Graham Robson
Graham Robson covers how institutions, from universities to police forces, shape the lives, rights and safety of LGBTQ+ people, with a particular focus on education settings and the wider culture wars around gender and sexuality. He is online editor at Scene Magazine, an independent publication focused on LGBTQ+ living and stories that matter to queer communities across the UK and beyond. His reporting combines straight news on legal and policy developments with close attention to how those decisions play out for students, activists and everyday LGBTQ+ people.
Education, campuses and gender conflict
Robson’s education coverage centres on how universities and schools handle gender identity, speech and harassment in practice rather than in policy statements. In his reporting on a university LGBTQ+ centre that describes misgendering and deadnaming as harmful and violent, he foregrounds institutional guidance, the expectations placed on faculty and the practical steps recommended to create more inclusive classrooms. His coverage of a lecturer losing an employment appeal after calling a trans student a “troublesome trans kid” and using a homophobic slur stays with the disciplinary process and its outcomes, rather than the personalities involved, underlining how formal procedures respond when prejudice emerges inside teaching spaces.
Across these pieces he treats campus disputes as part of a wider struggle over trans rights rather than isolated flashpoints, connecting individual cases to broader debates about academic freedom, safeguarding and the obligations of educators.
He tends to anchor stories in specific decisions - tribunal rulings, guidance documents, official complaints - and then build out the implications for staff–student relations and the climate for LGBTQ+ students. The emphasis is on clarity about what was decided, who is affected and how institutional language around gender and sexuality is changing.
Policing, courts and institutional accountability
A second strand in Robson’s work follows how police forces, courts and other authorities handle cases involving LGBTQ+ people, from street-level abuse to complex litigation. In coverage of Hertfordshire Police being accused of homophobic assumptions during a Grindr blackmail investigation, he focuses on the conduct of officers, the allegations made about bias and the scrutiny that follows when victims challenge how cases are handled.
His report on a High Court ruling that the Chief Constable of Northumbria Police acted unlawfully by allowing uniformed officers to join a Pride parade highlights the legal reasoning and the tensions between institutional neutrality and visible support for LGBTQ+ communities.
Robson also tracks how hate incidents move through the system, such as a man charged after alleged homophobic abuse at a Brighton v Leeds football match, giving weight to charging decisions and the message they send about public behaviour.
When he covers international legal reforms - like Turkey’s proposed sweeping anti-LGBTQ+ measures in a judicial overhaul - he situates them in the context of human rights and the potential rollback of protections, rather than treating them as distant legislative abstractions. This focus on accountability runs through his reporting on corporate and platform conduct as well, including a major UK lawsuit settlement where Grindr agreed to pay £26 million over alleged sharing of users’ HIV status.
The through-line is institutional responsibility: whether in policing, courts or corporate governance, he highlights who holds power, how it is exercised and where LGBTQ+ people are left exposed.
Politics, funding and the LGBTQ+ public sphere
Robson regularly covers political actors, funding decisions and public controversies that define the environment in which LGBTQ+ organisations operate. His reporting on a councillor from the Restore Britain party being “triggered” by a rainbow picnic table uses a small local dispute to show how symbolic expressions of inclusion can become lightning rods in culture-war politics. He tracks collective action through pieces on trans people and allies organising a mass lobby of Parliament, emphasising turnout, messaging and the strategic effort to influence lawmakers on trans rights.
On the global level, his coverage of a report finding that 90% of LGBTQ+ groups worldwide have lost funding since 2025 foregrounds hard numbers and the consequences for frontline services and advocacy.
He brings the same lens to national and international figures whose decisions affect LGBTQ+ lives, documenting the legacy of US Senator Lindsey Graham as a longtime opponent of LGBTQ+ rights and key ally of Donald Trump, and setting his death against decades of resistance to equality measures.
In technology and business, he reports on Tim Cook stepping down as Apple’s chief executive, noting his role as the first openly gay Fortune 500 CEO and the cultural significance of that visibility at the top of corporate leadership. His cultural pieces, including coverage of Eurovision results and calls for boycotts, treat music competitions and Pride events as political stages where questions of solidarity, protest and international alignment around LGBTQ+ rights play out.
Together, these stories show a reporter interested less in lifestyle and more in how politics, money and public symbolism converge to shape the space in which LGBTQ+ people live, organise and are represented.
Queer culture, venues and community infrastructure
Alongside hard news, Robson covers the physical and cultural infrastructure that sustains LGBTQ+ communities.
His reporting on investment plans for Brighton’s Hippodrome documents the scale of funding, the role of major live entertainment companies and what redevelopment could mean for local cultural life. In pieces about Pride events, including reflections on a tragedy in Berlin and why Pride still matters, he traces the evolution from protest to celebration while insisting on the ongoing need for visibility and solidarity.
Even in these more cultural stories, the focus stays on structures - venues, organisers, funding models - and the stakes for community life, rather than on personalities or entertainment alone.
Across beats, Robson works within a news-driven format that prioritises clear headlines, brief context and careful explanation of legal, political and institutional details. For communications teams, his interest lies where policy, law and institutional conduct intersect with LGBTQ+ identity, especially in education, policing and public funding. Stories that illuminate those junctions, backed by documents, data or concrete decisions, fit squarely within the reporting pattern he has established at Scene Magazine.
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Albert Tait
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Beth Kennedy
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Callum Clark
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