Jack Guy
Jack Guy brings an international, culture-forward lens to entertainment coverage, blending celebrity news, royal stories and offbeat research pieces with the pace and tone of a digital breaking-news reporter for CNN.
Royal family and elite education stories
In his coverage of Britain’s royal family, Guy treats the monarchy as part of the wider entertainment and culture landscape rather than a purely political institution. His report on Prince George’s planned enrollment at Eton focuses on the school’s elite status, the family lineage that connects father and son, and the way educational choices for royals resonate as public-interest stories.
He uses clear, direct language to explain why an ostensibly private schooling decision matters in the context of celebrity, tradition and class, keeping the piece tightly framed around what readers need to know and why it is news now.
Celebrity milestones and obituaries
Guy regularly writes quick-turn pieces on major moments in the lives of actors, musicians and other entertainment figures, treating personal milestones as cultural events. One recent article reports that actress and writer Lena Dunham and her husband Luis Felber have welcomed a baby daughter via surrogate, spelling out the key facts and foregrounding the surrogate arrangement without digression. The tone is matter-of-fact and focused on the announcement itself, making it easy to lift key details while still situating the story within the ongoing conversation around family, creativity and modern parenting in the entertainment world.
He also handles obituaries and death notices for prominent entertainment figures, such as his piece on French DJ Kavinsky, best known for the electro track “Nightcall,” which reports his death at age 50. In that work he highlights the specific track that anchors the artist’s reputation and notes his place in the electro scene, giving readers enough career context to understand why the news matters without turning the story into a full retrospective. Across these pieces, Guy’s distinguishing pattern is a concise, detail-driven style that foregrounds one or two defining works or facts about the subject and keeps the focus squarely on the news hook.
Offbeat science and history reporting
Guy’s portfolio extends beyond standard entertainment stories into science and history features that read like cultural curiosities, maintaining the same accessible voice. In a report on new research showing the first physical evidence that Romans used human feces as medicine, he walks readers through the study’s findings and quotes a researcher explaining how an object from the past proves a practice previously known only from written sources. The article uses the unusual subject matter - ancient medical use of human waste - as a hook, but the structure stays disciplined: he explains what was found, why it matters to historians and how it changes the understanding of Roman medicine.
This kind of piece shows how he brings a clear explanatory approach to topics that sit at the edge of entertainment and science, favoring vivid but straightforward descriptions over sensationalism.
Travel and Latin America features
Alongside his entertainment work, Guy has a long-running focus on travel and Latin America that informs the way he approaches stories with international angles. A professional bio describes him as a writer and journalist with a passion for Latin America who moved to the region to learn Spanish and ended up living there for more than three years, before returning to work closely with CNN and travel widely for assignments.
That background feeds into travel writing that focuses on destinations, tourism and culture, and it gives him a perspective that treats locations as lived-in places rather than just backdrops.
Guy works as a freelance journalist, writer and consultant, with CNN as a long-term client on its digital news team since 2018, where he handles high-pressure breaking news as well as longer feature articles. His own site notes that this work includes trending stories, breaking news and features on topics such as coronavirus in Peru, the country’s political crisis and Venezuela’s geopolitical maneuvers, showing a comfort with complex international subjects alongside lighter cultural pieces. Directory and portfolio information characterizes his reporting focus as spanning travel, tourism, music and the United Kingdom, with thousands of published articles across news, travel and lifestyle verticals.
Taken together, these strands mean that even when he is filing a straightforward entertainment brief, he tends to situate it within a wider map of places, industries and audiences rather than treating it as isolated celebrity news.
Across beats, Guy’s work for CNN is shaped by the demands of the digital desk: he writes short, tightly edited pieces designed to be syndicated, shared and updated quickly, whether the subject is a royal child’s schooling, a new baby in a creative couple’s life, the death of a DJ or a study about Roman medicine. He relies on a small number of concrete facts, a clear explanation of why those facts matter and, where appropriate, quotes from experts or principals to anchor the story, avoiding opinion or color.
His distinguishing through-line is an ability to treat entertainment, travel and offbeat research as parts of the same global culture beat, delivering stories that are immediately usable while still grounded in specific context.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.