Evan Minsker
Evan Minsker is an editor, journalist, and critic whose work centers on fast, detailed music news and a deep, long-running commitment to punk and garage rock. He spent more than a decade on staff at Pitchfork, co-running the news section, overseeing the site on nights and weekends, and writing a recurring garage punk column alongside reviews and features. Now he freelances and runs See/Saw, a punk and rock’n’roll newsletter that extends his focus on loud, underground guitar music and small-label punk records. His current writing mixes breaking news, album and tour announcements, and artist spotlights on punk, indie, and alternative musicians, including stories such as Julia Jacklin’s 4AD debut The Gem.
Garage punk column and See/Saw newsletter
Minsker’s most distinctive thread is his sustained focus on garage punk and raw rock’n’roll, first through a weekly punk column at Pitchfork and now via See/Saw, his own newsletter about punk records. See/Saw is described as a punk and rock’n’roll publication designed to let him engage entirely with punk music, treating the newsletter as a spiritual successor to his earlier column and a survey of “gnarly and loud nonsense” from around the world.
Coverage in and around See/Saw emphasizes underground garage-punk bands, small scenes, and records that sit at the margins of mainstream music press, continuing the niche he carved out while writing punk-focused pieces in the shadow of his news role. Profiles of the newsletter portray him as the sole writer, building a reader-supported outlet that channels a zine-like punk attitude into regular criticism, features, and interviews.
Across this work, the emphasis falls on discovery and documentation of lesser-known punk and rock’n’roll acts rather than on major-label releases.
News director and breaking music coverage
Alongside that punk specialty, Minsker is defined by his tenure running the news section at Pitchfork, where he served as news director for roughly 12 years.
That role involved gathering and publishing music news overnight and on weekends, shaping the outlet’s trusted tone for breaking stories and coordinating social posts and edits across the site. His bylines cover a wide range of quick-turn pieces: obituaries like “R.I.P.
DJ/Producer Mark Kamins,” short reports on documentaries such as a film about krautrock featuring Jeff Tweedy, Dan Deacon, and DIIV’s Zachary Cole Smith, and posts announcing new videos from artists including Passion Pit and Los Campesinos!. Headlines like “Video: Los Campesinos!: ‘Avocado, Baby’,” “Video: Passion Pit: ‘Constant Conversations’,” and performance clips such as How to Dress Well singing “& It Was U” a cappella in the rain show a consistent format of concise context, clear crediting, and embedded media for fans following day-to-day developments.
Across these pieces, his work balances speed and accuracy while still flagging why a given release, documentary, or video matters within an artist’s career.
Artist interviews and long-form features
Beyond news posts, Minsker has a substantial track record interviewing artists and writing longer features that dig into process, influences, and humor. His interviews include a conversation with Arcade Fire member Will Butler about his eclectic debut solo album, touching on lessons taken from figures like Neil Young and Yeats as well as the spectacle of performing shirtless in a bobble head on stage. Feature packages collect his discussions with artists spanning classic rock, experimental music, and singer-songwriters, including Flying Lotus on the album You’re Dead!, collaboration with Kendrick Lamar, Slayer’s influence on his work, and his thoughts on the afterlife.
Other pieces follow West Coast singer-songwriters expanding stark folk styles on records such as On Your Own Love Again, and bands known for classic-rock pastiche releasing ambitious double albums amid breakup rumors and tentative high-profile collaborations. Professional profiles describe his broader freelance portfolio as criticism, features, and essays about music and television, often emphasizing newer and lesser-known artists rather than established stars.
The tone of these interviews and essays is direct and conversational, with artists asked to explain both creative intentions and the oddities of their performance personas.
Community-facing work and advocacy for small scenes
Minsker’s recent trajectory also includes visible advocacy for local and underground music communities.
Coverage of his post-Pitchfork career notes that, after being laid off during corporate restructuring, he used the disruption to start See/Saw as an independent venture dedicated to documenting garage punk scenes and bands that might otherwise be overlooked. Regional profiles describe him listening closely to the underground garage-punk music scene across the country and writing hundreds of stories, obituaries, breaking news pieces, and album and tour announcements that helped put emerging artists in front of larger audiences.
On panels such as a Minnesota Music Month scouting report, he is introduced as a music journalist and former news director who has materially boosted exposure for smaller acts, with artists crediting him for getting their names in front of listeners beyond their immediate circles. Taken together, these activities show a reporter who uses both institutional roles and independent platforms to champion DIY bands, regional scenes, and friendship-driven projects at the edge of mainstream coverage.
4 more music journalists.
Andrea Dresdale
Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.
Andrew Weber
Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.
Andy Greene
Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.
Anna Grace Lee
Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.