Hwang You-mee
Hwang You-mee covers K-pop for The Korea Herald, focusing on how idol careers intersect with charts, streaming numbers and new releases. Her regular “Today’s K-pop” pieces track chart positions, streaming milestones and sales records for major groups and soloists, turning industry moves into clear, data-led updates. Alongside these briefs, she writes artist-focused stories on new music, collaborations and career shifts, from Ha Sungwoon’s sixth EP to TXT’s repeat work with songwriter Salem Ilese and former group member Kim Garam’s move into acting. Earlier in her career she reported on corporate listings and pharmaceutical export deals, and that grounding in business reporting informs the way she handles numbers and market signals in entertainment.
Today’s K-pop
The “Today’s K-pop” banner anchors much of her recent work, with each article built around a specific milestone: Twice’s Jihyo entering the Billboard 200 at No. 14 with a solo EP, BTS logging 1.4 billion views for the “Mic Drop” remix video, Seventeen setting a sales record with a best-of album, BTS pushing the “Dynamite” music video to 1.9 billion views, and Pentagon’s Hui launching a solo career. These stories are concise and tightly structured, foregrounding figures, dates and achievements rather than commentary or fan reaction, so that chart rankings, cumulative views and sales numbers carry the narrative.
The emphasis on concrete performance metrics makes the column read like a running ledger of K-pop’s global footprint, useful for understanding how specific releases and artists move the market over time.
Ha Sungwoon looks back on his music career with 6th EP
Her feature on singer-songwriter Ha Sungwoon’s sixth EP “Electrified: Urban Nostalgia” shows how she steps beyond headline numbers to frame an artist’s work within a longer career arc. The piece combines details about the new record with reflection on his past activities, treating the EP as a point from which to look back on his trajectory rather than only a promotional vehicle.
This mode of coverage situates new releases inside a broader narrative about growth, style and output, highlighting how a project summarizes what an artist has done and signals where they are going next.
TXT collabs again with Salem Ilese
In her article on TXT collaborating again with Salem Ilese, Hwang tracks creative partnerships as part of a group’s evolving sound and strategy. The story notes the repeat nature of the collaboration and ties it to upcoming fan engagement, including an in-person event in Seoul, linking studio decisions with the way an act presents itself to its audience. Her approach to these pieces combines release information and collaboration details with concrete plans for performances or fan meetings, making it clear how behind-the-scenes choices feed into public activity.
Ex-Le Sserafim Kim Garam to tackle acting
The coverage of former Le Sserafim member Kim Garam’s move into acting illustrates how she handles reputationally sensitive transitions. The article recounts the bullying accusations that surrounded Kim’s debut as an idol and then describes her new agency relationship, acting training and YouTube activity as part of a structured attempt to start a second chapter in the public eye. By laying out both the controversy and the practical steps toward an acting career, Hwang presents a clear timeline of setback and recalibration, giving equal weight to past issues and current preparation.
Adidas ODM Hwaseung to go public in October
Her bylines at The Korea Herald reach back at least to 2016, including pieces on Adidas ODM Hwaseung’s plan to go public and Ilyang Pharmaceutical’s export of ulcer treatment technology to a major Russian company. Those stories focus on listing schedules, stock plans and deal values, showing her ability to summarize corporate decisions and cross-border transactions in straightforward business language.
The move from this kind of corporate and pharmaceutical coverage into K-pop and idol-focused reporting gives her current work a business-literate edge, especially when she deals with sales records, chart performance and the commercial scale of an artist’s success.
4 more music journalists.
Andrea Dresdale
Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.
Andrew Weber
Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.
Andy Greene
Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.
Anna Grace Lee
Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.