for Led Zeppelin, he highlights specific tracks, details what distinguishes them musically, and surfaces lesser-known aspects of the band’s catalog. He also writes tribute-style features, such as More than 1,000 Musicians Pay Their Respects to Taylor Hawkins with “My Hero,” which combines event reporting with an emphasis on how a song becomes a communal anthem. Occasionally he folds technology into this work, as in We Asked AI to Write a Duet Between Justin Timberlake and Janet Jackson, where he frames artificial intelligence as a new, if controversial, tool in the songwriting process.
Across these pieces, his focus stays on songcraft - who wrote what, how a part was arranged, how a performance was shaped - rather than on gossip or industry intrigue.
Music writing beyond American Songwriter
Outside American Songwriter, Uitti’s music journalism appears on brand and instrument platforms such as Roland and Yamaha, where he contributes artist features and essays about performance and gear. Professional bios for those outlets note that his work has also appeared in Interview, Vanity Fair, The Washington Post, and The Seattle Times, placing his music coverage within a broader portfolio of culture and feature writing. His author and personal pages describe parallel work as a co-author on memoirs with NBA Hall of Famers and on a book about the songs that shaped a city’s music identity, experience that informs his narrative approach to music history and artist profiles.
Taken together, these projects show a writer who treats music stories as long-running arcs - across careers, cities, and fan communities - rather than one-off pieces tied to single releases.
4 more music journalists.
Andrea Dresdale
Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.
Andrew Weber
Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.
Andy Greene
Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.
Anna Grace Lee
Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.