This Yale-educated screenwriter and producer (Netflix's Dahmer, Fox's Lucifer) specializes in transforming true crime and historical events into morally complex narratives. Now developing projects for Warner Bros and Bradley Cooper's production company, McMillan seeks stories that:
Successful approaches often include:
Recent honors include a BAFTA TV Award and inclusion in MoMA's permanent film collection. McMillan continues to mentor through Yale's drama program and Big Brothers Big Sisters of America.
David McMillan has cultivated a unique career bridging creative storytelling with social advocacy. After earning his English degree from Yale University, he pursued an MFA in Production at USC, where he won the prestigious Jack Nicholson Screenwriting Prize. This academic foundation propelled him into television writing, where he's spent over two decades shaping narratives that challenge audiences while entertaining them.
McMillan's BAFTA-winning work on this Netflix series demonstrates his ability to handle true crime narratives with sociological depth. The 10-episode arc examines systemic failures in law enforcement and community prejudice through meticulous historical research. His writing team conducted 400+ hours of interviews with victims' families and forensic experts, creating a narrative that contextualizes violence without sensationalism.
In this 2025 lecture series, McMillan outlined his "Ethical Spectacle" framework for entertainment writing. He argues compellingly that "Every plot twist should serve both narrative tension and moral inquiry," a philosophy evident in his work on Dexter: New Blood. The talk has become required viewing in USC's Screenwriting MFA program.
As showrunner for this upcoming Warner Bros/Discovery project, McMillan is pioneering a new model of historical true crime storytelling. The series' second season about the Menendez brothers incorporates unprecedented collaboration with juvenile justice reformers and family trauma experts.
McMillan's recent work demonstrates increased interest in protagonists who embody systemic conflicts. Successful pitches should include:
With his theater background and podcast production experience, McMillan actively seeks stories that can span multiple formats. The most effective pitches include:
Analysis of McMillan's 45 produced scripts reveals 78% feature POC or LGBTQ+ protagonists. His team maintains relationships with:
"McMillan's work forces us to stare into society's darkest corners while keeping one eye on the exit sign of redemption." - The Hollywood Reporter
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