Danielle de Wolfe
Danielle de Wolfe is a senior digital news editor at LBC who brings a feature writer’s eye to hard news, framing justice, politics and public life through clear, story-led reporting.
Her entertainment background informs the way she handles high‑profile figures and cultural moments, turning incidents like Sir Rod Stewart becoming trapped in a Prada lift into concise, personality-driven pieces that still sit firmly within the news agenda.
Justice, abuse and survivor-led stories
Much of de Wolfe’s recent work interrogates how the justice system treats victims and survivors of serious crime, giving prominence to both official reforms and individual experiences. She reports on specialist courts set up for rape and serious sexual offences, capturing ministers’ claims that these are designed to put victims and survivors back at the heart of the justice system.
She covers long‑running abuse narratives, including Virginia Giuffre’s claims of sexual abuse by her father and a family friend as documented in a memoir, focusing on the detail of allegations and the effort to obtain justice.
Her coverage extends to historic and controversial cases, such as the shooting of Jean Charles de Menezes, where she reports on a senior firearms officer recounting events 20 years on within a television documentary about terror on the London Underground. She also reports on live criminal proceedings, including a mistrial in the Lindsay Clancy murder case after a jury failed to reach a verdict and an appeal was rejected, tracking the procedural outcomes as they unfold. At the same time, she covers devastating incidents like the discovery of a newborn baby’s body on a beach and the police search for the child’s mother, keeping the focus on the core facts and investigative response.
Politics, policy and the impact on daily life
De Wolfe’s reporting on politics centres on how party fortunes, constitutional debates and policy decisions translate into real-world consequences. She covers exclusive polling that shows Labour now more popular than Reform UK, detailing satisfaction ratings for figures such as Andy Burnham and setting them against benchmarks for previous prime ministers.
Her work tracks the rhetoric of populist politics, including Nigel Farage’s threat to declare a national emergency and abolish the House of Lords, while also noting practical complications such as security-related delays to his party conference keynote speech.
She approaches policy stories through tangible changes to everyday life, reporting on government school lunch reforms that introduce lentils and chickpeas, quoting ministers who insist the new menus are “really exciting” while reassuring that fish and chips remain available.
Her coverage of planned migrant accommodation in an Oxfordshire village focuses on the women who live there, highlighting their fears that residents would be outnumbered ten to one and their decision to write an open letter urging female MPs to intervene. She also documents how industrial disputes and transport decisions affect commuters, describing tube strikes that bring London to a standstill and the travel chaos caused by underground workers’ walkouts over pay and conditions.
Royal finances and institutional accountability
De Wolfe frequently examines the intersection of monarchy, money and public services, treating the royal family as institutional actors whose financial arrangements warrant scrutiny. Her investigation into royal earnings reports that King Charles and Prince William have made millions from contracts with cash‑strapped public services and charities, including the NHS and the military, reflecting concern about the flow of funds between public bodies and royal estates. She links these themes of accountability to wider questions of national security and corporate stability, reporting that broadband provider TalkTalk could go into administration within days and describing raised national security concerns around the potential collapse of a major telecoms firm.
Opinion, features and entertainment sensibility
Alongside straight news, de Wolfe writes opinion and feature pieces that treat consumer culture and everyday frustrations with the same clarity she brings to politics and justice. In an article about so‑called “Zara Death Trousers,” she argues that longer trousers should simply be left for tall people, using humour and direct language to explore fashion sizing and trip hazards.
Her coverage of television documentaries, such as the Channel 4 film about the Jean Charles de Menezes shooting, shows her ability to connect broadcast storytelling to wider debates about policing and terrorism.
Beyond LBC, she has built up experience as a journalist and editor across national print and digital outlets, contributing long‑form features, opinion pieces and profiles to titles such as The Guardian, The Observer, The i, Stylist, The Independent, Metro, the Evening Standard and Time Out London, among others. Her previous work as an entertainment features writer has sharpened her focus on personalities, culture and narrative structure, which now underpins her treatment of celebrity incidents, royal stories and high‑profile court cases within the broader news mix.
4 more entertainment journalists.
Abbie Bray
Abbie Bray reports on how television affects the people on screen and the viewers at home. She is acting head of Screen Time, working across national and regional titles on dramas, soaps, factual entertainment and live broadcasts. Her focus includes Death in Paradise, Beyond Paradise, Vera and Midsomer Murders, as well as Gardeners’ World, Our Yorkshire Farm, Countryfile, Garden Rescue and A Place in the Sun. She also covers presenters, long-running series, sports broadcasts, viewer complaints and Ofcom scrutiny. Before Screen Time, she was a TV reporter for Metro and the Daily Express, then held weekend TV editor, assistant TV editor and deputy showbiz editor roles. Her reporting links TV formats to grief, career changes, casting, audience reaction and the personal stakes behind live coverage.
Adam Bloodworth
Adam Bloodworth covers how culture, nightlife and luxury spaces shape modern entertainment and everyday life. He is a Features Journalist and Deputy Life&Style Editor at City A.M., where he has written and commissioned culture and lifestyle features since 2022. He is also Deputy Editor of City A.M. The Magazine. His beat includes film, TV, music, theatre, things to do, restaurants, hotels, members’ clubs, fashion and LGBTQ storytelling. He has written for The Telegraph, The Independent, VICE, Metro and HuffPost UK. He reviews gigs, theatre and restaurants, profiles venues and reports on live-music infrastructure. His work often combines criticism with first-person experience, judging places and performances by their atmosphere, stories and audience experience. He also interviews public figures and appears as an on-air commentator.
Adam England
Adam England stands out for linking celebrity news to wider trends in music, sport, health and everyday life. He is a writer-reporter on the news team at People, where he covers entertainment, culture and lifestyle through timely stories and evergreen explainers. His work has appeared in publications including The Guardian, The Independent, Vice, Dazed, Healthline and Verywell Mind. He writes about music, screen entertainment, celebrity careers, fan communities, sport, cultural history, mental health, travel, pets, relationships and social affairs. His explainers include the 2023 NFL Draft and Bruce Lee’s death. He also reports on sensitive celebrity health stories, such as Lionel Richie cutting a concert short after feeling dizzy. His reporting is clear, factual and service-driven. He strips back jargon and mythology, uses lived experience and expert input where relevant, and avoids sensationalism.
Adam White
Adam White is features editor across culture and lifestyle at The Independent. He writes and commissions long-form features, essays and interviews on film, television, music and entertainment. His work examines how fame, fandom and taste shape contemporary culture, from streaming thrillers and celebrity disclosure to festivals, live music and creative careers. His writing has appeared in Dazed, Huck, i-D, Playboy, The Telegraph, The i, Little White Lies, The Quietus and Nylon. He uses a strong, voice-led style that combines reporting, observation and personal immersion. His streaming coverage treats television as something experienced as much as watched. His celebrity essays connect star narratives to wider questions about privacy and public image. His festival writing focuses on audiences and live events as cultural rituals. His interviews with film-makers and authors rely on rapport, extended stories and reflection.